The Concert (Vermeer) Explained

The Concert
Artist:Johannes Vermeer
Year:circa 1664
Medium:Oil on canvas
Height Metric:72.5
Width Metric:64.7
Metric Unit:cm
Imperial Unit:in
Museum:Whereabouts unknown since the Isabella Stewart Gardner Museum theft in 1990
Movement:Dutch Golden Age painting

The Concert (Dutch: Het concert) (1664) is a painting by the Dutch artist Johannes Vermeer depicting a man and two women performing music. It was stolen on March 18, 1990, from the Isabella Stewart Gardner Museum in Boston and remains missing.[1] Experts believe it may be the most valuable stolen object in the world; as of 2015, it was valued at US$250 million.

History

Although The Concert has been dated stylistically to the mid-1660s, it is first documented only in 1780. It was acquired by Isabella Stewart Gardner in an 1892 auction in Paris for $5,000[2] and subsequently displayed in the Isabella Stewart Gardner Museum. On the night of March 18, 1990, thieves disguised as policemen stole 13 works from the museum, including The Concert. To this day the painting has not resurfaced; it is thought to be the most valuable work currently unrecovered, with a value estimated at US$250 million.

Description

The picture measures 28.5 by 25.5 inches (72.5 by 64.7 centimetres) and shows three musicians: a young woman sitting at a harpsichord, a man playing the lute, and a woman who is singing. The harpsichord's upturned lid is decorated with an Arcadian landscape; its bright coloring stands in contrast to the two paintings hanging on the wall to the right and left. A viola da gamba can be seen lying on the floor. The musicians' clothing and surroundings identify them as members of the upper bourgeoisie. The male lute player, for instance, wears a shoulder belt and a sword. Despite its simplicity, the black and white marble flooring is luxurious and expensive.[3]

Of the two paintings in the background, the one on the right is The Procuress by Dirck Van Baburen (c. 1622), which belonged to Vermeer's mother-in-law, Maria Thins. The work also appears in his Lady Seated at a Virginal, probably painted some six years after The Concert. The painting on the left is a wild pastoral landscape. The musical theme in Dutch painting in Vermeer's time often connoted love and seduction, but in this case the feeling is more ambiguous. Although the presence of Van Baburen's sexually exuberant picture suggests such an interpretation, its function may be to provide a contrast with the actual domestic situation. In the same way, the peaceful scenes depicted on the harpsichord contrast with the wild landscape painting on the wall.[4]

Other arts

Even before the actual robbery, the theft of this painting was the subject of a 1964 episode of The Alfred Hitchcock Hour called "Ten Minutes from Now".[5] Following the real theft, the stolen painting has figured in the novels An Object of Beauty (2010) by Steve Martin;[6] The Medusa Plot (2011) by Gordon Korman;[7] and The Collector (2023) by Daniel Silva.[8] In addition, in Tracy Chevalier's historical novel Girl with a Pearl Earring (1999), Vermeer paints The Concert at the same time that he is painting Girl with a Pearl Earring, an event also portrayed in the 2003 film adaptation.[9]

See also

References

Bibliography

External links

Notes and References

  1. Web site: The $500 Million Gardner Museum Heist: Have You Seen These Paintings?. March 18, 2013. Time Magazine.
  2. https://www.gardnermuseum.org/experience/collection/10966 Gardner Museum
  3. Book: Montias, John Michael . Vermeer and His Milieu . Princeton University Press . 1991 . 192 . 9780691002897.
  4. Web site: Understanding The Concert by Johannes Vermeer. Jonathan. Janson. Essential Vermeer.
  5. Web site: The Alfred Hitchcock Hour - Ten Minutes from Now . The Hitchcock Zone.
  6. Book: Martin, Steve . Hachette UK . An Object of Beauty . 2010 . 9780297863311.
  7. Book: Korman . Gordon . The Medusa Plot . 2011 . Scholastic . New York . 9780545324090 . 132 .
  8. Book: Silva, Daniel . The Collector . The Collector (Silva novel) . Harper . 2023 . 9780062834874 . New York.
  9. Linda Costanzo Cahir, Literature into Film: Theory and Practical Approaches, McFarland, 2014, p.252