| The Bible...In the Beginning | |
| Director: | John Huston |
| Producer: | Dino De Laurentiis |
| Screenplay: | Christopher Fry |
| Based On: | Book of Genesis |
| Starring: | Michael Parks Ulla Bergryd Richard Harris John Huston Stephen Boyd George C. Scott Ava Gardner Peter O'Toole Zoe Sallis Gabriele Ferzetti Eleonora Rossi Drago |
| Narrator: | John Huston |
| Music: | Toshiro Mayuzumi |
| Cinematography: | Giuseppe Rotunno |
| Editing: | Ralph Kemplen |
| Studio: | Dino de Laurentiis Cinematografica Seven Arts Productions |
| Distributor: | Twentieth Century-Fox Film Corporation |
| Runtime: | 174 minutes |
| Country: | Italy United States |
| Language: | English |
| Budget: | $15–$18 million[1] [2] |
| Gross: | $34.9 million[3] |
The Bible...In the Beginning (Italian: La Bibbia|lit=The Bible) is a 1966 religious epic film produced by Dino De Laurentiis and directed by John Huston. It recounts the first 22 chapters of the Biblical Book of Genesis, covering the stories from The Creation and Adam and Eve to the binding of Isaac.[4]
Released by 20th Century Fox, the film's ensemble cast features Huston, Michael Parks, Richard Harris, Franco Nero, Stephen Boyd, George C. Scott, Ava Gardner, Peter O'Toole and Gabriele Ferzetti. The screenplay was written by Christopher Fry, with uncredited contributions by Orson Welles, Ivo Perilli, Jonathan Griffin, Mario Soldati and Vittorio Bonicelli, photographed by Giuseppe Rotunno in Dimension 150, a variant of the 70mm Todd-AO format. The musical score was by the Japanese composer Toshiro Mayuzumi, with additional cues by an uncredited Ennio Morricone.
Premiering in New York City on 28 September 1966, the film received mixed reviews from critics. The National Board of Review of Motion Pictures included the film in its "Top Ten Films" list of 1966.[5] De Laurentiis and Huston won David di Donatello Awards for Best Producer and Best Foreign Director, respectively.[6] Toshiro Mayuzumi's score was nominated for an Academy Award and a Golden Globe.[7] The film was originally conceived as the first in a series of films retelling the entire Old Testament, but these sequels were never made.
Part I
The film begins with the Creation. God creates the heavens and earth, including the first man, Adam and the first woman, Eve. Both live in the utopical Garden of Eden until a Serpent convinces Eve to disobey God by eating a fruit from the tree of knowledge, and in turn Eve convinces Adam to do the same. God punishes the serpent all and banishes Adam and Eve from the Garden.
Eve gives birth to two children: Cain and Abel. When they are older, Cain becomes a farmer and Abel a shepherd. Both make regular ritual sacrifices to God, which Cain's offering is his share of harvest while Abel's offering is a lamb, God then favours the lamb sacrifice made by Abel. Cain, filled with jealousy, murders Abel and runs away. Adam and Eve mourn the loss of both their sons, but God gives them another son, which they named him Seth. Generations come to pass, and most of the descendants of Cain grow evil.
God is displeased by his creation and intends to destroy it all via a global flood. He makes contact with Adam's descendant named Noah, and commands him to build an Ark in order to save himself and his family. Noah obeys and, after the ark is finished, two pairs of clean and unclean animals and birds were brought to the ark. After the door is shut, a storm occurs and the fountains of water erupted, covering the earth by water. All living things outside the ark die while the occupants of the ark survive. Forty days later, with Noah's wife counting the days, the ark landed in the mountains of Ararat, which the animals and birds embarked. God then promises to Noah never again destroy his creation by flood, symbolized by a rainbow.
Part II
The second part begins with a visual representation of Noah's descendants and a brief depiction of the story of the Tower of Babel, in which the king Nimrod defies God by ordering the construction of a colossal tower and firing an arrow from the top of it towards the sky. God responds by confusing the people to speak different languages, making them disperse across the Earth.
The remainder of the film tells the story of Abraham, Which God choses him to become a father of a great nation by immigrating his family to the land of Canaan. Abraham wanted a child who would inherit his position, but his wife Sarah is barren. Sarah offers her handmaiden Hagar to bear Abraham's children instead. Hagar becomes pregnant with Ishmael, but God promises that Abraham will have another child with Sarah, and his child will be called Isaac and will inherit Abraham's position instead of Ishmael. Hagar and Sarah begin to grow resentful of each other.
