| Hypocrites | |
| Director: | Lois Weber (uncredited) |
| Producer: | Lois Weber Phillips Smalley |
| Cinematography: | Dal Clawson George W. Hill |
| Studio: | Bosworth Inc. |
| Distributor: | Paramount Pictures |
| Runtime: | 49 minutes |
| Country: | United States |
| Language: | Silent |
| Budget: | $18,000[1] |
| Gross: | $119,000 (U.S.) |
Hypocrites, also known as The Hypocrites and The Naked Truth, is a 1915 silent drama film written and directed by Lois Weber (1879–1939). The film contains several full nude scenes, and is said to include the first appearance of full frontal nudity in a non-pornographic film by an American actress (Margaret Edwards).[2] The film is regarded as anticlerical,[3] and the nudity, after causing trouble with censorship, was deemed justified by its religious context.
Cast notes:
Writer-director Lois Weber attributed to Adolphe Faugeron's painting La Vérité (The Truth)[5] as the inspiration for the film. During shooting, production had to be moved three times, due to the lack of a permanent studio.
Edwards' scenes, in which she appeared nude, were shot on a closed set, with only Weber, who directed the scenes, Edwards and a cameraman.
Dal Clawson devised special photographic techniques for the film, which was shot by George W. Hill. Sometimes six exposures were involved.[6] The use in the film of traveling double exposure sequences of the woman is considered impressive for 1915.
It is thought that Weber may have re-edited the film after early review were published, before its official opening on January 20, 1915 at the Longacre Theater in New York City.
The film was passed by the British Board of Film Censors. However, because of the full and recurring nudity through the film, it caused riots in New York City, was banned in Ohio, and was subject to censorship in Boston when the mayor demanded that the film negatives be painted over to clothe the woman.[7]
The film was re-issued in 1916.
Most of the film has survived, though some scenes have suffered from some serious nitrate decomposition in places especially at the beginning and cannot be restored. A print of the film is kept in the Library of Congress.