| The Concubine | |||||||||||
| Native Name: |
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| Director: | Kim Dae-seung | ||||||||||
| Producer: | Hwang Yoon-jeong | ||||||||||
| Starring: | Jo Yeo-jeong Kim Dong-wook Kim Min-jun | ||||||||||
| Music: | Jo Yeong-wook | ||||||||||
| Cinematography: | Hwang Ki-seok | ||||||||||
| Editing: | Kim Sang-bum | ||||||||||
| Distributor: | Lotte Entertainment | ||||||||||
| Runtime: | 122 minutes | ||||||||||
| Country: | South Korea | ||||||||||
| Language: | Korean | ||||||||||
| Gross: | $16,463,290[1] | ||||||||||
The Concubine (; lit. "Royal Concubine: Concubine to the King") is a 2012 South Korean historical erotic thriller film directed by Kim Dae-seung.[2] [3] [4] [5] Set in the Joseon dynasty, it centers around Hwa-yeon (Jo Yeo-jeong), who becomes a royal concubine against her will, Kwon-yoo (Kim Min-jun), a man torn between love and revenge, and Prince Sung-won (Kim Dong-wook), who has his heart set on Hwa-yeon despite the countless women available to him. These three characters form a love triangle.[6] [7] [8]
The film begins with a concubine of the previous king (Park Ji-young) in a precarious position of having no blood ties to her step son, the current childless, widower king (Jung Chan). She schemes to replace him on the throne with her submissive young son Sung-won (Kim Dong-wook). Indifferent to his mother's plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat's daughter, who has already found love with Kwon-yoo (Kim Min-jun), a low-born commoner. When her father (Ahn Suk-hwan) is obligated to send her into the royal palace as a concubine for the king, the two lovers try to elope but are caught after their first night together. Hwa-yeon agrees to enter the palace in exchange for saving Kwon-yoo's life.
Five years later, Hwa-yeon has become the Queen from giving birth to a son. Sung-won comes back from traveling to see the King upon hearing of his ill-health. In a private conversation, Sung-won gifts a hair stick to Hwa-yeon as a present and confession of his feelings.
The king dies of a mysterious illness, and the former concubine sits her son, Prince Sung-won, on the throne as a puppet king, naming herself Regent and Queen Mother and taking firm control over the royal court. Hwa-yeon is moved to a closely watched, humble residence, where she is under constant surveillance. When Hwa-yeon's father, a royal court minister, attempts to prove that the previous king died from poisonous assassination, he and all of the ministers disloyal to the queen mother are arrested for treason.
Hwa-yeon discovers her former lover, Kwon-yoo, working in the castle among the eunuchs. Initially glad to see him, she reaches out for comfort and assistance, hoping some of their original feelings remain. Though his life was spared, Kwon-yoo was castrated by Hwa-yeon's father for daring to elope with her and he is now resentful and embittered towards both of them. Kwon-yoo has aligned himself with Minister Yoon and the Queen Mother to find power in his new position and rebuffs Hwa-yeon. Hwa-yeon's efforts to free her father and rescue him from execution are sabotaged by Kwon-yoo, who directly undermines Sung-won's exoneration orders to ensure the man's death. Kwon-yoo agrees to assassinate Hwa-yeon and her child with a block of poisonous aconite received from Minister Yoon by the orders of the Queen Mother, who wishes to secure her position and remove Hwa-yeon from influencing Sung-won.
Sung-won is still very attracted to Hwa-yeon, bestowing favors and attention. In a fit of pique, he takes Geum-ok, Hwa-yeon's personal maid, as a minor concubine so he can inquire about Hwa-yeon's private habits. One night, Sung-won enters Geum-ok's room and is frothed into a rage when he sees her wearing the hair stick he had gifted to Hwa-yeon. To save her own life, Geum-ok reveals that Kwon-yoo had a relationship with Hwa-yeon, and that the young prince had been born prematurely, making his parentage suspect. Sung-won confronts Hwa-yeon, accusing her of hiding her lover as a fake eunuch, but dismisses the accusations after pulling down Kwon-yoo's pants to reveal his castration. Sung-won attempts to rape Hwa-yeon, but Hwa-yeon shoves him off and tells him to "come back when you become a true King."
