| Runtime: | 45 - 48 minutes |
| Creator: | Reginald Rose |
| Starring: | E. G. Marshall Robert Reed Joan Hackett Polly Rowles |
| Country: | United States |
| Location: | Filmways Studios, New York City |
| Executive Producer: | Herbert Brodkin |
| Producer: | Bob Markell George Justin |
| Editor: | Lyman Hallowell |
| Company: | Plautus Productions Defender Productions CBS Television Network |
| Network: | CBS |
| Theme Music Composer: | Leonard Rosenman |
| Camera: | Single-camera |
| Num Episodes: | 132 |
| List Episodes: | List of The Defenders (1961) episodes |
| Num Seasons: | 4 |
The Defenders is an American courtroom drama television series that ran on CBS from 1961 to 1965. It was created by television writer Reginald Rose, and stars E. G. Marshall and Robert Reed as father-and-son defense attorneys Lawrence and Kenneth Preston. Original music for the series was scored by Frank Lewin and Leonard Rosenman. The series was spun off from the Studio One episode The Defender, which starred Ralph Bellamy and William Shatner as the Prestons.
This series is not related to the 2010s CBS series of the same name.[1]
Lawrence Preston (Marshall) and Kenneth Preston (Reed) are father-and-son defense attorneys who specialized in legally complex cases, with defendants such as neo-Nazis, conscientious objectors, demonstrators of the Civil Rights Movement, a schoolteacher fired for being an atheist, an author accused of pornography, and a physician charged in a mercy killing.
Several other actors appeared numerous times throughout the series. John Boruff, J.D. Cannon, Lonnie Chapman, and Ossie Davis each appeared in eight episodes; Walter Klavun appeared in seven episodes; Marc Connelly, Robert Gerringer, Murray Hamilton, Judson Laire, Kermit Murdock, Frank Overton, Lester Rawlins, and Dolph Sweet each appeared six times; and Simon Oakland, William Shatner (who had starred as Kenneth Preston in the original Studio One episode), and six others each appeared in five episodes.
See main article: List of The Defenders (1961) episodes.
The series was a slight reworking of Rose's 1957 two-part drama, The Defender, from the anthology series Studio One. In the original program, Ralph Bellamy played the father and William Shatner played his son. Shatner guest-starred in various roles in the later series, and the original drama later was incorporated into an episode of his series, Boston Legal.
According to creator Reginald Rose, "the law is the subject of our programs: not crime, not mystery, not the courtroom for its own sake. We were never interested in producing a 'who-done-it' which simply happened to be resolved each week in a flashy courtroom battle of wits." And unlike Perry Mason, which also ran on CBS, victory was "far from certain on The Defenders - as were morality and justice."
Topics featured in the series included abortion, capital punishment, "no-knock" searches, custody rights of adoptive parents, the insanity defense, the "poisoned fruit doctrine," immigration quotas, the Hollywood blacklist, jury nullification, and Cold War visa restrictions.
Writers for the show included Rose in many early episodes, with later episodes by Albert "Al" Ruben and Ernest Kinoy – both Jewish Americans holding socially liberal views.[2] It was thought the move to “ratings graveyard” Thursday nights after a successful prime time reign on Saturday evenings, was a conservative corporate device to force the socially conscious program into cancellation, which it ultimately did.
A 1962 episode entitled "The Benefactor"—in which the father–son legal team defended an abortion care provider—was the most controversial; all of the series' three regular advertisers (Brown & Williamson, Lever Brothers, and Kimberly-Clark) refused to sponsor the episode, so it was only transmitted after a last-minute sponsor was found, Speidel, for a discounted advertising rate.[3] [4] The Canadian Broadcasting Corporation banned this episode when it was first shown on April 28.[5] In 2008, this incident was used as the basis for a second season episode of the drama Mad Men, set in the 1960s.[6]
The December 7, 1963 episode, "Climate of Evil," was originally titled "The Gentle Assassin" but was changed two weeks earlier in the aftermath of the John F. Kennedy assassination. In addition, the January 4, 1964 episode, "Clare Cheval Died in Boston," was originally scheduled for the weekend of the assassination, and subsequently had reference to "President Kennedy" deleted from the episode.
Note: The most frequent time slot for the series is in bold text.
