The North Pole by Submarine explained

The North Pole by Submarine
Type:Studio album
Artist:Bleep
Border:yes
Released:1990
Length:52:19 (CD)
43:25 (LP)
Label:SSR Records
Producer:Bleep

The North Pole by Submarine is the only album released by ambient techno artist Bleep.[1] Bleep was the one-time moniker of Geir Jenssen, who is more widely known as Biosphere. Shortly after North Pole was released, Jenssen moved in a far more ambient direction with his music, and changed the name under which he released his new music to avoid any comparison with "bleep house".

The album was released on SSR Records (sub-label of Crammed Discs) and Tokuma Japan Communications music labels.

Critical reception

In his book Ocean of Sound (1995), David Toop described The North Pole by Submarine as "a promising Belgian New Beat/acid album" and noted how some of the record is sampled from radio transmissions. In a retrospective review, John Bush of AllMusic wrote how the "pre-Biosphere album" contains "few ambient tones", instead focusing on "heavy house/pop rhythms and acid effects" to create music aimed exclusively at dancefloors.

Track listing

  1. "A Byte of AMC" – 4:17
  2. "The Operator" – 6:09
  3. "Mr. Barth in the Sahara" – 6:18
  4. "A Fading Dream" – 5:05
  5. "The Conway Saddle" – 6:17
  6. "The Snake" – 4:49
  7. "Cycle 92" – 5:33
  8. "In Your System" – 4:57
  9. "Sure Be Glad When You're Dead" – 4:37
  10. "A Byte of AMC (The Wrong Floppy Mix)" – 4:17

Notes

External links

Notes and References

  1. Book: Thompson . Dave . Alternative Rock: Third Ear: The Essential Listening Companion . 2000 . Miller Freeman Books . 198.