The First Minute of a New Day | |
Type: | studio |
Artist: | Gil Scott-Heron, Brian Jackson and the Midnight Band |
Cover: | The First Minute of a New Day.jpg |
Released: | January 1975 |
Recorded: | June–July 1974 |
Studio: | D&B Sound in Silver Spring, Maryland |
Genre: | Jazz, R&B, progressive soul[1] |
Length: | 47:52 |
Label: | Arista |
Producer: | Gil Scott-Heron, Brian Jackson |
Chronology: | Gil Scott-Heron and Brian Jackson |
Prev Title: | Winter in America |
Prev Year: | 1974 |
Next Title: | From South Africa to South Carolina |
Next Year: | 1976 |
The First Minute of a New Day is an album by American vocalist Gil Scott-Heron, keyboardist Brian Jackson, and the Midnight Band—an eight-piece musical ensemble. It was released in January 1975 on Arista Records.[2] Recording sessions for the album took place in the summer of 1974 at D&B Sound in Silver Spring, Maryland.[3] It was the follow-up to Scott-Heron's and Jackson's critically acclaimed collaboration effort Winter in America. The First Minute of a New Day was the first album to feature "Winter in America", the title track of Scott-Heron's previous album which was not featured on its original LP release.[4] The album was reissued on compact disc by Scott-Heron's label Rumal-Gia Records in 1998.[5]
The First Minute of a New Day served as Jackson's and Scott-Heron's debut for the Arista label and featured the eight-piece Midnight Band.[5] With the Midnight Band and better financial support from Arista, the album benefited from a larger supporting cast and slicker production, in contrast to the sparse production on Winter in America.[5] The Midnight Band would later be featured on following Scott-Heron albums, assisting in production and back-up instrumentation.
The songs on The First Minute of a New Day, which feature themes ranging from spirituality ("Offering") to revolution ("The Liberation Song") and oppression ("Winter in America"), contain jazz melodies by the Midnight Band and funk influences.[5] [6] "Winter in America" featured themes of struggle and had Scott-Heron singing of social, geographical and environmental oppression. The album's only spoken word cut, also a live take, "Pardon Our Analysis" was a sequel to Winter in America "H2O Gate Blues" as a criticism of President Richard Nixon's pardon, though this time the track did not feature a musical backing of any kind.[7]
Following the little commercial success experienced by Scott-Heron's previous LPs, the album had multi-chart success, which seemed promising for their new record label.[8] Even though Scott-Heron's previous albums, in specific Pieces of a Man and Winter in America, featured singles, they did not chart. However, no singles were released for The First Minute of a New Day, off the album or for promotion.[8]
Following heavy promotion by Arista,[6] the album entered the Top Jazz Albums chart at number 17 on February 8, 1975.[9] It later peaked at number 5 before falling off the charts on July 19, 1975, 24 weeks after its original appearance.[9] The First Minute of a New Day also peaked at number 8 on the Black Albums chart and number 30 on the Pop Albums chart.[8] While not as critically acclaimed as Jackson's and Scott-Heron's previous effort Winter in America, The First Minute of a New Day gave Scott-Heron wider recognition among fans and critics, due in part to its heavy promotion.[6] Tim Sheridan of Allmusic called it "solid, decidedly left-of-center jazz-R&B" and went on to write:
Music critic Neil Tesser described Scott-Heron's singing voice for the album as "mahogany, sunshine, and tears."[10] The contributions by the Midnight Band were also praised by critics.[10] Robert Christgau of the Village Voice noted that "the free-jazz-gone-populist band generates so much rhythmic energy that it carries over the weak spots".
All songs written by Gil Scott-Heron and Brian Jackson, except where noted.[11]
Side one
Side two
All bonus cuts for the CD reissue were managed and produced by Malcolm Cecil.[3]
Billboard Music Charts (North America) – The First Minute of a New Day[8]