| Didjits | |
| Alias: | UXB[1] |
| Background: | group_or_band |
| Origin: | Mattoon, Illinois, United States |
| Genre: | Punk rock, hardcore punk, rock and roll |
| Years Active: | 1981 - 1994, 2006 |
| Label: | Bam Bam Records Touch and Go Records |
| Associated Acts: | Supersuckers Lee Harvey Oswald Band Scratch Acid Rapeman Ministry The Big Boys Helios Creed Lard Tad Gaza Strippers The Offspring |
| Website: | www.touchandgorecords.com |
| Past Members: | Rick Sims Doug Evans Brad Sims Todd Cole Rey Washam |
Didjits were an American punk rock band formed in Mattoon, Illinois in 1981,[2] composed of Rick Sims on guitar/vocals, Doug Evans on bass, and Rick's brother Brad Sims, on drums. Didjits were known for the aggressive guitar playing and persona of Rick Sims, who often baited the audience between songs, and took plenty of abuse for it. Moreover, the band also added odd stunts and theatrical bits to some of their stage shows, particularly when playing in Chicago and Champaign.
They released their first album in 1986 on Bam Bam Records and disbanded in 1994, but briefly reunited in 2006. Brad Sims left the band in 1992. Former Scratch Acid drummer Rey Washam filled in for the Little Miss Carriage EP, and Todd Cole eventually took over as the drummer. Their song "Killboy Powerhead" was covered by The Offspring on their breakthrough 1994 album Smash.
Fizzjob, their debut album, was produced by Iain Burgess (who has worked with Naked Raygun, Effigies and Mega City Four, among others). Many of the songs on the album (and a couple subsequent releases) had appeared on self-released cassettes such as Whoop My Head and Signifies My Go-T. The album showcased the burgeoning songwriting talents of Rick Sims, along with his fast, stinging guitar leads. They played their souped up rock and roll with plenty of speed. Underneath the fun and fury, the band displayed a real feel for classic rock forms from Jerry Lee Lewis (spoofed and honored in the opening cut "Jerry Lee") to Ramones to AC/DC and others. Highlights include the dynamic "Fix Some Food Bitch", the melodic "California Surf Queen", the dramatic "Mexican Death Horse" and the smart ass "Beast Le Brutale".
Hey Judester, the follow-up album, was a big step forward, as the band, produced by Burgess again, was noticeably tighter and the production was accordingly beefed up. Furthermore, the Rick Didjit persona was truly crystallized, with sarcastic lyrics about bad asses, big cars, and fish dominating the proceedings. Considered by many fans to be the band's best album, the LP kicks off with the furious "Max Wedge" and segues directly into "Stingray". The first side also has the Cramps-like "Skull Baby", the lightning fast "Plate in My Head", sung from the point of view of a Vietnam vet, the heavy "Under the Christmas Fish", a frequent concert opener with its pounding bass and drum rhythm and Sims hooky lead guitar line, and the closer, a wobbly version of Little Richard's "Lucille". Side two was nearly as good, with "Axhandle" sounding like a cross between AC/DC and Buzzcocks, "Joliet" encouraging singalongs, Doug Evans's bass dominating "King Carp", and Sims showing that he could pen a great mid-tempo song on "Dad" ("you know I really hate it/when you hit me with that belt"), a tough guy song tinged with melancholy. Judester was the band's first album released on Touch & Go Records, and was subsequently released as a two-for-one CD with Fizzjob.
The band's following solidified with the release of Hornet Pinata. The album was littered with memorable riffs and careening, pile-driving rhythms. It leads off with "Killboy Powerhead", later covered by The Offspring on their breakthrough album, Smash and includes covers of The MC5's "Call Me Animal" and Jimi Hendrix's "Foxy Lady", with bassist Doug Evans on lead vocals. The band shot a video for "Captain Ahab" which MTV refused to play due to drug references in the lyrics. Nevertheless, a clip of the video was shown on MTV's 120 Minutes show. The video for "Judge Hot Fudge" appeared in a season five episode of Beavis and Butt-head entitled "Choke"; the boys were not impressed.
All of the original members of the band appeared at the Touch and Go 25th anniversary celebration in Chicago, Illinois on September 9, 2006.[3] The next weekend, the band played another reunion show in Champaign.
In late 2016, preparations were also underway for another reunion in 2017. However, due to the death of Evans at the end of 2016, this reunion was canceled.
Sims went on to work with the Lookingglass Theatre Company in Chicago and has his own business as a composer/sound designer. He is also the head sound designer at Niles West High School's Theatre department.[4]
For a few years, Evans resided in the Austin, Texas area where he regularly performed with his band, Blöwer (now disbanded), built nitro dragsters, and raised his children Lola Evans and Dodge Evans. He died on December 28, 2016.[5]
| Year | Director(s) | |
|---|---|---|
| "Loan Me a Buck" | 1985 | David Landis |
| "Beast Le Brutale" | 1986 | |
| "Max Wedge" | 1988 | Phil Harder |
| "Captain Ahab" | 1990 | Paul Andresen |
| "Sweet Sweet Satan" | Paul Andresen, Jay Bellissimo, David Landis, Rick Sims | |
| "Top Fuel" | 1991 | Paul Andresen |
| "Judge Hot Fudge" | 1993 | |