| The Gardens of Harlem | |
| Type: | album |
| Artist: | Clifford Thornton |
| Cover: | Clifford_Thornton_The_Gardens_of_Harlem.jpg |
| Released: | 1975 |
| Recorded: | April 4, 1974 |
| Studio: | Blue Rock Studio, New York City |
| Genre: | Free jazz |
| Label: | JCOA Records LP 1008 |
| Chronology: | Clifford Thornton |
| Prev Title: | Communications Network |
| Prev Year: | 1972 |
The Gardens of Harlem is an album by multi-instrumentalist and composer Clifford Thornton. It was recorded at the Blue Rock Studio in New York City in April 1974, and was released in 1975 by JCOA Records. On the album, Thornton is joined by members of the Jazz Composer's Orchestra, supplemented by seven musicians playing African percussion instruments. The music was conducted by Jack Jeffers.[1] [2]
In an article for London Jazz News, Jon Turney stated: "Clifford Thornton... led the final release credited to the co-operative Jazz Composers' Orchestra, and it's a great one. The multiple African percussion that features prominently in the early pieces here energises the music wonderfully. And as the notes made clear, that collection of sounds arises because the whole work explores West African music and how it has travelled 'from West to North Africa, the Caribbean, the South Eastern United States, to Harlem'. He evoked that history by selecting vocal melodies from the territories in question, and orchestrating them... They are fine tunes, orchestrated with great skill, and evocative in their own right. Add some great jazz soloing, and it's a heady brew."[3]
John Corbett called Thornton "another figure whose thin discography distorts his real significance," and described the album as "gorgeous, majestic, intricate."[4]
Writing for The Rolling Stone Jazz Record Guide, Fred Goodman commented: "this... album... remains one of the more satisfying fusions of traditional Third World musics with the American jazz tradition. Thornton's compositions get superb treatment here from the Jazz Composer's Orchestra... Gardens of Harlem weaves together into one grand tapestry the many experimental directions being pursued on the New York scene during that period."
David Hollenberg, in a 1976 review for Mother Jones, commented: "The Jazz Composer's Orchestra... have published ten records... All are ambitious and honest, especially a recent album entitled The Gardens of Harlem... It is not the first time that a jazz musician has attempted to integrate 'primitive' music with jazz... but it is to my knowledge the most thorough and believable attempt."[5]
In a review for AllMusic, Eugene Chadbourne wrote: "There was something of a struggle getting this project finished and released... Gardens of Harlem... perpetually in the oven or being rehearsed in dribs and drabs, was to be [Thornton's] masterpiece, bringing together Afro-Cuban, Jamaican, Ghanaian, Algerian, American blues, and gospel influences as well as a piece based on the cry of a South Carolina fruit vendor. A massive cast was to be involved, including some hot avant-garde jazz soloists and a stage full of percussionists. Slightly more than 50 minutes was eventually released, and the good moments are truly riveting, making one long for the version of this album that might have been created had someone with deeper pockets been around... it is a shame Thornton was unable to create a larger body of work with this kind of vision."
All compositions by Clifford Thornton.