The Longest Day (film) explained

The Longest Day
Producer:Darryl F. Zanuck
Based On:The Longest Day
by Cornelius Ryan
Music:Maurice Jarre
Editing:Samuel E. Beetley
Studio:Darryl F. Zanuck Productions
Distributor:20th Century Fox
Runtime:178 minutes
Country:United States
Budget:$7.75 million[1]
Gross:$50.1 million[2]

The Longest Day is a 1962 American epic historical war drama film based on Cornelius Ryan's 1959 non-fiction book of the same name about the D-Day landings in Normandy on June 6, 1944. The film was produced by Darryl F. Zanuck for 20th Century Fox, and is directed by Ken Annakin (British and French exteriors), Andrew Marton (American exteriors), and Bernhard Wicki (German scenes). The screenplay was written by Ryan, with additional material written by Romain Gary, James Jones, David Pursall and Jack Seddon.

The film features a large international ensemble cast that includes John Wayne, Kenneth More, Richard Todd, Robert Mitchum, Richard Burton, Steve Forrest, Sean Connery, Henry Fonda, Red Buttons, Peter Lawford, Eddie Albert, Jeffrey Hunter, Stuart Whitman, Tom Tryon, Rod Steiger, Leo Genn, Gert Fröbe, Irina Demick, Bourvil, Curd Jürgens, George Segal, Robert Wagner, Paul Anka and Arletty. Many of these actors played roles that were essentially cameo appearances. Several cast members had seen action as servicemen during the war, including Albert, Fonda, Genn, More, Steiger and Todd, the latter having been among the first British officers to land in Normandy in Operation Overlord and participate in the assault on Pegasus Bridge.

The filmmakers employed several actual Allied and Axis D-Day participants as consultants, many of whom had their roles re-enacted in the film. These included Günther Blumentritt (a former German general), James M. Gavin (an American general), Frederick Morgan (Deputy Chief of Staff at SHAEF), John Howard (who led the airborne assault on the Pegasus Bridge), Lord Lovat (who commanded the 1st Special Service Brigade), Philippe Kieffer (who led his men in the assault on Ouistreham), Marie-Pierre Kœnig (who commanded the Free French Forces in the invasion), Max Pemsel (a German general), Werner Pluskat (the major who was the first German officer to see the invasion fleet), Josef "Pips" Priller (the hot-headed pilot) and Lucie Rommel (widow of Field Marshal Erwin Rommel).

The Longest Day premiered in France on September 25, 1962, and in the United States on October 4. It received positive acclaim from critics and was a significant commercial success, becoming the highest-grossing black-and-white movie at the time. At the 35th Academy Awards, the film was nominated for five Oscars, including Best Picture, and won awards for Best Cinematography (Black-and-White) and Best Special Effects.

Plot

Shot in a docudrama style (with captions identifying the different participants), the film opens in the days leading up to D-Day, depicting events on both sides of the English Channel. There is disagreement within the German High Command as to where the Allies will land and how the Wehrmacht should respond, but the threat is not perceived to be imminent, given the stormy weather. On June 5, 1944, not wanting to keep his forces waiting any longer, Gen. Dwight D. Eisenhower, Supreme Commander of SHAEF, makes the decision to go ahead with plans to invade France through Normandy the following day after receiving a somewhat hopeful weather report.

In the early hours of June 6, Allied airborne troops are sent in to take key locations, and the French Resistance reacts to the news that the invasion has started. British troops arrive in gliders to secure Pegasus Bridge, American paratroopers land scattered around Sainte-Mère-Église to defend a road that will be a vital artery for the invasion, and French Resistance and SOE agents conduct infiltration and sabotage work. There is uncertainty among German commanders about whether these events are a feint to distract from Allied crossings at the Strait of Dover (see Operation Fortitude), where the senior German staff had always assumed the invasion would begin.