The Defenders won 14 Primetime Emmy Awards (including three in a row for Outstanding Drama Series) and received an additional eight nominations.
| Year | Category | Recipient | Episode | Result |
|---|---|---|---|---|
| 1962 | Outstanding Program Achievement in the Field of Drama | rowspan="8" | ||
| Outstanding Continued Performance by a Lead Actor in a Series | E. G. Marshall | |||
| Outstanding Directorial Achievement in Drama | Franklin J. Schaffner | |||
| Outstanding Writing Achievement in Drama | Reginald Rose | |||
| 1963 | Outstanding Program Achievement in the Field of Drama | |||
| Outstanding Continued Performance by a Lead Actor in a Series | E. G. Marshall | |||
| Outstanding Directorial Achievement in Drama | Stuart Rosenberg | "The Madman" | ||
| Outstanding Writing Achievement in Drama | Robert Thom Reginald Rose | |||
| Outstanding Single Performance by an Actor in a Leading Role | Don Gordon (for playing "Joey Tassili") | rowspan="4" | ||
| Outstanding Single Performance by an Actress in a Leading Role | Sylvia Sidney (for playing "Adela") | |||
| The Program of the Year | ||||
| Outstanding Achievement in Art Direction and Scenic Design | Willard Levitas | |||
| Outstanding Achievement in Film Editing for Television | Sid Katz | rowspan="2" | ||
| 1964 | Outstanding Program Achievement in the Field of Drama | |||
| Outstanding Directorial Achievement in Drama | Paul Bogart | "Moment of Truth" | rowspan="2" | |
| Stuart Rosenberg | "Blacklist" | |||
| Outstanding Writing Achievement in Drama - Original | Ernest Kinoy | rowspan="2" | ||
| Outstanding Single Performance by an Actor in a Leading Role | Jack Klugman (for playing "Joe Larch") | |||
| The Program of the Year | rowspan="2" | |||
| 1965 | Outstanding Program Achievements in Entertainment | Bob Markell | ||
| Outstanding Individual Achievements in Entertainment - Directors | Paul Bogart | "The 700 Year Old Gang" | rowspan="2" | |
| Outstanding Individual Achievements in Entertainment - Writers | David Karp |
The Museum of Broadcast Communications called it "perhaps the most socially conscious series the medium has ever seen", a show "singularly resonant with New Frontier liberalism".[7]
In 2002, The Defenders was ranked #31 on TV Guide's 50 Greatest TV Shows of All Time,[8] and in 2013 TV Guide ranked it #8 in its list of The 60 Greatest Dramas of All Time,[9] while the Writers Guild of America ranked it – and Gunsmoke – #84 on their list of the 101 Best Written TV Series.[10]
As a top 30 series, The Defenders has an average rating of 23.2.
On July 12, 2016, Shout! Factory released the complete first season on DVD in Region 1.
A re-envisioned version of the series debuted on the Showtime network in 1997. Still called The Defenders, it featured E. G. Marshall in his original role as Lawrence Preston. However, the three Showtime films focused on Beau Bridges as Don Preston, a previously unmentioned second son of Lawrence, and Martha Plimpton as M.J., the daughter of Ken Preston, who is said to have died (as had Reed in 1992). Don and M.J. worked as lawyers and carried on the family legacy. However, Marshall died after the completion of the second episode ("Choice of Evils"). Production was halted, and the remaining episode, "Taking the First," aired as a movie special in 1998.
| The Defenders: Payback | October 12, 1997 | |
| The father of a child rape victim (John Larroquette) kills the rapist, who was freed from prison after only a few years. The victim was admitted to a mental health facility after several suicide attempts, the older daughter ran away, and the father became fixated on revenge. The Prestons need to devise a defense strategy that takes into account his and his family's mental health. | ||
| The Defenders: Choice of Evils | January 8, 1998 | |
| Don Preston defends a journalist charged in a wrongful death.Although he is found guilty, a bureaucratic error causes him to be inadvertently released from prison, sending him on the run and leading to an event where a police officer is killed trying to apprehend him again. | ||
| The Defenders: Taking the First | October 28, 1998 | |
| After attending a protest given by a visiting professor and organized by a racist organization, a group of college boys beat a young Latino to death. The Prestons are hired to defend one of the boys, the grandson of Lawrence's old friend. The victim's brother, a law student, convinced Don to bring a wrongful death lawsuit against the bigot and his group after persuading their client to accept a plea and testify against the others, despite accusations that they may be violating the First Amendment. | ||
The second season of Mad Men contains an episode named "The Benefactor" that featured a brief clip from The Defenders episode of the same name.[11] In the Mad Men episode, the Sterling Cooper advertising agency is trying to secure sponsors for The Defenders episode, which contains a plot involving abortion (originally telecast on April 28, 1962), after the regular sponsors pulled out because they claimed the episode (and subject matter) was too controversial. The episode also offers a fictional backstory for the episode; that it was written for the third season of the series but rejected by the network for the usage of abortion as a plotline. The following season, the writers produced a script that revolved around the theme of cannibalism but the episode was rejected by the director who was assigned to film the episode due to the content. The director's refusal led to the network being forced to film the abortion-centric script, which an executive assigned to find advertisers for the show proclaims was the plan all along.
In his memoir, Randy Barnett, a law professor at Georgetown, credits watching The Defenders as a child as the inspiration for him to enter the legal profession.[12]