The Greenwich Village Bookshop Door Explained

The Greenwich Village Bookshop Door
Artist:242 signatories
Year:1920–1925
Medium:Pine, paint, ink
Movement:Bohemian
Height Imperial:76
Width Imperial:24
Metric Unit:cm
Imperial Unit:in
Museum:Harry Ransom Center
City:Austin, TX

The Greenwich Village Bookshop Door (1920–25) separated the back office from the main area of Frank Shay's Bookshop in Greenwich Village from 1920 until 1925, where it served as an autograph book for nearly two hundred and fifty authors, artists, publishers, poets, and Bohemian creatives. Notable signatories include Upton Sinclair, the Provincetown Players, John Sloan, Susan Glaspell, Theodore Dreiser, Porter Garnett, and Sinclair Lewis. The door has been held in the permanent collections of the Harry Ransom Center at the University of Texas at Austin since it was purchased in 1960.[1]

History

The bookshop door began its provenance at 11 Christopher Street in Greenwich Village, in the home of novelist and playwright Floyd Dell. The building was slated for demolition in 1920 when the owner of the bookshop across the street, Frank Shay, spotted the then-bright red door and salvaged it for his office. Much is yet unknown about The Greenwich Village Bookshop Door, including why individuals were chosen to sign it, which way the door originally faced, when exactly the signatures began and ended, or even when it was painted blue.

Frank Shay's Bookshop

Frank Shay opened his bookshop in October 1920 at 4 Christopher Street, in what had previously been the Columbia Cafe where John Masefield briefly worked as a bar-back in the mid-1890s. Another portion of the building functioned as an art studio owned by Winold Reiss until 1921, when Shay obtained the space and effectively doubled the size of his bookshop.[2] Until the door was rescued from Floyd Dell's old apartment, Frank Shay's office was separated from the rest of his bookshop by a thin sheet that hung in the doorway.[3] Though Shay himself never admitted it, authors William McFee and Christopher Morley would eventually both write that Frank had taken the door for more privacy as several customers and friends had seen the silhouette of him drinking in his office after the prohibition had outlawed such activity.[4] The signatures began on the door before Shay even had the chance to repaint it, resulting in the large unpainted areas that remain on the door today. According to Christopher Morley, author Hendrik Willem van Loon was the first to sign the door; doing so spontaneously and accompanying his name with a doodle of a sailing ship.[5] The earliest dated signatures, those of John Van Alstyne Weaver and Porter Garnett, were added on October 17, 1921.

Frank cultivated a creative environment in his bookshop that encouraged publishers, writers, artists, theater directors, actors, cartoonists, illustrators, political activists and more to socialize and gather at his shop. Shay went beyond selling books, going so far as to edit plays for other publishing houses, lecture on the importance of books and bookselling, create a circulating library, and put a great deal of effort into his award-winning window displays. In 1921, inspired by his friend Christopher Morley's 1917 novel Parnassus on Wheels, Shay modified a Ford truck for the purpose of mobile book selling.Frank Shay's Bookshop shelves were lined with popular novels, children's books, socialist pamphlets and avant-garde chapbooks. He placed a particular emphasis on carrying the books of Walt Whitman and Joseph Conrad. Many early 20th-century booksellers expanded their businesses by adding publishing services and Frank Shay was no exception. The bookshop published a poetry magazine titled The Measure, the Salvo series of chapbooks, a local newspaper titled The Greenwich Villager, and numerous books and booklets of poetry, prose, and plays. The bookshop even printed their own set of branded stationery and envelopes.