As day breaks, Allied forces land on several beaches in Normandy and attempt to push inland, having particular trouble at Omaha Beach. Two lone Luftwaffe pilots strafe the beaches before flying away. The U.S. Provisional Ranger Group conducts an assault on the artillery at Pointe du Hoc, only to discover the guns are not functional. Free French Forces destroy a German stronghold in Ouistreham. After blowing through a concrete barrier, the American troops on Omaha Beach are able to begin their advance and join the rest of the Allied troops on the march to retake France and, eventually, conquer Germany.

Cast

Note: Characters listed in order of rank.

American

ActorRoleNotes
Henry Grace
(dubbed by Allen Swift)
Gen. Dwight D. EisenhowerSupreme Commander, Supreme Headquarters Allied Expeditionary Force (SHAEF)
Alexander KnoxLieutenant Gen. Walter Bedell SmithChief of Staff, SHAEF
Arthur HillLieutenant Gen. Omar N. BradleyCommander, 1st Army
John MeillonRear Admiral Alan G. KirkCommander, Western Naval Task Force, U.S. 8th Fleet
Mel FerrerMajor Gen. Robert HainesAssistant Commander, SHAEF
Edmond O'BrienMajor Gen. Raymond O. BartonCommander, 4th Infantry Division
Henry FondaBrigadier Gen. Theodore Roosevelt Jr.Assistant Commander, 4th Infantry Division
Robert MitchumBrigadier Gen. Norman CotaAssistant Commander, 29th Infantry Division
Robert RyanBrigadier Gen. James M. GavinAssistant Commander, 82nd Airborne Division
John CrawfordCol. Eugene M. CaffeyCommander, 1st Engineer Special Brigade
Eddie AlbertCol. Lloyd ThompsonAide-de-camp to Cota, 29th Infantry Division
John WayneLieutenant Col. Benjamin H. VandervoortCO, 2nd Battalion, 505th Parachute Infantry Regiment
Bill NagyMaj. LanceXO, 2nd Battalion, 505th Parachute Infantry Regiment
Fred DurMaj. StoltzXO, 2nd Ranger Battalion
Rod SteigerLieutenant Cmdr. Joseph Witherow Jr.Commander, USS Satterlee
Steve ForrestCapt. HardingXO, 2nd Battalion, 505th Parachute Infantry Regiment
Ray DantonCapt. FrankXO, 29th Infantry Division
Stuart WhitmanLt. SheenParatrooper, 2nd Battalion, 505th Parachute Infantry Regiment
Tom TryonLt. WilsonParatrooper, 2nd Battalion, 505th Parachute Infantry Regiment
Gary CollinsEnsign SheeranBridge officer, USS Satterlee
Jeffrey Hunter (credited as Jeff Hunter)Sgt. John H. Fuller (later field promoted to Lieutenant)Combat engineer, 299th Engineer Combat Battalion
Tony MordenteWymanCook, 82nd Airborne Division
Bob SteeleCorporal AlexanderParatrooper, 82nd Airborne Division
Richard BeymerPvt. Arthur 'Dutch' SchultzParatrooper, 82nd Airborne Division[3]
Red ButtonsPvt. John SteeleParatrooper, 2nd Battalion, 505th Parachute Infantry Regiment
Sal MineoPvt. MartiniParatrooper, 82nd Airborne Division
Roddy McDowallPvt. MorrisInfantryman, 4th Infantry Division
George SegalPvt. WohlInfantryman, 2nd Ranger Battalion
Robert WagnerPvt. KellerInfantryman, 2nd Ranger Battalion
Paul AnkaPvt. LowellInfantryman, 2nd Ranger Battalion
Mark DamonPvt. HarrisInfantryman, 29th Infantry Division
Peter HelmYoung Pvt. who loses his rifle Infantryman, 29th Infantry Division
FabianPvt. ForteInfantryman, 2nd Ranger Battalion
Tommy SandsPvt. HuntInfantryman, 2nd Ranger Battalion
Joseph LoweRanger Pvt.Sgt. Joseph T. Lowe of the 505th Infantry Battle Group was a 22-year-old PFC with the Fifth Ranger Battalion on the day[4]
Mickey KnoxAirman LouisDowned airman with damaged eye
Ron RandellJoe WilliamsWar correspondent

