The Dream of Butterfly explained

The Dream of Butterfly
Director:Carmine Gallone
Producer:Fritz Curioni
Music:Luigi Ricci
Editing:Oswald Hafenrichter
Studio:Grandi Film Storici
Distributor:Industrie Cinematografiche Italiane
Runtime:100 minutes
Language:Italian

The Dream of Butterfly (Italian: Il sogno di Butterfly, German: Premiere der Butterfly) is a 1939 musical drama film directed by Carmine Gallone and starring Maria Cebotari, Fosco Giachetti and Germana Paolieri.[1] It is an variation of the plot of the opera Madame Butterfly. A co-production between Italy and Germany, two separate versions were produced in the respective languages. It is also alternatively titled Madame Butterfly. It was one of several opera-related films directed by Gallone following on from Casta Diva (1935) and Giuseppe Verdi (1938).[2]

It was shot at the Cinecittà Studios in Rome. The film's sets were designed by the art directors Ivo Battelli and Guido Fiorini. It was shown at the 1939 Venice Film Festival.

Synopsis

In nineteenth-century Italy, promising singer Rosi Belloni meets American music student Harry Peters and the two become engaged and she falls pregnant by him. Before she can tell him this news he informs her he is returning to the United States for three years for further musical education. Unwilling to stand in the way of his future, she does not tell him about her pregnancy. Although he promises to be in contact within a year, she receives no word from him.

Five years later Peters, now a conductor at the Metropolitan Opera in New York City, returns to Italy with his new American wife. In the meantime Rosi Belloni has risen to become a leading opera singer, and is chosen by Puccini to sing the title role in his new opera Madame Butterfly at La Scala. Encountering the five-year-old son who has been raised to honour the idea of his father, Peters comes to realise what he missed by not marrying Belloni. In turn she comes to appreciate how much her own life resembles that of Madame Butterfly.

Cast

Italian version

German version

References

  1. Bagnoli p.344
  2. Barron p.142-34

Bibliography