Frank Shay sold his bookshop sometime during the summer of 1924, after his wife (Fern Forrester Shay) gave birth to their daughter Jean. The family moved to Provincetown, Massachusetts shortly after, opening a new bookshop in the Cape Cod area under the same name as the original. The bookshop in New York City appeared as "The Greenwich Village Bookshop" several times before closing permanently approximately a year later. While delivering a lecture at the University of Pennsylvania in 1931, author Christopher Morley said "It was too personal, too enchanting, too Bohemian a bookshop to survive indefinitely, but for five or six years it played a very real part in the creative life of New York City."[6]

The original building that housed Frank Shay's Bookshop at 4 Christopher Street was demolished and replaced by a modern building sometime around 1960, less than a decade before the creation of the Greenwich Village Historic District would have protected it from destruction.[7]

After the bookshop

Creditors acquired the full inventory and contents of the shop sometime during August 1925, as financial circumstances caused the bookshop to close. Shop manager Juliette Koenig noticed that the repossession crew had ignored the door, so she took it off of its hinges and enlisted several writers to bring it back to her apartment. Finding it interesting enough to protect with varnish and store in her house for more than three decades, Juliette Koenig Smith eventually sold the door to the University of Texas at Austin through an art dealer in 1960. At this time the door was accompanied by a list of approximately 25 identified signatures and a letter from Christopher Morley that thanked Juliette for rescuing the door.[8] The original advertisement published in the Saturday Review read:The Harry Ransom Center at the University of Texas at Austin responded to the advertisement and purchased the door, subsequently allowing it to remain undisturbed in their collections for over a decade until a graduate student named Anna Lou Ashby discovered it in storage in 1972. While completing the first official research on the door, Ashby was able to identify 25 more signatures including those of Egmont Arens, Albert Boni, Robert Nathan, and Max Liebermann. After Ashby's brief research the door was again returned to storage where it remained for several more decades. The bookshop door was rediscovered again in 2008 and research was quickly organized by Molly Schwartzburg, a curator of literature at the University of Texas at Austin.

The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920–1925

The Harry Ransom Center mounted The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920–1925 exhibition from September 6, 2011, until January 22, 2012.[9] The exhibition marked the first and thus far only public show to include the bookshop door, with curation headed by Molly Schwartzburg.[10] For the duration of the exhibition The Greenwich Village Bookshop Door was installed in the middle of a gallery, on a custom blue base that exactly matched the color of the door. It was encased in plexiglas and anchored to the ceiling with steel wires for added security.[11] Historians at the Harry Ransom Center were able to use online photograph databases and collections in 2010 to prepare for the exhibition, relying on technology that was not available when the university first acquired the door in 1960. Curators educated themselves on twentieth-century penmanship techniques to correctly match signatures on the door to those found on original manuscripts, novels, poems, letters, drawings and more. Their diligence resulted in the identification of more than one hundred and fifty additional signatures.[12]

The physical exhibition ran concurrently with a more in-depth online, virtual exhibit that was still accessible as of 2022. This online exhibit allowed viewers to learn more about each of the identified signatories and their connections to one another. The Harry Ransom Center continues to operate a website highlighting the door's yet unidentified signatures in hopes of using the public's assistance to eventually identify every signature on the door.[13]

In 2012, the Harry Ransom Center was nominated for an Austin Critics' Table award for "Best Museum Exhibition" for their work on The Greenwich Valley Bookshop Door: A Portal to Bohemia exhibition. The Austin Critics' Table awards are a series of longstanding Austin awards that seek to honor those involved in all aspects of the local art scene.[14]

Signatures

Approximately 25 autographs had been identified and connected to their respective owners by the time the University of Texas obtained the door in 1960. As of 2021, only 47 of the 242 total signatures remained unidentified. Two individuals, Laurie York Erskine and Don Marquis, signed the door on two separate occasions, and a handful of signatures are from fictional characters.[15] During research for the 2011 exhibition historians separated the known signatures into five major groups: writing, publishing, visual arts, performance, and social groups. Many names are featured in more than one category, as day jobs overlapped with hobbies and social groups that all intersected at Frank Shay's Bookshop.[16]

A wide selection of those involved in the 1920s literary scene in New York City and beyond signed The Greenwich Village Bookshop Door. Many worked as publishers, librarians, booksellers, and both magazine and book editors. Signatures included in the writing category consist of those of poets, historians, translators, critics, fiction and travel writers, playwrights, humorists, journalists, and screenwriters. Many of the individuals in this category had their writings censored by the New York Society for the Suppression of Vice, an organization that claimed to supervise public morality.[17]