British

ActorRoleNotes
Trevor ReidGen. Sir Bernard MontgomeryCommander-in-Chief, Allied Ground Forces
John RobinsonAdm. Sir Bertram RamsayCommander-in-Chief, Allied Naval Forces
Simon LackAir Chief Marshal Sir Trafford Leigh-MalloryCommander-in-Chief, Allied Expeditionary Air Force (AEAF)
Louis MounierAir Chief Marshal Sir Arthur TedderDeputy Supreme Commander, Allied Expeditionary Forces
Walter HorsbrughRear-Adm. George CreasyChief of Staff to Admiral Ramsay
Leo GennMajor-Gen. HollanderXO, SHAEF
Peter LawfordBrig. Simon Fraser, Lord LovatCommander, 1st Special Service Brigade
Patrick BarrGroup Capt. J. M. StaggMeteorologist
Kenneth MoreActing Capt. Colin MaudBeachmaster, Juno Beach, Royal Navy
Richard ToddMaj. John HowardOC, "D" Company, 2nd Battalion, Oxfordshire and Buckinghamshire Light Infantry
Howard Marion-CrawfordMaj. John Jacob-VaughanMedical Officer, 2nd Battalion, Oxfordshire and Buckinghamshire Light Infantry
Richard WattisMaj. Whaley6th Airborne Division
Jack HedleyCapt. Knowles6th Airborne Division briefing officer
Leslie PhillipsFlight Lt. OwensRAF officer with French Resistance
Lyndon BrookLt. Ian Walsh"D" Company, 2nd Battalion, Oxfordshire and Buckinghamshire Light Infantry
Patrick JordanLt. Richard Todd
Richard BurtonFlying Officer David CampbellFighter pilot, Royal Air Force
Donald HoustonFlying Officer NeilFighter pilot, Royal Air Force
John GregsonChaplain WattisPadre, 6th Airborne Division
Siân PhillipsChief Wren JenningsWren assistant to Stagg
Richard DawsonCpl. Purdom
Harry FowlerCpl. LehmanParatrooper, 6th Airborne Division
Bernard FoxLance-Cpl. HutchinsonRoyal Armoured Corps
Norman RossingtonLance-Cpl. Clough3rd Infantry Division
Sean ConneryPte. FlanaganInfantryman, 3rd Infantry Division
Frank FinlayPte. Coke
Michael MedwinPte. WatneyUniversal Carrier driver, 3rd Infantry Division
Leslie de LaspeePte. Bill MillinPiper, 1st Special Service Brigade
Victor MaddernCook
Bryan ColemanRonald CallenWar correspondent

French

ActorRoleNotes
Jean ServaisContre-amiral Robert JaujardCommander, 4th Cruiser Division, Free French Naval Forces
Christian MarquandCapitaine de Corvette Philippe KiefferGroup leader, 1er Bataillon de Fusiliers Marins Commandos
Georges RivièreSecond-Maître Guy de MontlaurSection leader, 1er Bataillon de Fusiliers Marins Commandos
Bernard FressonDubocqCommando, 1er Bataillon de Fusiliers Marins Commandos
Irina DemickJeanine BoitardPartisan, Caen
Yves BarsacqMarcelPartisan, Caen
Maurice PoliJeanPartisan, Caen
Jean ChampionÉdouardPartisan, Caen
André BourvilAlphonse LenauxMayor of Colleville-sur-Orne
Georges WilsonAlexandre RenaudMayor of Sainte-Mère-Église
Jean-Louis BarraultFather Louis RoullandParish priest of Sainte-Mère-Église
Madeleine RenaudJustineMother Superior, Ouistreham
ArlettyMadame BarraultResident of Sainte-Mère-Église
Fernand LedouxLouisElderly farmer
Pauline CartonJoannaLouis's housekeeper
Alice TissotGemmaLenaux's housekeeper
Clément HarariArrested Man Civilian

