The Committed Men | |
Author: | M. John Harrison |
Language: | English |
Country: | Britain |
Genre: | Science fiction |
Published: | 1971 (Doubleday) |
Isbn: | 978-0575042209 |
Cover Artist: | John Holmes |
The Committed Men is a science fiction novel by M. John Harrison. It is Harrison's debut novel and was originally published in 1971. The book is dedicated to Michael Moorcock and Moorcock's wife, Hilary Bailey.
In a dystopia suffering from collapse, survivors face numerous challenges, including widespread skin cancer and a hostile environment. The landscape is characterized by chromium wastelands and decaying infrastructure, in which small communities must attempt to maintain organization.
Among the surviving remnants of humanity, there exist humans who have undergone mutations resulting in reptile-like physiques. These mutated individuals are not affected by the cancer impacting the rest of the population and face persecution from the non-mutated humans, derogatorily referred to as "smooth-skins." The novel centers on a particular child, born with mutations to a human mother in a location known as Tin-house, who becomes of interest to a group which seeks to find and reconnect the child with the mutant communities.
Writing in The Encyclopedia of Science Fiction, science fiction specialist John Clute wrote, "[''The Committed Men''] is an impressive Post-Holocaust story set in a fractured England, centering physically on the ruins of the motorways, and generating a powerful sense of entropic dismantlement."[1]
A Kirkus reviewer wrote, "It erupts into the kind of savagery and grotesquerie that John Christopher used to specialize in, as Wendover, a doctor, finally finds himself trying to save a mutant baby from his kind."[2]
David Pringle called the novel "brief, bleak, derivative—but stylishly written."[3]
In a 2018 interview, Harrison revealed that he had been approached about a film adaption, which he declined. Explaining his decision, he said, "I was less interested in shuffling and dealing than in saying something. I got an offer for the film rights of The Committed Men, but when I saw the treatment, I found they had reversed their conclusions. Books are about meanings, not tropes, so I said no."[4]