The performance category of signatures includes theater directors, stage actors, those employed in the early film industry, and members of theater troupes like the Provincetown Players and the Washington Square Players. Visual artists who signed The Greenwich Village Bookshop Door included architects, sculptors, cartoonists, photographers, industrial designers, illustrators, typographers and more. Both the Art Students League and the 1913 Armory Show are represented by a handful of signatures.[18]

At least one member of the following social groups signed The Greenwich Village Bookshop Door: Skull and Bones, Three Hours for Lunch Club, Algonquin Round Table, and the Bohemian Club. Several politicians, teachers, seafarers, and Greenwich Village business owners also signed the door. Additionally, thirty-two signatures have been identified as belonging to men who served as soldiers or war correspondents in World War I.[19]

Known signatures on The Greenwich Village Bookshop Door!Name!Category!Occupation(s)!Affiliation(s)!Notable Work/ Publication(s)
Franklin AbbottVisual artsArchitect, illustratorThree Hours for Lunch Club
Achmed AbdullahWritingScreenwriter, translator, fiction writerWorld War I veteran (1927)
Mary AldisPerformance, visual artsPlaywright, poet, stage actorLittle Theater Movement, little magazines
George William ArmisPublishingBookseller
Sherwood AndersonWritingCritic, novelist, poet, playwrightLittle magazinesThe Masses, Marching Men (1917), Horses and Men (1923)
Egmont ArensPublishing, visual artsPublisher, editor, industrial designerProvincetown Players, little magazinesKitchenAid Mixer (designer)
Mary AustinWritingTravel writer, playwright, teacherLittle Theater Movement
Eugene S. BaggerWritingTranslator, historian, journalist
Bardar (Samuel bar Hammurabi Yaqub) WritingPoet, editor, typesetter
Winslow M. BellPublishingBooksellerGreenwich Village businesses, World War I veteran
William Rose BenetVisual arts, writingArtist, editor, poet, translator, seafarerThree Hours for Lunch Club, World War I veteranPulitzer Prize for Poetry (1942)
Florence BlackstoneSocial groupsWomen's suffrage
Paul J. Blackstone
David William BoneWritingFiction and travel writer, seafarerThree Hours for Lunch Club, World War I veteran (UK)
Albert BoniPublishingBookseller, editor, publisherGreenwich Village businesses, Little Theater Movement, Washington Square Players, socialismBoni & Liveright
Charles BoniPublishingBookseller, editor, publisherGreenwich Village businesses, Little Theater Movement, Washington Square Players
Ernest Augustus Boyd PublishingCritic, editor, translatorSaturday Review of Literature
Will H. BradleyVisual artsFilm director, illustrator
Berton BraleyWritingPoet, fiction writer, editor
Max M. BreslowPublishingBookseller
Heywood BrounSocial groupsJournalist, politicianAlgonquin Round Table, socialismThe NewsGuild-CWA (founder)
Albert BrushPerformanceStage actor, poetProvincetown Players
Arthur CaesarWritingJournalist, playwright, screenwriterWorld War I veteranHis Darker Self (1924), Manhattan Melodrama (1934)
Henry Seidel CanbyWritingCritic, editor, professorThree Hours for Lunch ClubSaturday Review of Literature
Jonathan CapePublishingPublisherWorld War I veteranJonathan Cape
Gene CarrVisual artsCartoonist, illustratorLittle magazinesNew York Herald, New York World, New York Evening Journal
Oscar Edward CesareVisual artsCartoonist, journalistArmory Show of 1913The Masses
Christine ChallengerVisual artsIllustrator
Betty Ross ClarkePerformanceStage actor, screen actorIf I were King (1920 film), Traveling Salesman (1921 film)
Helen Louise CohenWritingCritic, editor, teacher
Alta May ColemanWritingJournalist, critic
Seward CollinsPublishingBookseller, publisher
Frank ConroyPerformanceStage actor, screen actor, theater directorLittle Theater Movement, Washington Square PlayersGrand Hotel (1932 film), The Little Minister (1934 film)
George Cram CookPerformanceStage actor, playwright, teacher, theater directorLittle Theater Movement, Provincetown Players, socialism