German

ActorRoleNotes
Paul HartmannGeneralfeldmarschall Gerd von RundstedtCO, OB West
Werner HinzGeneralfeldmarschall Erwin RommelCO, Army Group B
Wolfgang LukschyGeneraloberst Alfred Jodl
Ernst SchröderGeneraloberst Hans von SalmuthCO, 15th Army
Curd JürgensGeneral der Infanterie Günther BlumentrittChief of Staff, OB West
Richard MünchGeneral der Artillerie Erich MarcksCO, LXXXIV Army Corps
Wolfgang BüttnerGeneralleutnant Dr. Hans SpeidelChief of Staff, Army Group B
Wolfgang PreissGeneralleutnant Max PemselChief of Staff, 7th Army
Karl JohnGeneralleutnant Wolfgang HägerCO, Luftwaffen Kommando West
Paul Edwin RothOberst Ludwig Schiller
Heinz ReinckeKommodore, Jagdgeschwader 26
Heinz SpitznerOberstleutnant Helmuth Meyer
Peter van EyckOberstleutnant Karl-Williams OckerCO, 352nd Artillery Regiment, 352nd Infantry Division
Walter GotellSS-Obersturmbannführer Wilhelm MohnkeCO, 12th SS Panzer Division Hitlerjugend
Hans Christian BlechMajor Werner PluskatCO, 352nd Artillery Regiment, 352nd Infantry Division
Eugene DeckersMajor BeckerOfficer in church
Kurt MeiselHauptmann Ernst DüringCO, 352nd Infantry Division
Til KiweHauptmann Helmuth LangAide-de-camp to Rommel
Hans SöhnkerHauptmann WittPemsel's staff officer
Robert FreitagLeutnant WeberMeyer's aide
Rainer PenkertLeutnant Fritz Theen352nd Artillery Regiment, 352nd Infantry Division
Dietmar SchönherrLeutnant VogelHäger's aide
Hartmut ReckOberfeldwebel Bernhard BergsdorfPilot, Jagdgeschwader 26
Vicco von BülowOberfeldwebel LeuchterPemsel's adjutant
Gert FröbeUnteroffizier "Kaffeekanne" ("coffee pot")Soldier, Wehrmacht
Ruth HausmeisterLucie RommelRommel's wife
Michael HinzManfred RommelRommel's son

Production

Development

French producer Raoul Lévy signed a deal with Simon & Schuster to purchase the filming rights to Cornelius Ryan's book The Longest Day: June 6, 1944 D-Day on March 23, 1960. After finishing The Truth, Lévy set up a deal with the Associated British Picture Corporation and got director Michael Anderson attached. Ryan would receive $100,000, plus $35,000 to write the adaptation's screenplay. Lévy intended to start production in March 1961, filming at Elstree Studios and the English and French coasts, but the project stalled when ABPC could not get the $6 million budget Lévy expected. Eventually, former 20th Century Fox mogul Darryl F. Zanuck learned about the book while producing The Big Gamble, and in December purchased Lévy's option for $175,000. Zanuck's editor friend Elmo Williams wrote a film treatment, which piqued the producer's interest and made him attach Williams to The Longest Day as associate producer and coordinator of battle episodes. Ryan was brought in to write the script, but had conflicts with Zanuck as soon as the two met. Williams was forced to act as a mediator; he would deliver Ryan's script pages to Zanuck, then return them with the latter's annotations. While Ryan developed the script, Zanuck also brought in other writers for cleanups for the various nationalities, including James Jones for the Americans, Romain Gary for the French, Noël Coward for the British and Erich Maria Remarque for the Germans.[5] As their contributions to the finished screenplay were relatively minor, Ryan managed to get the screenplay credit after an appeal to the Writers Guild arbitration, but four other writers are credited for writing "additional episodes" in the film's closing credits.

