| The Golden Notebook | |
| Author: | Doris Lessing |
| Country: | United Kingdom |
| Language: | English |
| Genre: | Novel |
| Publisher: | Michael Joseph |
| Release Date: | 1962 |
| Media Type: | Print (hardback and paperback) |
| Isbn: | 0-7181-0970-8 |
| Dewey: | 823/.9/14 |
| Congress: | PZ3.L56684 Go5 PR6023.E833 |
| Oclc: | 595787 |
The Golden Notebook is a 1962 novel by the British writer Doris Lessing. Like her two books that followed, it enters the realm of what Margaret Drabble in The Oxford Companion to English Literature called Lessing's "inner space fiction"; her work that explores mental and societal breakdown. The novel contains anti-war and anti-Stalinist messages, an extended analysis of communism and the Communist Party in England from the 1930s to the 1950s, and an examination of the budding sexual revolution and women's liberation movements.
In 2005, TIME magazine called The Golden Notebook one of the 100 best English-language novels since 1923.[1] It has been translated into a number of other languages, including French, Polish, Italian, Swedish, Hungarian, and Hebrew.
The Golden Notebook is the story of writer Anna Wulf, the four notebooks in which she records her life, and her attempt to tie them together in a fifth, gold-coloured notebook.
The book intersperses segments of an ostensibly realistic narrative of the lives of Anna and her friend Molly Jacobs as well as their children, ex-husbands and lovers—entitled Free Women—with excerpts from Anna's four notebooks, coloured black (of Anna's experience in Southern Rhodesia, before and during World War II, which inspired her own best-selling novel), red (of her experience as a member of the Communist Party), yellow (an ongoing novel that is being written based on the painful ending of Anna's own love affair), and blue (Anna's personal journal where she records her memories, dreams, and emotional life).
Each notebook is returned to four times, interspersed with episodes from Free Women, creating non-chronological, overlapping sections that interact with one another.
Lessing, in her preface, claimed that the most important theme in the novel is fragmentation; the mental breakdown that Anna suffers, perhaps from the compartmentalization of her life reflected in the division of the four notebooks but also reflecting the fragmentation of society. Anna's relationship and attempt to draw everything together in the golden notebook at the end of the novel are both the final stage of her intolerable mental breakdown, and her attempt to overcome the fragmentation and madness.
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