| The Ironworkers' Noontime | |
| Artist: | Thomas Anshutz |
| Medium: | Oil on canvas |
| Height Metric: | 43.2 |
| Width Metric: | 60.6 |
| Metric Unit: | cm |
| Imperial Unit: | in |
| Museum: | Fine Arts Museums of San Francisco |
The Ironworker's Noontime is an 1880 painting by the American painter Thomas Anshutz.
The painting depicts several workers on their break in the yard of a foundry and is one of the most popular of Anshutz' paintings. Painted near Wheeling, West Virginia, it is conceived in a naturalistic style featuring realistic anatomical depictions of men and boys similar to that of Thomas Eakins, although Eakins never painted industrial subjects.[1] Also like Eakins, Anshutz composed this painting with the help of photographs and studies. Some of the figures are depicted in a classical pose, such as the man in the foreground rubbing his arm. This figure's pose imitates a pose from the Parthenon.[2] The piece was exhibited at the Philadelphia Sketch Club in 1881 and compared to Eakin's work by art critics. Art historian Randall C. Griffin has written of it: "One of the first American paintings to depict the bleakness of factory life, The Ironworkers' Noontime appears to be a clear indictment of industrialization. Its brutal candor startled critics, who saw it as unexpectedly confrontational—a chilling industrial snapshot not the least picturesque or sublime."[3] It is now in the collection of the Fine Arts Museums of San Francisco.[4]