During pre-production, producer Frank McCarthy, who had worked for the United States Department of War during World War II, arranged for military collaboration with the governments of France, Germany, the United Kingdom, and the United States. Zanuck, who was friends with Supreme Allied Commander Lauris Norstad, secured 700 United States Army Europe and Africa soldiers for use as extras. However, hundreds of these soldiers had to be recalled after the Berlin Crisis of 1961, and many Members of Congress, such as Bob Wilson, criticized the military for transferring soldiers to a film production in France during a major Cold War standoff. The Senate Subcommittee on Constitutional Rights under Sam Ervin investigated the film for allegedly forcing soldiers to appear as extras against their will. In the end, the film included 250 U.S. Army soldiers and 500 British Army soldiers as extras.

Zanuck realized that, with eight battle scenes, shooting would be accomplished more expediently if multiple directors and units worked simultaneously, so he hired German directors Gerd Oswald and Bernhard Wicki, British director Ken Annakin, and Hungarian-American director Andrew Marton. Zanuck's son Richard D. Zanuck was reluctant about the project, particularly the high budget; with a budget of $10 million ($ in dollars), this was the most expensive black-and-white film made until 1993, when Schindler's List was released.[6]

Casting

Filming

Release

The film premiered in France on September 25, 1962, in the United States on October 4, and in the United Kingdom on October 23. Funds from the premiers were donated to the Salk Institute for Biological Studies and the International Rescue Committee. Because Fox was suffering due to financial losses incurred during the concurrent production of Cleopatra, the studio wanted The Longest Day to go straight into wide release to reap quick profits, but Zanuck got them to do a proper roadshow theatrical release, threatening to sell distribution rights to Warner Bros. if Fox refused to do so.[14] The Longest Day eventually became the box office hit Fox needed, with $30.5 million in worldwide theatrical rentals on a $7.5 million budget.[1] It was the highest-grossing black-and-white movie at the time. Zanuck's production company (DFZ Productions) received 50% of the profits, and by 1964 had received over $5.8 million.[15]

There were special-release showings of the film in several cities in the United States at which men who had participated in D-Day were invited to see the film with their fellow soldiers. One such screening took place in Cleveland, Ohio, at the Hippodrome Theater.

The scenes in the film featuring German and French characters were shot both with them speaking their native language and with them speaking English. Almost uniquely among British- and American-produced World War II films of the time, the version of the film with foreign languages accompanied by English subtitles was more widely seen during the film's initial release. The all-English version of the film was used more extensively during the film's late 1960s re-release.

When the film was re-released in 1969, it opened at number one at the US box office with a first-week gross of $501,529.[16] In the first four days of its worldwide re-release in 544 theatres, it grossed $2,846,627.[17]

Home media

The film was released in widescreen with stereo surround sound on LaserDisc in 1989. A colorized version of the film was released on VHS in 1994, the 50th anniversary of the D-Day invasion. The original black-and-white version of the film was released on DVD on November 6, 2001. In 2008, 20th Century Fox released the film on Blu-ray.[18]

Reception

The day after the film opened at the Warner Theatre in New York City, Bosley Crowther of The New York Times declared: "The total effect of the picture is that of a huge documentary report, adorned and colored by personal details that are thrilling, amusing, ironic, sad [...] It is hard to think of a picture, aimed and constructed as this one was, doing any more or any better or leaving one feeling any more exposed to the horror of war as this one does".[19] Variety described it as "a solid and stunning war epic" that "emerges as a sort of grand scale semi-fictionalized documentary concerning the overall logistics needed for this incredible invasion".[20]

