| The End of Our Road | |
| Type: | single |
| Artist: | Gladys Knight & the Pips |
| Album: | Feelin' Bluesy |
| B-Side: | Don't Let Her Take Your Love From Me |
| Released: | 1968 |
| Recorded: | 1967, Hitsville USA, Detroit |
| Genre: | R&B, soul |
| Length: | 2:19 |
| Label: | Soul |
| Producer: | Norman Whitfield |
| Prev Title: | I Heard It Through the Grapevine |
| Prev Year: | 1967 |
| Next Title: | It Should Have Been Me |
| Next Year: | 1968 |
"The End of Our Road" is a single written by Rodger Penzabene, Norman Whitfield and Barrett Strong in 1967. Originally recorded by Gladys Knight & the Pips and issued as a single in 1968, the Pips' version of the song, became another top forty hit for the family group as it peaked at number fifteen on the pop singles chart and number five on the R&B singles chart.
As with the last two songs in Penzabene's trilogy for The Temptations, "I Wish It Would Rain" and "I Could Never Love Another (After Loving You)", "The End of Our Road" talked about the demise of a couple's relationship. The sentiment behind the song's words, as lyricist Penzabene wrote his songs as personal statements to his wife, was about publicizing his pain of his own marriage falling apart. Unable to handle the extreme pain and hurt caused by this, he wrote the songs, drawing from his real-life heart break. After all three songs were completed and recorded, Penzabene committed suicide.
| Chart (1968) | Peak position | |
|---|---|---|
| U.S. Billboard Hot 100 | 15 | |
| U.S. Billboard R&B Singles[1] | 5 |
Much like the minor controversy with "I Heard It Through the Grapevine", Whitfield produced a different version of the song with Marvin Gaye, who issued the song in early 1970. The song peaked at number forty on the pop charts. It was the first song counted down on the first show of the syndicated radio countdown program American Top 40 on the weekend of July 4, 1970.[2]
Record World called it "a great vehicle for Marvin Gaye."[3] Cash Box said "The results once more are astounding. The vocal is inflated by production work that is strictly Motown monopoly."[4]
| Chart (1970) | Peak position | |
|---|---|---|
| U.S. Billboard Hot 100 | 40 | |
| U.S. Billboard R&B Singles[5] | 7 |
. Top R&B/Hip-Hop Singles: 1942-2004. Joel Whitburn . 2004 . Record Research . 330.
. Top R&B/Hip-Hop Singles: 1942-2004. Joel Whitburn . 2004 . Record Research . 225.