| The Man Standing Next | |||||
| Native Name: |
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| Based On: | [1] | ||||
| Producer: | Kim Won-guk | ||||
| Director: | Woo Min-ho | ||||
| Music: | Jo Yeong-wook | ||||
| Cinematography: | Go Nak-seon | ||||
| Editing: | Jeong Ji-eun | ||||
| Studio: | Hive Media Corp. | ||||
| Distributor: | Showbox | ||||
| Runtime: | 114 minutes | ||||
| Language: | Korean | ||||
| Budget: | $18 million | ||||
| Gross: | $34.7 million[2] | ||||
The Man Standing Next is a 2020 South Korean historical political thriller film directed by Woo Min-ho. Based on an original novel of the same title, the film stars Lee Byung-hun, Lee Sung-min, Kwak Do-won, and Lee Hee-joon as the high-ranking officials of the Korean government and the Korean Central Intelligence Agency (KCIA) during the presidency of Park Chung Hee 40 days before his assassination in 1979.[3]
The film premiered in South Korea on 22 January 2020, where it topped the box office until 4 February 2020.[4] [5] [6] [7] It was released in the United States on 24 January 2020.[8] It was selected as the South Korean entry for the Best International Feature Film at the 93rd Academy Awards, but it was not nominated.[9] [10] [11] [12]
In the 1970s, South Korea is under the absolute control of President Park who controls the KCIA, the organization with an edge over any branch of government. The director of the KCIA, Kim Gyu-pyeong, is nearly the second-in-command, but faces rivalry from the president's security chief. amid a reign of fear, a former KCIA director, Park Yong-gak, who knows all about the government's obscure and illegal operations, goes into exile, and testifies in front of the U.S. Congress, opening the floodgates to the investigation of Koreagate.[13] As tension escalates, stifling political maneuvers by those desiring power collide explosively.
Park Yong-gak, a former KCIA director, testifies against South Korean President Park in a United States Senate Committee investigation. With the threat of Park publishing his manuscript on the regime, President Park of South Korea sends Kim Gyu-pyeong, the current KCIA Director to stop Park Yong-gak from publishing his manuscript. Kim goes to Washington, where the two meet and Kim demands the manuscript from Park. Park Yong-gak hands it over but implies the president's corruption by suggesting that President Park is being financially backed by offshore Swiss accounts.
With his mission accomplished, Kim returns to South Korea and consequently, faces conflict with Kwak Sang-cheo, President Park's bodyguard. A wiretapping plot on the president is discovered and Kim becomes suspicious of a professor who is present at the search in the President's office. Through interrogation, Kim finds out that a KCIA agent has acted without orders from him. He sends an agent, Ham Dae-yong, to Paris to further investigate the situation.
In Paris, through means of wiretapping, Ham discovers that the KCIA agent was not acting on his own, but rather under orders from Kwak. Through this, it is discovered that Kwak has ordered the assassination of ex-Director Park, who will be visiting Paris. It is during this time that President Park gives Director Kim the freedom to do what he wishes with the ex-Director. Kim, not to be outdone by Kwak, resolves to have Park Yong-gak killed.
In Paris, two different teams both to assassinate ex-director Park prepare to kill him. Kwak's team seeks to lure Park into his room, while Kim's team seeks to kidnap him and then kill him. With the help of Park Yong-gak's aide, Deborah Shim, who is used as bait, Director Kim's team can nab ex-Director Park first, driving him out of Paris. However, Park can momentarily escape to a nearby town but is tracked down by Ham, who promptly kills him. He disposed of Park Yong-gak's body to ground up in a hammer mill which is a grinder at a chicken farm and turned into chicken feed.
Park is displeased with Kim's handling, however, noting that Kim didn't solve the problem of apparently stolen finances that were procured by Park Yong-gak. Kim's friendship with President Park deteriorates further as a result and Park begins distrusting Kim. Kim, who is deeply torn by the killing, as the ex-Director was his friend, begins to break down under stress.
Sometime after the killing of ex-director Park, President Park and his administration are faced with a new issue in the form of pro-democracy protests in Pusan and Masan, as well as fears that these protests could spread to Seoul. Kwak takes a hardline stance, advising harsh and swift military intervention, and declaration of martial law. Kim suggests a more levelhanded approach and urges Park to avoid declaring martial law. Park, favoring Kwak, proceeds with a declaration of martial law.
Following this, Kim is told that Park is holding a banquet but has not invited him, but rather Kwak. Kim goes anyway to eavesdrop on Park and Kwak and learns that Park is considering replacing Kim. Yet again, Park gives a subordinate clearance to do what they wish, the subordinate this time being Kwak.