Richard L. Coe of The Washington Post called the film "a tingling, eye-gripping, fantastic picture" that "must rank as the screen's most massive battle epic", his only criticism being "the lack of perspective in depicting the German belief that the Normandy landings might not have succeeded had Hitler not taken a sleeping pill [...] 'The Longest Day' should have taken infinitely more care to put this German belief, however strongly held, into proper proportion".[21] Brendan Gill of The New Yorker called the film "a tour de force of audio-visual verisimilitude," but confessed that "my emotions were hardly ever engaged, and I ended, rather to my embarrassment, by being bored". He continued: "Mr. Zanuck made it all the harder for me to take this mock-documentary seriously by stuffing it with innumerable celebrated actors, most of whom make such fugitive appearances that the audience finds itself engaged in a distracting game of instant identification".[22]

The Monthly Film Bulletin stated: "The Longest Day is a monument split down the middle by compromise. At its best, what comes across very strongly is the feeling of immense and careful organisation that went into the whole D-Day operation, the sheer crippling weight of noise, the simple fact that a lot of people died, and the sense of personal confusion and dismay of soldiers wandering alone through the countryside [...] But the film is, first and foremost, a spectacle, and therefore it has stars—a multitude of them, often with barely a line to speak, and usually with no real part to play".[23]

On review aggregator website Rotten Tomatoes, the film has an approval rating of 87% based on 23 reviews, with an average score of 7.8/10.[24]

Accolades

YearAwardCategoryNominee(s)Result
196235th Academy AwardsBest PictureDarryl F. Zanuck[25]
Best Art Direction, Black-and-White
Best Cinematography, Black-and-WhiteJean Bourgoin and Walter Wottitz
Best Film EditingSamuel E. Beetley
Best Special EffectsRobert MacDonald and Jacques Maumont
Golden Globe AwardBest Motion Picture – DramaDarryl F. Zanuck[26]
Best Cinematography - Black and WhiteHenri Persin, Walter Wottitz and Jean Bourgoin
Eddie AwardsBest Edited Feature Film – DramaticSamuel E. Beetley[27]
David di DonatelloBest Foreign ProductionDarryl F. Zanuck[28]
Directors Guild of America AwardOutstanding Directing – Feature FilmKen Annakin, Andrew Marton and Bernhard Wicki[29]

