| The Neighborhood | |
| Type: | Album |
| Artist: | Los Lobos |
| Cover: | The Neighborhood - Los Lobos.jpg |
| Studio: | Ocean Way, Los Angeles, California Sunset Sound, Hollywood, California |
| Genre: | Roots rock Chicano rock R&B Tex-Mex Heartland rock |
| Label: | Slash Records, WB Records |
| Producer: | Larry Hirsch, Los Lobos |
| Prev Title: | La pistola y el corazón |
| Prev Year: | 1988 |
| Next Title: | Kiko |
| Next Year: | 1992 |
The Neighborhood is the fifth album by the rock band Los Lobos.[1] [2] It was released in 1990 and includes contributions from, among others, Levon Helm and John Hiatt.[3] [4]
The album peaked at No. 103 on the Billboard 200 in September 1990.[5]
The album followed a period of writer's block, brought on by the success of "La Bamba," and a confusion about what musical direction to go in.[6] The New York Times noted a more prominent blues influence, "in different moods and textures."[7] Some tracks employed session drummers in place of Louie F. Pérez, Jr.
Reviewing The Neighborhood for the Chicago Tribune, Greg Kot said that Los Lobos had "translated" their mastery of blues, country, R&B and Mexican folk "into 13 songs of startling simplicity and power", describing the album as "East L.A. soul music, played and sung with utter conviction." Chicago Sun-Times critic Don McLeese stated that it "confirms that the music of Los Lobos has deeper dimensions than the good-time revivalism of 'La Bamba'"; in Rolling Stone, McLeese noted the album's "simplicity and understatement" and summarized it as "a bringing-it-all-back-home affair" which "finds a spiritual dimension, a sense of wonder in the course of everyday life." For The Washington Post, Geoffrey Himes wrote that "the album is a bold claim by these second-generation immigrants that they are Americans, and that all of America's culture belongs to them."[3] Ira Robbins of Entertainment Weekly lauded the band's musical versatility and concluded that "despite the disconcerting lack of focus, what's in this musical melting pot is mighty tasty."
Los Angeles Times journalist Chris Willman credited Los Lobos with maintaining their "edge" throughout The Neighborhood, even in moments that "are so outrightly sentimental that they would be sheer Capra-corn in almost any other group's hands". While finding the band's songwriting not at par with "their stylistic mastery", Gavin Martin of NME deemed the album "Los Lobos' most successful collection to date". Critic Robert Christgau, however, merely gave it a grade of "neither".[8]
Retrospectively, AllMusic's Mark Deming called The Neighborhood "a genuine step forward for a great band, as well as the jumping-off point to their most experimental period." In The Rolling Stone Album Guide, J. D. Considine commented that the album showed Los Lobos sounding "reinvigorated" and "stronger than ever" with material that played to the band's musical strengths. Trouser Press praised it as "exciting, evocative and highly satisfying."[9]
All songs written by David K. Hidalgo and Louie F. Pérez, Jr., except where noted.
Additional personnel
Production