| The Kindred | |
| Director: | Jeffrey Obrow Stephen Carpenter |
| Music: | David Newman |
| Cinematography: | Stephen Carpenter |
| Editing: | Earl Ghaffari John Penney |
| Studio: | Kindred Limited Partnership |
| Distributor: | F/M Entertainment |
| Runtime: | 92 minutes |
| Country: | United States |
| Language: | English |
| Gross: | $2.4 million[1] |
The Kindred is a 1987 American science fiction horror film directed by Jeffrey Obrow and Stephen Carpenter. Obrow also produced the film, and co-wrote it along with Carpenter, Earl Ghaffari and John Penney. Starring David Allen Brooks, Amanda Pays and Rod Steiger, The Kindred was released on January 9, 1987 and grossed just over $2 million.
Amanda's deathbed request to her son, John, was for him to destroy all the lab notes from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there: his monstrous, tentacled baby brother. Now he has to get to his mother's greatest advancement in Human Evolution before a mad scientist gets to him first.
Principal photography began and wrapped in California, United States.
The film began its theatrical release on January 9, 1987.
After over a decade of work and legal tangles, Synapse Films announced in September 2017 that they would release the film for the first time since its VHS run. It was released on Blu-ray and DVD in a limited SteelBook edition of 3 500 units on December 14, 2021, from a new 4K resolution scan.[2]
On Rotten Tomatoes, the film holds an approval rating of 40% based on, with a weighted average rating of 4.5/10.[3] Caryn James at The New York Times called the film "a disjointed, jigsaw-puzzle movie that is constantly announcing its borrowed characters and subplots and special effects."[4] TV Guide awarded The Kindred one out of five stars, criticizing the film's plot as "overly complicated and unengaging" and its special effects as uneven.[5]
Brian J. Dillard from Allmovie stated that The Kindred "remains watchable in spite of its weaknesses," commending the film's visual effects, music, and Gothic trappings. However, Dilliard criticized the film's numerous plot holes.[6]