See also

References

Bibliography

Notes and References

  1. Book: Solomon, Aubrey . Twentieth Century Fox: A Corporate and Financial History . The Scarecrow Filmmakers Series . 20 . Lanham, Maryland . Scarecrow Press . 1989 . 978-0-8108-4244-1 . 253.
  2. Web site: The Longest Day – Box Office Data . The Numbers . 2015 . April 5, 2015 . April 2, 2015 . https://web.archive.org/web/20150402172503/http://www.the-numbers.com/movie/Longest-Day-The#tab=summary . live .
  3. News: Mulvey . Stephen . The long echo of WW2 trauma . BBC News . June 7, 2019 . June 9, 2019 . live . June 9, 2019 . https://web.archive.org/web/20190609132104/https://www.bbc.com/news/stories-48528841.
  4. Web site: Huge Crew Made 'Longest Day' . June 5, 1994 .
  5. Oulhan . Richard Jr. . The Longest Headache . LIFE . 15 Oct 1962 . 116.
  6. Operation Overblown. TIME. October 19, 1962. subscription. December 18, 2018. live. August 9, 2020. https://web.archive.org/web/20200809072749/http://content.time.com/time/magazine/article/0,9171,827910,00.html.
  7. Book: Wills, Garry . John Wayne's America: The Politics of Celebrity . Simon & Schuster . 1997 . 978-0-684-80823-9 . registration .
  8. Diabolique. Stephen. Vagg. The Cinema of Fabian. 26 August 2019. August 27, 2019. August 27, 2019. https://web.archive.org/web/20190827163747/https://diaboliquemagazine.com/the-cinema-of-fabian/. live.
  9. Web site: Piper Bill Millin . November 1, 2007 . The Pegasus Archive.
  10. Web site: D-Day Piper – Bill Millin . November 1, 2007 . August 3, 2006 . The Miniatures Page . January 18, 2008 . https://web.archive.org/web/20080118164403/http://theminiaturespage.com/boards/msg.mv?id=81509 . live .
  11. News: La Presse de la Manche . Notre jour le plus long . Our longest day . Cherbourg, France . 2012.
  12. Web site: The Longest Day . . strijdbewijs.nl . 6 April 2021 . In one scene they needed some Spitfires that attacked a German column. Through the French ex-wartime pilot, Pierre Laureys, they rented a couple of Spitfires. Laureys restored the Spitfires (MH415, MK297, and MK923) and flew self a Spitfire when they shot the attack scene, just as he did with 340 Squadron on June 6th, 1944, low and very fast! . April 27, 2021 . https://web.archive.org/web/20210427232355/https://www.strijdbewijs.nl/film/longeng.htm . live .
  13. Web site: The Longest Day . . 2015 . April 5, 2015 . February 19, 2015 . https://web.archive.org/web/20150219140240/http://www.afi.com/members/catalog/DetailView.aspx?s=&Movie=23731 . live .
  14. The Last Movie Tycoon. Gussow. Mel. February 1, 1971a. New York. December 18, 2018. August 19, 2020. https://web.archive.org/web/20200819115402/https://books.google.com/books?id=hOMCAAAAMBAJ&pg=PA37. live.
  15. Zanuck's Personal Mopup, $5,806,595 In 2 Years, on 20th's 'Longest Day'. 1. Variety.
  16. Variety. 50 Top-Grossing Films. June 18, 1969. 11.
  17. Variety. The Longest Day advertisement. June 11, 1969. 29.
  18. November 6, 2001. The Longest Day. DVD. en. January 17, 2018. Century City, Los Angeles. 20th Century Fox Home Entertainment. B00005PJ8S.
  19. News: Crowther . Bosley . October 5, 1962 . Screen: Premiere of 'The Longest Day' . . 28 . subscription . live . https://web.archive.org/web/20190414021748/https://www.nytimes.com/1962/10/05/archives/screen-premiere-of-the-longest-dayproduction-by-zanuck-opens-at-the.html . April 14, 2019.
  20. "Film Reviews: The Longest Day". Variety. October 3, 1962. p. 6.
  21. Coe, Richard L. (October 12, 1962). "'Longest Day' Is Battle Epic". The Washington Post. p. B12.
  22. Gill, Brendan (October 14, 1962). "The Current Cinema". The New Yorker. p. 188.
  23. November 1962 . The Longest Day . . 29 . 346 . 149 .
  24. Web site: The Longest Day . . April 1, 2020 . December 25, 2019 . https://web.archive.org/web/20191225140852/https://rottentomatoes.com/m/longest_day . live .
  25. Web site: The Longest Day (1962) Awards. Turner Classic Movies. April 30, 2008. January 8, 2009. https://web.archive.org/web/20090108123629/http://www.tcm.com/tcmdb/title.jsp?stid=81774&category=Awards. live.
  26. Web site: Winners & Nominees 1963. Golden Globe Award. Hollywood Foreign Press Association. United States. January 18, 2018. December 1, 2017. https://web.archive.org/web/20171201033220/https://www.goldenglobes.com/winners-nominees/1963. live.
  27. Web site: American Cinema Editors, USA – 1963 Awards. IMDb. January 18, 2018. live. August 18, 2020. https://web.archive.org/web/20200818024733/https://www.imdb.com/event/ev0000017/1963/1.
  28. Web site: David di Donatello Awards 1963. FilmAffinity. Movie Soulmates. Madrid. es. January 19, 2018. January 20, 2018. https://web.archive.org/web/20180120065758/https://www.filmaffinity.com/es/awards.php?award_id=donatello&year=1963. live.
  29. Web site: DIRECTORS GUILD OF AMERICA 1963. MUBI. MUBI, Inc.. United States. January 19, 2018. January 20, 2018. https://web.archive.org/web/20180120065713/https://mubi.com/awards-and-festivals/dga-awards?year=1963. live.