| Big O | |
| Type: | studio |
| Artist: | Roy Orbison |
| Cover: | Big O - Roy Orbison.jpg |
| Released: | 1970 |
| Recorded: | June – September 1969 |
| Genre: | Rock and roll |
| Length: | 33:06 |
| Label: | London (HAU 8406) |
| Producer: | Ron Randall |
| Prev Title: | Roy Orbison's Many Moods |
| Prev Year: | 1969 |
| Next Title: | The Great Songs of Roy Orbison |
| Next Year: | 1970 |
The Big O is the fifteenth music album recorded by Roy Orbison, and according to the authorised Roy Orbison biography,[1] his second for London Records in the United Kingdom. The music and backing vocals were provided by English group, the Art Movement on all tracks except for "Penny Arcade", which was a studio recording and was released as a single in 1969, peaking at No. 27 in the UK and was Orbison's last UK chart success during his lifetime. "Penny Arcade" was also his biggest hit in Australia, spending four weeks at number one around Christmas 1969. The second single, "Break My Mind", was Orbison's last Australian chart success during his lifetime, reaching #24 in March 1970. The album was released in Europe in early 1970.
The album was released on compact disc for the first time by Edsel Records in 2004 as tracks 12 through 23 on a pairing of two albums on one CD with tracks 1 through 11 consisting of Orbison's 1969 album, Roy Orbison's Many Moods.[2] The Big O was included in a box set entitled The MGM Years 1965-1973 - Roy Orbison, which contains 12 of his MGM studio albums, 1 compilation, and was released on December 4, 2015.[3]
In May 1969, Roy Orbison had plans for a live album while he was on tour in the UK.[4] The project was to be called Roy Orbison Live in England. MGM Records were not happy with his plan, however, and Orbison had to compromise. Orbison and the Art Movement turned the Batley Variety Club in West Yorkshire, England into a recording studio. This was done by calling in a mobile studio truck that had all the gear in it and running the cords into the area in which they wanted to record. Using this technique Orbison was able to achieve the polished studio sound his record label preferred in the most live sounding way possible. The orchestra was overdubbed in Nashville over the stereo two-track mix. While MGM chose not to release the album in North America, London-Decca opted to release it elsewhere in early 1970.
Bruce Eder of AllMusic said that the album "he made a series of studio recordings encompassing some of the same oldies, mostly in a rock & roll vein, including "Help Me Rhonda," "Money," and "Land of 1,000 Dances," that were part of his concert set, broken up by originals such as the highly charged and exciting "Down the Line."[5]
All produced by Ron Randall, except for "Penny Arcade" (produced by Wesley Rose) and arranged by Jim Hall.