The One Woman Explained

The One Woman: A Story of Modern Utopia
Authors:Thomas Dixon Jr.
Language:English
Publisher:Doubleday, Page[1]
Release Date:1903
Pages:350

The One Woman: A Story of Modern Utopia is a 1903 novel by Thomas Dixon Jr.

Plot summary

Reverend Joseph Gordon, a preacher in New York City, clashes with church elders because of his socialist views.[2] [3] Despite being a socialist, his best friend, Mark Overman, is a millionaire Wall Street banker.[2]

Meanwhile, Gordon grows apart from his wife, Ruth, who disapproves of his politics.[2] After he starts a relationship with Kate Ransom, a wealthy female parishioner, he divorces his wife.[2] Kate Ransom donates a million dollars for him to start a new church and thus get rid of the disapproving church elders.[2] [3] The new church is called the "Temple of Man".[3]

Unfortunately, Kate Ransom falls in love with his friend Mark Overman.[2] The two men have a fight over the woman, and Gordon kills Overman.[2] Ransom tells the police about the murder and Gordon is sentenced to the death penalty.[2] Meanwhile, his faithful ex-wife asks her childhood lover, now the Governor of New York, to grant him a pardon, which he does.[2] Gordon is rescued from execution at the last minute.[2]

Main themes

The novel's primary theme is socialism,[2] and it has been described as an 'anti-socialist novel.'[4]

Another theme is feminism.[2] [5] However, biographer Anthony Slide explains that it is construed as a by-product of socialism.[2]

Critical reception

The book was widely reviewed and became a best-seller.[2]

It has been interpreted as an attack on socialist clergyman George D. Herron, who had recently divorced.[6]

Theatrical and cinematic adaptations

The novel was adapted as a play in 1906.[4] The first performance took place in Norfolk, Virginia, October of that year.[2] [4] It was performed on a tour in the American South.[2] The main character, Frank Gordon, was played by D. W. Griffith.[4] His wife, Linda Arvidson, also acted in the play.[4] Two months later, they were replaced with cheaper actors.[4]

The novel was adapted into a film in 1918.[2] [5] The screenwriters were Harry Chandlee and E. Richard Schayer.[2] It was directed by Reginald Barker.[2] It was shot in May–June 1918 at Paralta Studio on Melrose Avenue in Los Angeles.[2] Actors included W. Lawson Butt, Clara Williams and Adda Gleason.[2] The film, which is now lost, was reviewed in Variety.[2]

External links

Notes and References

  1. http://catalog.hathitrust.org/Record/001375266?type[]=author&lookfor[]=%22Dixon%2C%20Thomas%2C%201864-1946.%22&ft= HathiTrust
  2. Anthony Slide, American Racist: The Life and Films of Thomas Dixon, Louisville, Kentucky: University Press of Kentucky, 2004, pp. 118-126 https://books.google.com/books?id=Ng_fyVJVMz4C&dq=%22The+One+Woman%22+dixon&pg=PA119
  3. Edward J. Blum, W. Scott Poole, Vale of Tears: New Essays on Religion and Reconstruction, Macon, Georgia: Mercer University Press, 2005, p. 242 https://books.google.com/books?id=46yZTSn32MsC&dq=%22The+One+Woman%22+dixon&pg=PA242
  4. Melvyn Stokes, D.W. Griffith's the Birth of a Nation : A History of the Most Controversial Motion Picture of All Time: A History of the Most Controversial Motion Picture of All Time, Oxford, England: Oxford University Press, 2007, p. 52 https://books.google.com/books?id=fGJFpiTjbKwC&dq=%22The+One+Woman%22+dixon&pg=PA52
  5. Cary D. Wintz, 'Introduction', in Thomas Dixon, The Clansman: An Historical Romance of the Ku Klux Klan, M.E. Sharpe, 1941, p. xv https://books.google.com/books?id=5vbDqpn8maoC&dq=%22The+One+Woman%22+dixon&pg=PR15
  6. Ralph E. Luker, The Social Gospel in Black and White: American Racial Reform, 1885-1912, Chapel Hill, North Carolina: University of North Carolina Press, 1998, p. 293 https://books.google.com/books?id=9N44oRFDOaMC&dq=%22The+One+Woman%22+dixon&pg=PA293