On October 26, Park is doing a day of ribbon-cutting ceremonies for a dam in Sapgyo. Kim attempts to join him and Kwak at the helicopter, but Kwak bars him from joining. Riled, Kim calls his subordinates with the intent of planning something. That night, Park invites Kim to dinner. It's intended to be an apology of sorts, but Kim is unmoved. During the dinner, Kim leaves to get a pistol, meets with his subordinates, and tells them that he will kill Park. Upon returning to the room, the conversation becomes heated. It culminates in Kim shooting and wounding Kwak in the arm. He then turns on Park and shoots him too. As this happens, Kim's subordinates organize a coordinated attack on the compound where the dinner is being held and kill the remaining bodyguards. Kim attempts to finish Kwak, but the pistol jams and he is forced to leave the room to get another gun from an agent. At this time, the light goes off and then comes back on. He returns to the room, shooting and killing Kwak and killing Park with a shot to the head.
Kim quickly leaves with his subordinates and the notables present at the compound during the attack. He is given the choice between going to Namsan or the Army Headquarters. The Chief Presidential Secretary, bearing witness to the assassination, suggests that he go to the Army Headquarters. Kim considers this as the screen fades to black. After the screen goes black, a subtitle appears that Kim Gyu-pyeong was arrested at the Army Headquarters and hanged as the culprit in the President's assassination. The movie ends with a text saying that Kim chose to drive to the Army Headquarters, where he was caught. The voice of Chun Doo-hwan, the actual model of Chun Doo-hyuk, and the voice of Kim Jae-gyu, the actual model of Kim Gyu-pyeong, appear.
The film was released in Japan on 22 January 2021, under the name KCIA.[16]
The Man Standing Next holds approval rating on review aggregator website Rotten Tomatoes, based on reviews, with an average of .[17]
Cary Darling of The Houston Chronicle rated it 4/5, writing: "Stylistically, there are echoes of such notable ’70s American political thrillers as “Parallax View” and “The Conversation.” Even if you’re not sure what’s going on at any given moment, it is never less than compelling. As if it weren’t known already, “The Man Standing Next” is proof that there’s much more to South Korean cinema than 'Parasite.'"
In a review for The Guardian, Leslie Felperin noted the film "feels aimed more at a domestic audience" and rated it 3/5. She wrote: "There’s a long wait until something really meaty happens, in every sense, but the climactic killing in a restaurant, complete with spluttering arteries and swooping camerawork, is just about worth the wait."[18]
In a review for The Hollywood Reporter, John DeFore wrote: "Though touching on a le Carre-like web of loyalties, ambition and hidden agendas, the film (an adaptation of Kim Choong-Seek’s book KCIA Chiefs) is generally less engrossing than that might suggest, only coming to life in the sweaty hours leading up to that murder."[19]
| Year | Award | Category | Recipient | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | 25th Chunsa Film Art Awards | Best Director | Woo Min-ho | [20] [21] | |
| Best Actor | Lee Byung-hun | ||||
| Best Supporting Actor | Lee Sung-min | ||||
| Lee Hee-joon | |||||
| Best Supporting Actress | Kim So-jin | ||||
| 56th Baeksang Arts Awards | Best Film | The Man Standing Next | [22] [23] | ||
| Best Director | Woo Min-ho | ||||
| Best Actor | Lee Byung-hun | ||||
| Best Screenplay | Woo Min-ho & Lee Ji-min | ||||
| Technical Award | Kim Seo-hee (Makeup and Hair) | ||||
| 29th Buil Film Awards | Best Film | The Man Standing Next | |||
| Best Director | Woo Min-ho | ||||
| Best Actor | Lee Byung-hun | ||||
| Best Supporting Actor | Lee Hee-joon | ||||
| Best Supporting Actress | Kim So-jin | ||||
| Best Screenplay | Woo Min-ho & Lee Ji-min | ||||
| Best Cinematography | Go Rak-sun | ||||
| Best Music | Jo Yeong-wook | ||||
| Best Art Direction | Cho Hwa-sung, Park Gyu-bin | ||||
| 40th Korean Association of Film Critics Awards | Best Film | The Man Standing Next | |||
| Top 10 Films | |||||
| Best Actor | Lee Byung-hun | ||||
| 14th Asian Film Awards | Best Actor | ||||
| 7th Korean Film Producers Association Awards | Best Director | Woo Min-ho | |||
| Best Art Direction | Cho Hwa-sung, Park Gyu-bin | ||||
| Cine 21 Awards | Best Screenplay | Woo Min-ho & Lee Ji-min | [24] | ||
| 2021 | 41st Blue Dragon Film Awards | Best Film | The Man Standing Next | [25] | |
| Best Director | Woo Min-ho | [26] | |||
| Best Leading Actor | Lee Byung-hun | ||||
| Best Supporting Actor | Lee Sung-min | ||||
| Lee Hee-joon | |||||
| Best Screenplay | Woo Min-ho & Lee Ji-min | ||||
| Best Cinematography and Lighting | Go Rak-sun: Cinematography; Lee Seung-bin: Lighting | ||||
| Best Editing | Jeong Ji-eun | ||||
| Best Art Direction | Cho Hwa-sung, Park Gyu-bin | ||||
| Best Music | Jo Yeong-wook | ||||
| Technical Award | Kwak Tae-yong, Hwang Hyo-kyun (Makeup) |