| The Grass Harp | |
| Director: | Charles Matthau |
| Producer: | Charles Matthau Jerry Tokofsky John Winfield |
| Screenplay: | Stirling Silliphant |
| Narrator: | Boyd Gaines |
| Music: | Patrick Williams |
| Cinematography: | John A. Alonzo |
| Distributor: | Fine Line Features |
| Runtime: | 107 minutes |
| Country: | United States |
| Language: | English |
| Budget: | $8 million |
| Gross: | $559,677 |
The Grass Harp is a 1995 American comedy-drama film based on the novella by Truman Capote. The screenplay, which was the final work of Oscar-winning screenwriter Stirling Silliphant, was adapted for the film. Directed by Charles Matthau, the film features a cast including Piper Laurie, Sissy Spacek, Walter Matthau (the director's father), Jack Lemmon, Edward Furlong, and Nell Carter.[1] Piper Laurie won the Best Supporting Actress award from the Southeastern Film Critics Association for her performance in the film.[2]
Set in a small 1940s Alabama town, the film follows Collin Fenwick as he is sent to live with his father's maiden cousins, the sweet Dolly and the overbearing Verena, following the death of his mother. He soon discovers that the Talbo household is anything but normal. After also losing his father, Collin grows to be close to Dolly and maid Catherine, and becomes acquainted with the eccentric townspeople, from the gossip-loving barber to a traveling evangelist with 15 illegitimate offspring. To escape Verena's oppression, Dolly, Collin, and Catherine run away to an old tree house in the woods. Their rebellion sparks a series of events that changes their lives and the entire town, as well.[2] [3] [4]
The Grass Harp feature film was based on Truman Capote's 1951 semi-autobiographical novel of the same name. The screenplay was written by Stirling Silliphant and Kirk Ellis. Silliphant's previous credits include In the Heat of the Night, The Towering Inferno, and The Poseidon Adventure. The film was directed by Charles Matthau, son of Walter Matthau. It was filmed on location in Wetumpka, Alabama.[4]
The New York Times review of the film stated that the actors' performances were "uniformly expert, sharp renderings of distinctive individuals" and that Charles Matthau had "managed to set them in a landscape specifically distant and atmospheric".[4] The Los Angeles Times review called it a beguiling film and one that "celebrates rebirth and renewal but within a tough-minded view of life that never allows it to lapse into a fairy tale".[5] Variety called it a "sensitive screenplay adaptation" and noted the film's "wonderful ensemble cast".[6] Despite generally good reviews, the film did poorly at the box office. With an estimated budget of $9 million, the film grossed only roughly $1.5 million in ticket sales.[7]