The Cross and the Switchblade (film) explained

The Cross and the Switchblade
Director:Don Murray
Based On:The Cross and the Switchblade by with
Music:Ralph Carmichael
Cinematography:Julian C. Townsend
Editing:Angelo Ross
Distributor:Gateway Films (U.S.)
20th Century Fox (UK)
Runtime:106 minutes
Language:English
Country:United States

The Cross and the Switchblade is a 1970 American crime film directed by Don Murray. It stars Pat Boone as David Wilkerson, a Christian evangelist, and Erik Estrada as Nicky Cruz, a teen gang member whose life was transformed by Wilkerson's ministry. The film was based on a non-fiction book of the same name, The Cross and the Switchblade.[1]

Summary

In 1958, Pentecostal pastor David Wilkerson's of Assemblies of God is touched by an article in Life Magazine about seven teenagers who are members of a criminal gang.[2] [3] [4] Alone and with little money, he will go to Brooklyn, sometimes at the risk of his life, to talk about Jesus with members of street gang.[5] A meeting will particularly mark him, that of Nicky Cruz, a member of a street gang, the "Mau Maus".

Plot

The film is based on the true story of David Wilkerson, a small-town preacher who gets caught in the shadows of a crime-ridden neighborhood in New York City.[6] [7] Guided by the streetwise Little Bo, David quickly learns about the neighborhood and how to approach the cynical juveniles. He encounters the Mau Maus, a gang led by president Israel and his "warlord," Nicky Cruz, and David brings a message of hope to the angry youths. David came to New York City from a central Pennsylvania small town with little money, and is put up in a small street chapel owned by Pastor Hector Gomez with a loving family who supports David in his work and offers to help with food and shelter. Cruz at first dismisses Wilkerson as a joke, then as a conspiracy to break up the Mau Maus, serving to only intensify his desire to be rid of David.

Nicky's ex-girlfriend, Rosa, asks Nicky to give her some money for her heroin addiction, and he offers to buy her all the junk she wants if she gets rid of Wilkerson. She confronts him at the Hector's church, where Hector's wife, Graciela, convinces Rosa to stay with them, while they stand vigil as she goes through difficult withdrawals. After Rosa is sober, she tries to convince Nicky that David comes to them out of love, but Nicky becomes more and more frustrated. When David tries an attempt to reach out to all gang members in the area through a revival, the sheriff convinces the NYPD not to survey their neighborhood in order to have the gangs think they are being left alone. Nicky agrees with Big Cat, the leader of the rival Bishops, that they should rumble at the revival since no one would expect that. However, during David's sermon, his message that no one can be labeled and Christ's death on the Cross reaches Nicky, and he stops the gangs from fighting. The film concludes by saying that in the question of the Cross and the Switchblade, the Cross proved stronger.

Nicky Cruz would go on to become an ordained minister, preaching the Gospel due to the initial efforts of David Wilkerson. In the end, they start a center called Teen Challenge to support teens.

Cast

Actor Role
David Wilkerson
Nicky Cruz
Jacqueline Giroux Rosa
Dino DeFilippi Israel
Alex Colon Mingo
Jo-Ann Robinson Little Bo
Gil Frazier Big Cat

Production

By 1968 Wilkerson's book had sold more than four million copies.[8] By 1975 that figure would be over six million.[9]

Pat Boone read a copy of the book after seeing it at an airport newsstand on the way to Mexico City. He was immediately taken with it, calling it "a modern day sequel to the Acts of the Apostles in the New Testament."[10] He and an associate, Clint Davidson, took out an option on the book but were unable to raise finance. Boone said "the uniform response was that 'religion is poison at the box office'."[11]

However plans started to take shape when Rick Ross and Associates became involved. Ross had spent 15 years making films for Billy Graham's organisation.[12] The American Baptist Convention helped distribute the film.[13] In June 1969 Don Murray was working on a screenplay.[14]