John CournosWritingFiction writer, poet, translatorThe Philadelphia Record
Bosworth CrockerWritingPlaywrightProvincetown Players, Washington Square Players
J. Vincent CrowneWritingProfessor, essayist
Homer CroyWritingFiction writer, humorist, screenwriterThree Hours for Lunch ClubWest of the Water Tower (1923)
Mary Carolyn DaviesWritingPoet, playwrightLittle Theater Movement, Provincetown Players, Bohemian ClubThe Youth's Companion, The Masses
Helena Smith-DaytonVisual artsIllustrator, sculptor, stop-motion animatorSociety of Illustrators
Fred Erving DaytonPublishing, writingJournalist, playwright, publisher
Floyd DellWritingCritic, fiction writer, journalistProvincetown Players, little magazines, socialismThe Masses
Sam DeWitSocial groups, writingPolitician, poet, writerLittle magazines, socialism
Roy DickinsonPublishing, writingCritic, journalist, editor, publisherWorld War I veteranPrinters' Ink
Charles DivineWritingJournalist, poet, playwright, teacherWorld War I veteran
Alice Willits DonaldsonVisual artsArtist, illustrator
John Dos PassosWritingCritic, editor, fiction writerLittle magazines, socialism, World War I veteranThe Masses, Three Soldiers (1921), Manhattan Transfer (1925)
Theodore DreiserWritingPlaywrightProvincetown Players, socialismSister Carrie (1900), An American Tragedy (1925)
Joseph DrumWritingFiction writer, playwright
Robert L. Eaton
Laurie York ErskineWritingNovelist, educatorWorld War I veteran (UK)Solebury School (founder)
Winifred EwardWritingFiction and travel writerWorld War I veteran
Henry Guy FangelVisual artsIllustrator, photographerGood Housekeeping
John Chipman FarrarPublishingEditor, publisher, teacherSkull and Bones, World War I veteranThe Bookman
Farrar, Straus and Giroux (founder)
Hugh FerrissVisual artsArchitect, industrial designer, writerLiberty Memorial, Tribune Tower, The Metropolis of Tomorrow (1929)
Arthur Davison FickeWritingPoetWorld War I veteran
John Bernard FlannaganVisual artsCartoonist, sculptor, seafarerGuggenheim FellowshipThe Masses
Dwight FranklinVisual artsSculptor, set designerTreasure Island (1934 film), Buccaneer (1938 film)
James Earle FraserVisual artsSculptor, teacherArmory Show of 1913, Art Students LeagueBuffalo nickel, Equestrian Statue of Theodore Roosevelt (1939)
Joseph Lewis FrenchWritingPoet
Robert FrothinghamWritingAnthologist, journalist, travel writer
Barney GallantPublishingBookseller, restaurateurGreenwich Village businesses
Porter GarnettPublishingEditor, librarian, playwright, professorBohemian Club, Little Theater Movement
Susan GlaspellPerformancePlaywright, stage actorLittle Theater Movement, Provincetown Players, socialism, Washington Square PlayersAlison's House (1930), Pulitzer Prize for Drama (1931), Trifles (1917)
Montague GlassWritingHumorist, playwright
Joseph GollombWritingJournalist, teacherSocialism
Herbert S. GormanWritingBiographer, editor, journalistNew York Post, The New York Times
Stephen GrahamWritingTravel WriterTrampingHarper's Magazine, The New Yorker
Dorothy L.A. GrantPublishingBookseller
Harry Wagstaff GribbleWritingPlaywright, screenwriter A Bill of Divorcement (1932 film), All Gummed Up (1947)
William GropperVisual artsCartoonistArmory Show of 1913, socialismThe Bookman, The Masses
Louise Closser HalePerformanceScreen and stage actor, writerArizona (1900), The Hole in The Wall (1929)
Harry HansenWritingHistorian, journalistWorld War I reporterChicago Daily News, New York World
Sadakichi HartmannWritingActor, editor, poet, writer
Josephine HerbstWritingJournalist, writerLittle magazines, socialismPity is Not Enough (1933)
John HermannWritingFiction writerSocialismScribner's Magazine
W.E. HillVisual artsCartoonist, illustratorThis Side of Paradise (1920)
Elisabeth Sanxay HoldingWritingNovelist
Robert Cortes HollidayPublishing, writingBookseller, critic, editor, writerArt Students League, little magazinesThe Bookman, New York Tribune
Terence HollidayPublishingBookseller, critic
