| The Diving Bell and the Butterfly | |
| Native Name: | |
| Director: | Julian Schnabel |
| Producer: | Kathleen Kennedy Jon Kilik |
| Screenplay: | Ronald Harwood |
| Music: | Paul Cantelon |
| Cinematography: | Janusz Kamiński |
| Editing: | Juliette Welfling |
| Studio: | Pathé Renn Production Canal+ The Kennedy/Marshall Company France 3 Cinéma |
| Distributor: | Pathé Distribution (France/United Kingdom) Miramax Films (United States) |
| Runtime: | 112 minutes |
| Country: | France United States |
| Language: | French |
| Budget: | $12.8 million[1] |
| Gross: | $19.8 million[2] |
The Diving Bell and the Butterfly (French: '''Le Scaphandre et le Papillon''') is a 2007 biographical drama film directed by Julian Schnabel and written by Ronald Harwood. Based on Jean-Dominique Bauby's 1997 memoir of the same name, the film depicts Bauby's life after suffering a massive stroke that left him with a condition known as locked-in syndrome. Bauby is played by Mathieu Amalric.
The Diving Bell and the Butterfly won awards at the Cannes Film Festival, the Golden Globes, the BAFTAs, and the César Awards, and received four Oscar nominations. Several critics later listed it as one of the best films of its decade.[3] It ranks in BBC's 100 Greatest Films of the 21st Century.
The first third of the film is told from the main character's, Jean-Dominique Bauby, or Jean-Do as his friends call him, first person perspective. The film opens as Bauby wakes from his three-week coma in a hospital in Berck-sur-Mer, France. After an initial rather over-optimistic analysis from one doctor, a neurologist explains that he has locked-in syndrome, an extremely rare condition in which the patient is almost completely physically paralyzed, but remains mentally normal. At first, the viewer primarily hears Bauby's "thoughts" (he thinks that he is speaking but no one hears him), which are inaccessible to the other characters (who are seen through his one functioning eye).
A speech therapist and physical therapist try to help Bauby become as functional as possible. Bauby cannot speak, but he develops a system of communication with his speech and language therapist by blinking his left eye as she reads a list of letters to laboriously spell out his messages, letter by letter.
Gradually, the film's restricted point of view broadens out, and the viewer begins to see Bauby from "outside", in addition to experiencing incidents from his past, including a visit to Lourdes. He also fantasizes, imagining beaches, mountains, the Empress Eugénie and an erotic feast with one of his transcriptionists. It is revealed that Bauby had been editor of the popular French fashion magazine Elle, and that he had a deal to write a book (which was originally going to be based on The Count of Monte Cristo but from a female perspective). He decides that he will still write a book, using his slow and exhausting communication technique. A woman from the publishing house with which Bauby had the original book contract is brought in to take dictation.
The new book explains what it is like to now be him, trapped in his body, which he sees as being suspended in impenetrably murky water within an old-fashioned deep-sea diving suit with brass helmet, which is called a scaphandre in French, as in the original title. Others around see his spirit, still alive, as a "Butterfly".
The story of Bauby's writing is juxtaposed with his recollections and regrets until his stroke. We see his three children, their mother (whom he never married), his mistress, his friends, and his father. He encounters people from his past whose lives bear similarities to his own "entrapment": a friend who was kidnapped in Beirut and held in solitary confinement for four years, and his own 92-year-old father, who is confined to his own apartment, because he is too frail to descend four flights of stairs.
Bauby eventually completes his memoir and hears the critics' responses. He dies of pneumonia two days after its publication.[4] [5] [6] The closing credits are accentuated by reversed shootings of breaking glacier ice (the forward versions are used in the opening credits), accompanied by the Joe Strummer & the Mescaleros song "Ramshackle Day Parade".
The film was originally to be produced by American company Universal Studios and the screenplay was originally in English, with Johnny Depp slated to star as Bauby. According to the screenwriter, Ronald Harwood, the choice of Julian Schnabel as director was recommended by Depp. Universal subsequently withdrew, and Pathé took up the project two years later. Depp dropped the project due to scheduling conflicts with .[7] Schnabel remained as director. The film was eventually produced by Pathé and France 3 Cinéma in association with Banque Populaire Images 7 and the American Kennedy/Marshall Company and in participation with StudioCanal and CinéCinéma.[8]
According to the New York Sun, Schnabel insisted that the movie should be in French, resisting pressure by the production company to make it in English, believing that the rich language of the book would work better in the original French, and even went so far as to learn French to make the film.[9] Harwood tells a slightly different story: Pathé wanted "to make the movie in both English and French, which is why bilingual actors were cast"; he continues that "Everyone secretly knew that two versions would be impossibly expensive", and that "Schnabel decided it should be made in French".[10]
Schnabel said his influence for the film was drawn from personal experience:
Several key aspects of Bauby's personal life were fictionalized in the film, most notably his relationships with the mother of his children and his girlfriend.[11] [12] In reality, it was not Bauby's estranged wife who stayed by the patient's bedside while he lay almost inanimate on a hospital bed, it was his girlfriend of several years.
The film received universal acclaim from critics. Review aggregation website Rotten Tomatoes gives the film a score of 94%, based on reviews from 176 critics, and an average rating of 8.30/10, with the general consensus stated as, "Breathtaking visuals and dynamic performances make The Diving Bell and the Butterfly a powerful biopic."[13] Metacritic gave the film an average score of 92/100, based on 36 reviews, indicating "universal acclaim".[14]
In a 2016 poll by BBC, the film was listed as one of the top 100 films since 2000 (77th position).[15]
The film appeared on many critics' top ten lists of the best films of 2007.[16]
It was nominated for four Academy Awards, but because the film was produced by an American company, it was ineligible for the Academy Award for Best Foreign Language Film.