Filming took place in Harlem in October 1969. "I've been trying to get this story filmed for five years," said Boone. "Working in Harlem has been wonderful – everyone, including the police, has been very cooperative. Maybe they sense this isn't a religious or a 'church' drama."[15]

It was the first credit for Erik Estrada.[16]

It was Pat Boone's last lead in a feature for over twenty years.[17]

Reception

The film received positive reviews from Christians and general moviegoers alike. Pat Boone regards the film as one of his favourites. "I took a huge gamble with that film," he says. "Financially it didn't pay off because I did it for next to nothing – I virtually did it as a charity but I don't regret it at all. Within its limitations it was a very well made film."[18]

Kevin Thomas of the Los Angeles Times said the film was "hard to take" adding that Boone was "unconvincing" as Wilkerson. "Dressed and groomed like a movie star throughout [he] is the biggest obstacle of all to the suspension of disbelief."[19] The New York Times Howard Thompson wrote, "I liked it... the script... has a pungent, savy edge and some amusing dialogue... the colour photography is excellent... three of the youngsters can really act."[20]

Box office

The film was a box office success aired in 30 languages in 150 countries.[21]

A comic book version of the film was also issued.[22]

Notes

Notes and References

  1. Cross and the Switchblade, TheMonthly Film Bulletin; London Vol. 39, Iss. 456, (Jan 1, 1972): 248.
  2. Randall Herbert Balmer, Encyclopedia of Evangelicalism: Revised and expanded edition, Baylor University Press, USA, 2004, p. 744
  3. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 157
  4. Howard Thompson, Pat Boone Plays Preacher-Hero in 'Cross and Switchblade', nytimes.com, USA, June 8, 1972
  5. Allan Anderson, An Introduction to Pentecostalism: Global Charismatic Christianity, Cambridge University Press, UK, 2013, p. 163
  6. Randall Herbert Balmer, Encyclopedia of Evangelicalism: Revised and expanded edition, Baylor University Press, USA, 2004, p. 744
  7. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 157
  8. Pentecostal Narcotic Program Success Cited: Rehabilitation Figures Amazingly High From National Teen Challenge Centers Pentecostal Narcotic Program Success CitedTHRAPP, DAN L. Los Angeles Times 14 Apr 1968: g4.
  9. 36 BEST-SELLING RELIGIOUS BOOKSLos Angeles Times 28 July 1975: c3.
  10. Boone p 82
  11. Boone p 83
  12. Mr. Clean of Filmland Los Angeles Times 11 Aug 1970: b1.
  13. Digest Making Movies Fit for Its ReadersBy Paul Gardner Special to The New York Times. 8 Sep 1972: 38.
  14. Youth Rally-Will Feature TV ActorLos Angeles Times 29 June 1969: oc14.
  15. Dennis Hopper's 'Last Movie'By A. H. Weiler. New York Times 12 Oct 1969: D15
  16. Erik Estrada changes his luck with 'CHiPs' Beck, Andee. Chicago Tribune 16 July 1978: i3.
  17. The Surprisingly Interesting Cinema of Pat Boone. Stephen. Vagg. 10 September 2019. Diabolique Magazine.
  18. Book: Verswijver, Leo . "Movies Were Always Magical": Interviews with 19 Actors, Directors, and Producers from the Hollywood of the 1930s through the 1950s. McFarland. Feb 27, 2003. 6 . 9780786411290.
  19. News: Thomas . Kevin . Kevin Thomas (film critic) . Switchblade Goes Into N.Y. Ghettos . Los Angeles Times . 3 June 1970 . IV-19. Newspapers.com.
  20. News: Thompson . Howard . Pat Boone Plays Preacher-Hero in 'Cross and Switchblade' . The New York Times . 8 June 1972.
  21. Terry Lindvall, Andrew Quicke, Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986, NYU Press, USA, 2011, p. 159
  22. Jughead, Archie and Their Friends Get Religion and Help in Spreading the WordBy Edward B. Fiske. New York Times 23 Aug 1973: 39.