Guy HoltPublishingEditor, publisher
Holland HudsonPerformancePlaywright, stage actorLittle Theater Movement, Washington Square Players
Peter Lord Templeton HuntVisual artsArtistWorld War I veteran
Frank Townsend HutchensVisual artsIllustratorArt Students League
Lewis Jackson
Norman JacobsenVisual artsCartoonist, illustratorLittle theater movement, Provincetown PlayersThe Masses
Rutger Bleecker JewettPublishingEditor, publisherThe Masses
Orrick Glenday JohnsWritingJournalist, poetLittle magazines, socialism
Merle De Vore JohnsonVisual artsCartoonist, illustrator, poet
Jeanne JudsonWritingEditor, journalist, novelistHarper's Bazaar
Harry KempPerformance, writingPlaywright, poet, seafarer, stage actorProvincetown Players, tramping, socialismThe Masses
Bernice Lesbia KenyonWritingEditor, poetScribner's Magazine
John G. KiddPublishingBookseller, publisherProvincetown Players
William Albion KittredgeVisual artsBook artist
Eastwood LanePerformanceComposer
Lawrence LangnerPerformancePlaywright, theater directorLittle Theater Movement, Provincetown Players, Washington Square Players
Christian LedenWritingSeafarer, travel writerThe New York Times
Courtenay LemonSocial groupsCritic, socialist activistSocialism
Sinclair LewisWritingCritic, editor, novelist, poetSocialism, Three Hours for Lunch ClubBabbitt (1922), Arrowsmith (1925)
Ludwig LewisohnWritingCritic, novelist, teacher
Max LiebermannVisual artsIllustrator, printmaker
Nicholas Vachel LindsayVisual arts, writingArtist, critic, poetTramping
Preston LockwoodWritingJournalist, teacherWorld War I veteran
Hendrick Willem Van LoonVisual artsHumorist, illustrator, teacherThe Story of Mankind (1921)
Lingard LoudWritingEditorWorld War I veteran
Pierre LovingWritingJournalist, translator, writerLittle Theater Movement, Provincetown Players, World War I veteran
Orson LowellVisual artsCartoonist, illustratorThe American Boy
Charles R. MacauleyVisual artsCartoonist, illustrator
Kenneth MacgowanPerformanceCritic, director, producerLittle Theater Movement, Provincetown PlayersLa Cucaracha
Lawton MackallWritingCritic, humoristThree Hours for Lunch Club
Hector MacQuarriePublishing, writingBookseller, writerWorld War I veteranThe Bookman
John Albert MacyWritingBiographer, critic, editorSocialism
Jane ManderWritingJournalist, novelist
Don MarquisVisual artsCartoonist, illustrator, writerThree Hours for Lunch ClubArchy and mehitabel (1927)
H.A. MathesVisual artsIllustrator
William McFeeWritingNovelist, travel writer, seafarerThe New York Times
Alexander McKayPublishingEditor, publisher
Hawley McLanahanVisual artsArchitect
Charles M. McLeanPublishingBookseller, publisher
Ada Jaffray McVickarPublishingBookseller
Scudder MidletonWritingPoetWorld War I veteranHarper's Magazine
George MiddletonPerformancePlaywrightProvincetown PlayersPolly With a Past (1917)
Roy MitchellPerformanceTheater directorLittle Theater Movement
Christopher MorleyWritingJournalist, novelist, poetThe Baker Street Irregulars, Three Hours for Lunch ClubSaturday Review of Literature
Robert NathanWritingNovelist, screenwriterPortrait of Jennie (1940)
Dudley NicholsWritingFilm director, screenwriterWorld War I veteranBringing Up Baby (1938), Stagecoach (1939)
Robert NicholsWritingPoet, playwrightWorld War I veteran
Charles NormanWritingPoet, seafarer
Joseph Jefferson O'NeilWritingJournalist
Ivan OpfferVisual artsPortraitistThe Bookman
Martha OstensoVisual arts, writingArtist, poet, screenwriterWild Geese (1925)
Lou Paley WritingPoet, teacher
Edmund Lester PearsonWritingEditor, librarian, true crime author
Basil H. PillardSocial groupsTeacher
Ethel McClellan PlumerVisual artsCartoonist, illustratorSociety of Illustrators, women's suffrageThe New Yorker, Vanity Fair, Vogue
Alexander PopiniVisual artsIllustratorLittle magazines, World War I veteranThe Masses
William MacLeod RaineWritingHistorian, novelist
Ben Ray RedmanWritingCritic, editor, writerSaturday Review of Literature
Charles J. ReedSocial groupsRestaurateurGreenwich Village businesses
