| The Nightingale | |
| Director: | Jennifer Kent |
| Music: | Jed Kurzel |
| Cinematography: | Radek Ładczuk |
| Editing: | Simon Njoo |
| Distributor: | Transmission Films |
| Runtime: | 136 minutes[1] |
| Country: | Australia |
| Budget: | $2 million[2] |
| Gross: | $988,687[3] [4] |
The Nightingale is a 2018 Australian historical psychological thriller film written and directed by Jennifer Kent.[5] [6] [7] The film stars Aisling Franciosi, Sam Claflin, Baykali Ganambarr, Damon Herriman, Harry Greenwood, Ewen Leslie, Charlie Shotwell, Michael Sheasby, and Magnolia Maymuru. Set in 1825 in Van Diemen's Land, it follows a young Irish convict (Franciosi) seeking vengeance against members of the Colonial forces of Tasmania who gang raped her and killed both her husband and infant daughter. She is aided by an Aboriginal Tasmanian tracker (Ganambarr), who seeks vengeance for the British occupiers' Black War against his people.
The Nightingale premiered at the 75th Venice International Film Festival on 6 September 2018, where it was nominated for the Golden Lion and won the Special Jury Prize, while Ganambarr won the Marcello Mastroianni Award. The film was theatrically released in Australia on 29 August 2019 and was a box office failure, grossing only $988,687 against its $2 million production budget. Despite generating controversy for its graphic portrayal of rape and murder, it received critical acclaim, with particular praise for Kent's direction, the performances of the cast, and acknowledgement of racial violence in Australia. It is the first film to include palawa kani, a reconstructed form of the once extinct Tasmanian languages.
The Nightingale received a leading 15 nominations at the 9th AACTA Awards, winning 6, including Best Film, Best Direction and Best Screenplay, Original or Adapted for Kent, Best Actress for Franciosi, and Best Supporting Actress for Maymuru.
In 1825, on the eve of the Black War, Irish convict Clare Carroll works as a servant for a Colonial force detachment commanded by Lieutenant Hawkins. The unit is visited by an officer to see if Hawkins is fit for promotion. Clare, nicknamed "Nightingale", sings and serves drinks for the men. After work, Clare visits Hawkins to make an inquiry, and he forces her to sing a special song for him. Hawkins makes unwanted advances to her and Clare rebuffs them. She asks about getting a letter of recommendation that would free her, her husband Aidan, and their infant daughter Bridget. But Hawkins rapes her for her perceived insolence. Aidan suspects that Clare has been hurt and tries to persuade Hawkins to give the letter.
That night, Aidan engages in a brawl with Hawkins, his second-in-command Sergeant Ruse, and Ensign Jago. The visiting officer witnesses the incident and decides that he is unfit for promotion. Hawkins commands Ruse and Jago to gather supplies for a journey through the bush to the town of Launceston, Tasmania, in hopes of negotiating with the officer. Before departing, the soldiers intercept the Carroll family as they attempt to flee. Hawkins rapes Clare again and orders Ruse to do so as well, which he does. Hawkins shoots and kills Aidan, and commands Jago to quiet Clare's crying baby; he kills the infant. The following morning, Clare awakes. She reports the incident to a RMP officer, but realizes that he's no help. She decides to seek revenge herself, with the help of an Aboriginal tracker named Billy. Clare tells Billy she wants to rendezvous with her husband who accompanies the colonial forces. At first, Clare is openly racist towards Billy while he sees her as being no different from the English colonists who murdered his family.
Their mutual hostility dissipates, however, as they learn about each other's terrible losses and realize that they are both survivors of conquered peoples with persecuted cultures. Billy tells Clare that his true name is Mangana, palawa kani for "blackbird", the yellow-tailed black cockatoo. He wants to go north to reunite with the female survivors of his tribe.
Meanwhile, the officers recruit three white convicts and an Aboriginal tracker, Charlie, for their journey. Hawkins takes a liking to one of the convicts, a child named Eddie. Ruse kidnaps an indigenous woman named Lowanna to be used as a sex slave. Aboriginal men kill one of the convicts and injure Jago in an unsuccessful rescue mission. Hawkins holds Lowanna hostage, then kills her, distracting the men.
He, Ruse, and the convicts flee, leaving Jago behind. Later, Clare and Mangana stumble upon Jago, whom the tracker assumes is her husband. Clare corners Jago, stabbing and beating him to death (an event that haunts her later nightmares). A shocked Mangana considers abandoning Clare, but when he learns the reasons behind her quest for revenge, he decides to stay.
Charlie, in revenge for the soldiers' brutality towards the natives, diverts the journey to a dead end on a mountain summit. Ruse kills him, but Hawkins chastises Ruse, as Charlie was the only one who could have led them out of the bush. He forces Ruse to take over as guide on the way back down.
