The Killer (1972 film) explained

The Killer
Director:Chor Yuen
Producer:Run Run Shaw[1]
Screenplay:Kuo Chia
Starring:
Music:Zhou Fuliang
Cinematography:Wu Zhuohua
Editing:Jiang Xinglong
Studio:Shaw Brothers Studio
Distributor:Warner Bros.
Runtime:94 minutes
Country:Hong Kong
Language:Mandarin

The Killer (released in the United States as Sacred Knives of Vengeance) is a 1972 Hong Kong martial arts film directed by Chor Yuen.[2]

Release

The film was released in Hong Kong on August 1, 1972.

Reception

From contemporary reviews, Tom Milne of the Monthly Film Bulletin reviewed a dubbed version of the film. Milne found the film to be a "rather tired offering from the Hong Kong conveyor-belt" while noting the film begins well enough with the hero "arriving in town to confound one and all with his dazzling display of town-taming karate chops and kangaroo hops. It also end swell with the las-minute intervention of a genuine Japanese samurai, heralded by a mysterious sound in an apparently empty house as something falls, and one by one the panels of a screen topple over to reveal him in full regalia, ready to challenge the heroes to the only fight in the film staged with any style or imagination." Milne concluded that the film "gets bogged down in endless, drearily identical fights and a plot which labours through its triangular complex of love and friendship."

External links

Notes and References

  1. Web site: Hong Kong Film Archive [Search for "大殺手"]]. February 13, 2020. Hong Kong Film Archive.
  2. Monthly Film Bulletin. Killer, The. 192–193. Milne. Tom. 40. 476. September 1973. British Film Institute.