| The Cathedral | |
| Director: | Ricky D'Ambrose |
| Cinematography: | Barton Cortright |
| Editing: | Ricky D'Ambrose |
| Studio: | Ravenser Odd |
| Distributor: | Mubi |
| Runtime: | 88 minutes |
| Country: | United States |
| Language: | English |
The Cathedral is a 2021 American semi-autobiographical coming-of-age drama film written, directed, and edited by Ricky D'Ambrose. It stars Brian d'Arcy James and Monica Barbaro.
The film follows the life of Jesse Damrosch from his birth in 1987 until his college acceptance at the age of twenty. Familial drama like the AIDS-related death of his uncle Joseph, and his tense relationship with his father occurs against the backdrop of historical events like the 1993 bombing of the World Trade Center in New York City and the presidency of George W. Bush.
The film was selected for the Biennale College Cinema 2020-2021 program,[1] which awarded it a €150,000 grant for production.[2] It is a semi-autobiographical film based on the life of Ricky D'Ambrose, who wrote, directed and edited the film. David Lowery served as the film's executive producer.[3] [4]
The film had its international premiere at the 78th Venice International Film Festival. It premiered in the United States at the 2022 Sundance Film Festival.[5] In December 2021, Visit Films purchased worldwide sales rights to the film, with Mubi acquiring the distribution rights for the United States and United Kingdom respectively.[6]
On Rotten Tomatoes, the film has an approval rating of 96% based on 23 reviews. The film received mostly positive reviews from critics, who praised its approach to storytelling and visuals. Writing for Deadline Hollywood, Todd McCarthy described the film as "eccentric" and praised filmmaking D'Ambrose's technique. In a review for Artforum, Amy Taubin characterized the film's use of sensory and visual guides to explore the memory of Jesse as "experimental."[7] Richard Brody of The New Yorker favorably compared The Cathedral to the autobiographical films of Terence Davies.[8]
Brian Tallerico, writing for RogerEbert.com, gave a more mixed review. He described the film as "clever" but said that some aspects of its performances and direction made it feel "disjointed" at times. Jordan Raup of The Film Stage gave the film a B, praising its handling of a coming of age story, while criticizing some performances as being "wooden".[9]
Alissa Wilkinson of Vox described the film as "quietly stunning jewel box of a film", and included it on a list of the 18 best films at Sundance in 2022.[10] It was also included on Thrillist