Lola RidgeSocial groups, writingEditor, poetGuggenheim Fellowship, little magazines, socialism, women's suffrageThe Masses
Felix RiesebergWritingExplorer, journalist, travel writerThree Hours for Lunch ClubEast Side, West Side (1927)
W. Adolphe RobertsWritingJournalist, novelist, travel writerHearts International Magazine
Edwin Arlington RobinsonWritingPlaywright, poetPulitzer Prize for Poetry (1922, 1925, 1928)
Edwin (Ted) Meade RobinsonWritingHumorist, journalist, poet
Bruce RogersVisual artsBook designer, illustrator, typographerCentaur (typeface)
L. Stuart RosePublishingCritic, editor, publisherWorld War I veteranThe Saturday Evening Post (editor)
Herb RothVisual artsCartoonist, illustratorNew York World
Edward RoycePerformanceTheater director
Tony SargPerformance, visual artsIllustrator, puppeteer, stage actorArmory Show of 1913Macy's Thanksgiving Day Parade (balloon designer, 1927)
Jacob Salwyn SchapiroWritingHistorian, teacherSocialism
Walter SchnackenbergVisual artsIllustrator
Thomas SeltzerWritingEditor, journalist, translatorLittle magazinesThe Masses
Fern Forrester ShayVisual artsIllustrator
Margaret Caldwell ShotwellWritingPoetPublishers Weekly
Emil SiebernVisual artsSculptor, teacher
Upton SinclairWritingJournalist, novelistSocialismThe Jungle (1906), The Brass Check (1919), Pulitzer Prize for Fiction (1943)
John SloanVisual artsPainterArmory Show of 1913, Art Students League, Ashcan School, socialismThe Masses
Thorne SmithWritingHumorist, poet, seafarerWorld War I veteran
David Tosh SmithSocial groupsSeafarerWorld War I veteran
Robert A. SmithSocial groupsSeafarerWorld War I veteran
Charles SomervilleVisual arts, writingIllustrator, journalist
Vincent StarettWritingJournalist, poet, teacher, writerThe Baker Street Irregulars, Three Hours for Lunch ClubSaturday Review of Literature
Vilhjalmur StefanssonWritingExplorer, seafarer, travel writer
Donald Ogden StewartWritingHumorist, novelist, screenwriterAlgonquin Round Table, Skull and Bones, socialismThe Philadelphia Story (1940 film)
Gordon StilesWritingFiction writer, journalistWorld War I veteran
Emily StrunskySocial groups
Genevieve TaggardWritingEditor, poet, teacherLittle magazines, socialismThe Masses
Gardner TeallVisual artsIllustrator
Sara TeasdaleWritingNovelist, poetPulitzer Prize for Poetry (1918)
Lloyd M. ThomasPerformanceProvincetown Players, World War I veteran
Basil ThompsonWritingEditor, poetLittle magazines
Paul ThompsonVisual arts, writingJournalist, photographerWorld War I reporter
Helen ThurlowVisual artsIllustratorWomen's Home Companion, Vogue
Adolph TreidlerVisual artsIllustratorSociety of IllustratorsThe Saturday Evening Post
Peter Underhill
Harvey P. VaughnPublishingPublisherGreenwich Village businesses
Walter VodgesWritingCritic, journalistLos Angeles Times
Charles A. VoightVisual artsCartoonist, illustratorBoston Traveler, Life, New York World
Mary Heaton VorseVisual arts, writingJournalist, novelist, union organizerArt Students League, Provincetown Players, socialism, women's suffrageThe Masses
Webb WaldronWritingEditor, journalistWorld War I reporterEsquire, Reader's Digest
John Leeming WalkerSocial groupsMedical doctor, seafarerThree Hours for Lunch Club
Foster WareWritingJournalistNew York Evening Post, The New Yorker
John V. A. WeaverWritingJournalist, poet, screenwriterChicago Daily News, The Adventures of Tom Sawyer (1938 film)
Luther E. WidenPublishing, visual artsBook designer, publisher, typographerLittle magazines, socialism
Edward Arthur WilsonVisual artsIllustrator, mystic, seafarer
Lily WinnerPerformanceCritic, playwrightWomen's suffrageBirth Control Review
Robert L. WolfWritingJournalist, poet, writerLittle magazines, socialismThe Masses
Cuthbert WrightWritingCritic, poet, professorThe New York Times, Commonweal
ZorachPerformance, visual artsArtistArmory Show of 1913, Art Students League, little magazines, Provincetown Players
Theodore F. ZuckerSocial groupsProfessor, researcher

