| The Hardest Way to Make an Easy Living | |
| Type: | studio |
| Artist: | The Streets |
| Cover: | The Streets-thehardestwaytomakeaneasyliving.jpg |
| Released: | 10 April 2006 |
| Recorded: | October–November 2005 |
| Genre: | Alternative hip hop, electronic |
| Length: | 37:18 |
| Label: | Locked On |
| Producer: | Mike Skinner |
| Prev Title: | A Grand Don't Come for Free |
| Prev Year: | 2004 |
| Next Title: | Everything Is Borrowed |
| Next Year: | 2008 |
The Hardest Way to Make an Easy Living is the third studio album by Mike Skinner, under the music project The Streets. It was released on 10 April 2006 in the United Kingdom and 25 April 2006 in North America. It is also the shortest The Streets album released so far, with a running time of just 37 minutes and 12 seconds. The Mitchell Brothers and Ted Mayhem, two of Skinner's protégés, make guest appearances on the album.
The album deals with the ideas of celebrity and success, partly in relation to Skinner's greater fame after the success of the first two The Streets albums.[1] There are several references to recreational drug use.
The final track, "Fake Streets Hats", is about an incident that happened during the 2004 edition of the Dutch Lowlands festival, where a drunk Mike Skinner openly protested against the handing out of white hats with "The Streets" written on them, because he thought they were fake, and thus illegal merchandise. The hats actually were promotional material from his label, Warner.[2] Mike Skinner also sees the song as a personal reflection on plagiarism in general.
Critical response for the album was generally positive, scoring 72/100 on Metacritic. However, this score is lower than his previous two albums, scoring 90/100 and 91/100 respectively. In a mixed review, Prefix Magazine said "With about half the tracks on this record falling short, Skinner would seem to be teetering on the edge of irrelevance. But even the failed tracks here sound interesting, and if he's lost his way somewhat thematically, it's all in the name of searching for his new voice." In a much more positive review, The Village Voice Consumer Guide said "His comic timing and mixture of slangs--not to mention his musical conception... are all so much more fully developed that he's actually made a record that's fun to play in the background." Spin named Skinner "the perfect poet for this snooze of a topic." In a negative review, Stylus Magazine described the album as "an exercise in empty nothingness. But it’s not Bacchanalian coked-out excess nothingness, it's the joyless hollow-eyed actions of a man who is waiting for the next fix and doesn't care what bullshit has to come out of his lips in order to get paid."
All tracks are written by Mike Skinner
| Chart (2006) | Position | |
|---|---|---|
| UK Albums (OCC)[3] | 104 | |
| US Top Dance/Electronic Albums (Billboard)[4] | 20 |