| The Enormous Radio and Other Stories | |
| Border: | yes |
| Author: | John Cheever |
| Country: | United States |
| Language: | English |
| Publisher: | Funk and Wagnalls |
| Pub Date: | 1953 |
| Media Type: | Print (hardcover) |
| Pages: | 237 |
| Isbn: | 978-0871-919595 |
| Congress: | PZ3.C3983 En, PS3505.H6428 |
The Enormous Radio and Other Stories is a collection of short fiction by John Cheever published in 1953 by Funk and Wagnalls. All fourteen stories were first published individually in The New Yorker. These works are included in The Stories of John Cheever (1978) published by Alfred A. Knopf.[1] [2]
The date of publication in The New Yorker appears in parentheses.[3] [4]
Cheever, in an effort to see a selection of his stories published in the 1940s with The New Yorker collected in a volume, approached Random House's Robert Linscott: Cheever had been under contract with the publisher to deliver a novel since 1946. Linscott demurred, and Cheever arranged to have fourteen stories printed by Funk and Wagnalls, a publisher of encyclopedias. [5] [6]
Literary critic James Kelly of The New York Times Book Review, praised Cheever's "miraculous expressions" in describing the denizens of the petty-bourgeois New England suburbs, a genre of which Kelly identifies the author as a literary master.[7] William Peden of The Saturday Evening Post, though ranking Cheever among "the most undervalued American short story writers", regarded The Enormous Radio and Other Stories as inferior to author J. D. Salinger's short fiction collection Nine Stories (1953), as did critic Alfred Mizener in The New Republic.[8] Blake Bailey reports "...a mostly favorable reception for The Enormous Radio", adding that it "sold a few copies and vanished."[9], while Patrick Meanor notes that the collection "met with very mixed reviews."[10]
The stories in The Enormous Radio were clearly an advance over the short fiction issued in Cheever's first collection The Way Some People Live (1943). Biographer Lynne Waldeland writes:
Biographer Patrick Meanor traces the "dramatic growth" in Cheever's handling of narrative and themes evident in The Enormous Radio and Other Stories to the author's extensive "journal-keeping", much it written while Cheever was in his thirties.[11] Meanor declares that these self-reflective writings "directly influenced" the development of Cheever's fiction:
Meanor notes that a number of stories included in The Enormous Room and Other Stories, among them "Goodbye, My Brother"; "Torch Song" and "The Enormous Radio", would alone have "secured Cheever a permanent place in the pantheon of American short story writers."[12]
Lynne Waldeland cites the same three stories, offering them as evidence for Cheever's emergence as a modern innovator in short fiction.[13]