After this incident, Kwon-yoo believes that he is the father of Hwa-yeon's child from the night they eloped together and has a change of heart about helping her, swearing to protect her and her son at any cost. In order to place his son on the throne and place a trap for the Queen Mother and King, Kwon-yoo turns on Minister Yoon by placing the poison in Sung-woo's medicinal drink. However, Kwon-yoo is left with no choice but to drink his own concoction to allay suspicion from Hwa-yeon and his child. After Kwon-yoo's violent reaction to the poisonous medicinal drink, the interrogated physician admits that Minister Yoon, who is directly beneath the Queen Mother, is head of medicine.
Hwa-yeon has sent her son away for his safety and been imprisoned by the Queen Mother, who charges Hwa-yeon with treason and orders Minister Yoon to end both the mother and son's life. Sung-won accuses his mother of trying to poison him, leading to her admission that she had poisoned the previous king to place Sung-won on the throne, which horrifies him since he had loved his brother and never desired to be king. Kwon-yoo and Minister Yoon are brought in to confirm or deny the plot to poison the current king. Keeping his promise to Hwa-yeon to protect her and her son, Kwon-yoo lies, saying the Queen Mother was behind Sung-woo's assassination attempt, with Minister Yoon providing the poison. Sung-woo orders the men's execution and for the Queen Mother to be permanently placed under house arrest in her chambers.
In a carriage heading towards his execution, Kwon-yoo says his goodbyes and asks Hwa-yeon to protect their son after he dies, but Hwa-yeon replies "Our son? The prince is no one's son. He is my son." Kwon-yoo is devastated he has sacrificed his life for Hwa-yeon's child, who may not be his own.
Sung-woo, now a true king, is greeted in his room by Hwa-yeon and the two engage in sexual intercourse before Hwa-yeon kills him. Queen Mother is quickly disposed of after him.
The last scene shows Hwa-yeon smiling at her son playing on the throne in the empty royal court, before her face turns when the door shuts and she realizes she can't go back.[9] [10]
Special appearance
Asked about the most difficult scene in the movie, Jo Yeo-jeong said, "The last sex scene was really hard. I had to portray Hwa-yeon's desperate side because she's been waiting for that moment for so long. I discussed the scene with the director numerous times. The scene had to look tense and dramatic, so I even learned from a traditional Korean dancer how to move my body to add tense feelings to the scene."[16]
Reviews have been almost unanimously positive, with The Korea Times calling it "one of the best commercial films this year." Promotion and hype had singularly focused on the film's graphic portrayal of sex and Jo Yeo-jeong's nudity,[17] which local critics found misguided and demeaning to a film that according to The Korea Herald "explores the theme of betrayal, revenge and obsessions, with much nuance and depth" and "offers substance and ample entertainment, as well as almost Shakespearean psychological intricacy." Despite "too many subplots which cause the narrative flow to be awkward at times," The Korea Times said it was an "intense, multi-textured journey that is certainly worth the effort", with "psychological depths that demand multiple viewings." Hwang Ki-seok's lush cinematography was praised,[18] as were the costumes[19] [20] and the cast's excellent acting, particularly Kim Dong-wook's performance.[21]
Released on June 6, 2012, the film sold 1.4 million tickets in its first 10 days, and by the end of the month it had easily passed the 2 million admissions mark. The Korean Film Council reports that it sold more than 2.6 million tickets, making it the eleventh most watched Korean film of 2012.[22] [23] [24] [25] [26]
Distribution rights have been signed with theaters in eight countries—New Zealand, Singapore, Hong Kong, Japan, Taiwan, Australia, Malaysia and Brunei.[27] [28] [29]
2012 21st Buil Film Awards
2013 49th Baeksang Arts Awards