After Clare and Mangana find Charlie's body, Mangana performs burial rites and tells Clare that he, too, seeks vengeance. The two approach the group of four men, but Clare freezes when she sees Hawkins, allowing him to graze her with a musket shot, forcing Clare and Mangana to split up. Mangana is found and forced to be the new guide. He brings the soldiers back to the main path to Launceston, and Hawkins orders Eddie to kill Mangana, but Eddie hesitates, allowing Mangana to escape. Hawkins tries to abandon Eddie, but when Eddie begs for a second chance, Hawkins shoots and kills him.
Clare finds her way back onto the main path and reunites with Mangana. They encounter a chain gang of Aboriginal men, one of whom tells Mangana that he is the last of his people. When the prisoner yells at his captors about their treatment of indigenous people, they shoot him and the others dead before proceeding to take their heads as trophies. Later, while eating dinner with a sympathetic English couple, Mangana weeps openly, lamenting the loss of his people and home.
In Launceston, Clare confronts the newly promoted Hawkins as a mass murderer and a rapist in front of his fellow officers. Mangana watches in hiding. The two flee town, but Mangana dons war paint, and returns, despite Clare's pleas that he will be murdered.
She follows as Mangana enters the hostel where Hawkins and Ruse are lodged. The tracker kills them both, but Ruse shoots him and severely wounds him. Clare and Mangana flee, reaching a beach where Mangana sings and dances, declaring himself a free man. Clare sings a Sean-nós song in the Irish language as the two watch the sun rise.
According to The Sydney Morning Herald, director Jennifer Kent was "deluged" with film scripts from the United States after the success of her debut film The Babadook (2014), but decided to focus on writing and directing The Nightingale.[8] IndieWire reported that shooting for The Nightingale began on location in Tasmania in March 2017.[9]
Due to the brutality of the film's scenes, psychologists were brought on set to support the actors.[10]
The Nightingale was released in the United States on 2 August 2019 by IFC Films, and in Australia on 29 August by Transmission Films.[11] [12] The film was selected to be screened in the main competition section of the 75th Venice International Film Festival,[13] [14] [15] and had its Australian premiere at the 2018 Adelaide Film Festival.[16] IFC Films announced on Twitter that it had bought the rights to distribute the film in the US and set a release for summer 2019, following its festival run.[17]
On Rotten Tomatoes, The Nightingale holds an approval rating of, based on reviews, and an average rating of . Its consensus reads "The Nightingale definitely isn't for all tastes, but writer-director Jennifer Kent taps into a rich vein of palpable rage to tell a war story that leaves a bruising impact."[18] On Metacritic, the film has a weighted average score of 77 out of 100, based on 35 critics, indicating "generally favorable reviews".[19]
Marcella Papandrea from The Super Network said "There is no doubt The Nightingale won't be an easy watch for most, but it is an important watch. Jennifer Kent has carefully and respectfully crafted a brutal story, spilling harsh truths along the way."[20]
The Nightingale received media attention following its initial screenings at the Sydney Film Festival, where approximately 30 of 600 film-goers walked out of the cinema[21] due to its graphic depictions of rape and murder.
One viewer was heard shouting "I'm not watching this; she's already been raped twice", as she exited the cinema. Kent defended the decision to show such violence, saying that the film contains historically accurate depictions of the violence and racism that were inflicted upon the indigenous Australian people of that time.[21] The film was produced in collaboration with Tasmanian Aboriginal elders. They asserted that this is an honest and necessary depiction of their history and a story that needs to be told. Kent said she understands the negative reactions, but said that she remained enormously proud of the film and stressed to audiences that this film is about "a need for love, compassion and kindness in dark times."[22]
At the 2018 Venice Film festival, an Italian film critic shouted a sexist comment when Kent's name appeared in the credits. It was similar to the slurs used against the film's protagonist. The Nightingale was the only film directed by a woman to be included in the festival's main competition.[23]
| Award | Category | Subject | Result | Ref |
|---|---|---|---|---|
| AACTA Awards (9th) | Best Film | Kristina Ceyton, Steve Hutensky, Bruna Papandrea, Jennifer Kent | ||
| Best Direction | Jennifer Kent | |||
| Best Screenplay, Original or Adapted | ||||
| Best Actor | Baykali Ganambarr | |||
| Best Actress | Aisling Franciosi | |||
| Best Supporting Actor | Damon Herriman | |||
| Michael Sheasby | ||||
| Best Supporting Actress | Magnolia Maymuru | |||
| Best Cinematography | Radek Ladczuk | |||
| Best Editing | Simon Njoo | |||
| Best Sound | Leah Katz, Robert Mackenzie, Dean Ryan, Pete Smith | |||
| Best Production Design | Alex Holmes | |||
| Best Costume Design | Margot Wilson | |||
| Best Hair and Makeup | Nikki Gooley, Cassie O'Brien, Larry Van Duynhoven | |||
| Best Casting | Nikki Barrett | |||
| Saturn Award (46th) | Best International Film | [24] | ||