| The Myth of the Birth of the Hero | |
| Title Orig: | Der Mythus von der Geburt des Helden |
| Translator: |
|
| Author: | Otto Rank |
| Country: | Germany |
| Language: | German |
| Published: |
|
The Myth of the Birth of the Hero (German: Der Mythus von der Geburt des Helden) is a book by Austrian psychoanalyst Otto Rank in which the author puts forth a psychoanalytical interpretation of mythological heroes, specifically with regard to legends about their births.[1] The first edition of the book was published in 1909, and a greatly expanded second edition was published in 1922.[2]
The Myth of the Birth of the Hero comprises three parts (the first two sections were originally published in 1909, and the final section was added when the work was republished in 1922). In the first section, Rank introduces his topic of investigation, noting: "Whatever one’s opinion as to their origin, one is struck by an insistent tendency in the myths to make all heroic figures fit the framework of a specific birth legend."[3] He then emphasizes "the role played by unconscious psychosexual life in myth formation."[1] In the work's second section, Rank closely analyzes mythes about the births of Sargon of Akkad, Moses, Karna, Oedipus, Paris, Telephos, Perseus, Dionysus, Gilgamesh, Cyrus the Great, Trakhan, Tristan, Romulus, Hercules, Jesus, Sigurd, Lohengrin, and Sceafa.[4] In the final section, Rank lays out a rough outline that he claims can be applied to almost all mythical birth stories:
The hero is the child of very distinguished parents, and usually the son of a king. His origin is preceded by difficulties, such as sexual abstinence, prolonged infertility, or secret intercourse of the parents due to external prohibition or obstacles. During or before the pregnancy, a prophecy, in the form of a dream or oracle, warns against his birth, usually threatening harm to the father. Therefore the newborn child, usually at the instigation of the father or his representative, is doomed to be killed or exposed. As a rule, he is surrendered to the water, in a box. He is then saved by animals, or by lowly people (herders), and suckled by a female animal or a lowly woman. After he has grown up, he finds his distinguished parents in a variety of ways. He takes revenge on his father, on the one hand, and is acknowledged, on the other, achieving greatness and fame.[5]