The Lost Paradise (1985 film) explained

Native Name:
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Director:Basilio Martín Patino
Studio:La Linterna Mágica
Cinematography:José Luis Alcaine
Editing:Pablo García del Amo
Music:Carmelo Bernaola
Distributor:United International Pictures
Country:Spain
Language:Spanish

The Lost Paradise (Spanish; Castilian: '''Los paraísos perdidos'''|links=no) is a 1985 Spanish film directed by Basilio Martín Patino. It stars Charo López alongside Alfredo Landa, Juan Diego, Miguel Narros, Ana Torrent and Paco Rabal.

Plot

An unnamed mature woman, daughter of a Spanish Republican exiled lecturer, returns to her parents' country, where she meets a number of people from her past, including Miguel, Benito, Lorenzo and an unnamed Socialist politician. She translates Hölderlin's Hyperion in the family house.

The film, an expression of the disenchantment experienced after the Spanish transition, underpins a criticism to the transition itself and the so-called pacto del olvido.

Production

Shooting locations included Ávila, Toro, Salamanca, Madrid and Zamora.

Release

The film screened at the 42nd Venice International Film Festival in August 1985.[1] It was theatrically released on 17 October 1985.

Reception

Ángel Fernández-Santos of El País, considered The Lost Paradise to be a "prodigiously assembled" film, to which the camera of Alcaine "bordering on the sublime" and the musical score's intensity and coupling add up, filling it "with rare beauty", while noting that it featured a couple of events (two additions of "foreign coarseness") totally out of place.[2]

See also

Bibliography

Notes and References

  1. News: La Prensa italiana y 'Los paraísos perdidos'. El País. 28 August 1985. Octavi. Marti.
  2. News: Gran película con dos pequeñeces. El País. 24 October 1985. Ángel. Fernández-Santos. Ángel Fernández-Santos.