See also

Notes and References

  1. Web site: The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920–1925 . 2022-10-05 . norman.hrc.utexas.edu.
  2. Web site: The Shop: The Greenwich Village Bookshop Door . 2022-10-08 . norman.hrc.utexas.edu.
  3. Ashby . Anna Lou . September 1, 1972 . Juliette's Door . The Library Chronicle . 35–37.
  4. Book: McFee, William . The Harbourmaster . Doubleday, Doran and Co. . 1931 . New York . 315 . en.
  5. Web site: Hendrick Willem Van Loon: The Greenwich Village Bookshop Door . 2022-10-06 . norman.hrc.utexas.edu.
  6. Book: Morley, Christopher . Ex Libris Carrisimis . . 1932 . 9781512804652 . 99–130 . en . Wine That Was Spilt in Haste. j.ctv5135vw .
  7. Web site: September 7, 2011 . A Greenwich Village Artifact in Texas . 2022-10-05 . Village Preservation . en-US.
  8. Web site: The Door as an Artifact: The Greenwich Village Bookshop Door . 2022-10-06 . norman.hrc.utexas.edu.
  9. September 1, 2011 . Ransom Center Features Greenwich Village Bookstore Door . The Sinclair Lewis Society Newsletter . . 20 . 1 . 5.
  10. News: Schuessler . Jennifer . September 1, 2011 . A Portal to 1920s Greenwich Village . en-US . The New York Times . 2022-10-08 . 0362-4331.
  11. Web site: Dietrich . Alicia . September 7, 2011 . Installation of door from Frank Shay's Greenwich Village bookshop . 2022-10-08 . Ransom Center Magazine.
  12. Web site: Hejo . Cathy Moran . September 5, 2011 . The Door is Open, Come on In! . 2022-10-08 . Researching Greenwich Village History . en.
  13. Web site: Unidentified Signature 56: The Greenwich Village Bookshop Door . 2022-10-05 . norman.hrc.utexas.edu.
  14. Web site: Faires . Robert . May 25, 2012 . 2012 Austin Critics Table Awards . 2022-10-09 . The Austin Chronicle . en-US.
  15. Web site: John Mistletoe: The Greenwich Village Bookshop Door . 2022-10-11 . norman.hrc.utexas.edu.
  16. Web site: The Bohemians: The Greenwich Village Bookshop Door . 2022-10-09 . norman.hrc.utexas.edu.
  17. News: Hoinski . Michael . September 9, 2011 . GTT ★ . en-US . The New York Times . 2022-10-09 . 0362-4331.
  18. Web site: Armory Show of 1913: The Greenwich Village Bookshop Door . 2022-10-11 . norman.hrc.utexas.edu.
  19. Web site: World War I Soldiers: The Greenwich Village Bookshop Door . 2022-10-11 . norman.hrc.utexas.edu.