The men of Abraham start quarreling with those of his nephew Lot, and so they agree to part ways. Lot decides to try and live with his family in the city of Sodom and Gomorrah. Then Abraham receives the visit of three angels, who announces Sarah's pregnancy and God's plan to destroy Sodom and Gomorrah by fire. Abraham intercedes for the sodomites. Two of the angels go visit Lot, telling him and his family to flee the city and never look back. Then the angels bring down fire, destroying the city, and Lot's wife looks back and she is turned into a pillar of salt.
Finally, Sarah gives birth to Isaac, and Abraham gives a feast for Isaac. Sarah, fearing that Ishmael might kill Isaac as Cain did to Abel, asks Abraham to send them away. Then Abraham exiles him along with his mother out into the desert. With Ishmael on the verge of death, Hagar cries out to God for help. Then God miraculously creates a spring from the sand, promising that Ishmael will be a father of a great nation and he and his descendants may prosper.
God then instructs Abraham to kill Isaac as a sacrifice. Abraham is devastated, but obeys and takes off towards the mountain Moriah, alone with Issac, in order to make the sacrifice there without telling his true intentions to him or his mother. In Moriah, as he prepares to sacrifice his son, God stops Abraham, telling him that it was a test to see if Abraham would still obey God no matter what. Abraham and Isaac sacrifice a ram that was stuck in some nearby bushes.
Seven Arts Productions contributed 30% of the budget.[8]
Ava Gardner was reluctant at first to play the part of Sarah, but after Huston talked her into it, she accepted.[9] She later explained why she accepted the role:
He (Huston) had more faith in me than I did myself. Now I'm glad I listened, for it is a challenging role and a very demanding one. I start out as a young wife and age through various periods, forcing me to adjust psychologically to each age. It is a complete departure for me and most intriguing. In this role, I must create a character, not just play one.
Anglo-Persian actress Zoe Sallis, who was cast as Hagar, was originally known as Zoe Ishmail, until Huston decided that she change her name because of its similarity to the name of Ishmael, her character's son.[10]
Ulla Bergryd was an anthropology student living in Gothenburg, Sweden when she was discovered by a talent scout, who photographed her in a museum there, and then promptly hired to play Eve.[11] In an interview for The Pittsburgh Press, Bergryd recalled the experience:
I was especially surprised by the fact that I started to work four days after signing a contract. Although I've always been interested in movies and the theater, I'd never seen any actual shooting, and it was all very exciting.
Huston originally considered Alec Guinness (who was unavailable) and Charlie Chaplin (who declined) for the part of Noah until he finally decided to play it himself.[12]
The film marks the debut of Italian actress Anna Orso, who portrays the role of Shem's wife.[13] It also introduced Franco Nero to American audiences; Nero, who was working as the film's still photographer, was hired by Huston for the role of Abel due to his handsome features. At the time, Nero could not speak English, and Huston gave him recordings of Shakespeare with which to study.[14]
The scenes involving the Garden of Eden were shot at a "small zoological garden" in Rome instead of a "beautiful place of trees, glades and wildflowers" which had been demolished shortly before the shooting began. Ulla Bergryd, who was cast as Eve, later recalled, "Paradise was, in fact, an old botanical garden on the outskirts of Rome."
There were five reproductions of Noah's Ark built for the film.[15] The largest reproduction, which stood on the backlot of the De Laurentiis Film Center, was 200 feet long, 64 feet wide, and 50 feet high; it was used for the long shot of Noah loading the animals. The interior reproduction, which was one of the "largest interior sets ever designed and constructed," was 150 feet long and 58 feet high and had "three decks, divided into a hundred pens" and a ramp that ran "clear around the ark from top to bottom." The third reproduction was a "skeleton" ark, built for the scenes depicting Noah and his sons constructing the Ark. The fourth reproduction was "placed at the foot of a dam" for the inundation sequences and the fifth reproduction was a miniature for the storm sequences. The cost of building the five reproductions was more than $1 million. The building took months and more than 500 workers were employed. The animals were delivered from a zoo in Germany.[16] The whole segment of Noah's Ark had a total budget of $3 million.
The opening Creation sequence was shot by photographer Ernst Haas.
The Bible: In the Beginning... premiered at New York City's Loew's State Theatre on 28 September 1966.[17] The day after the premiere, Ava Gardner remarked, "It's the only time in my life I actually enjoyed working - making that picture."[18]
Philip K. Scheuer of the Los Angeles Times wrote, "Director John Huston and his associates have wrought a motion picture that is not only magnificent almost beyond cinematic belief but that is also powerful, quaint, funny, thought-provoking and of course, this being the Old Testament, filled with portents of doom."[19] Variety noted that "the world's oldest story - the origins of Mankind, as told in the Book of Genesis - is put upon the screen by director John Huston and producer Dino De Laurentiis with consummate skill, taste and reverence."[20] It also commended the "lavish, but always tasteful production [that] assaults and rewards the eye and ear with awe-inspiring realism."
Other reviews were less positive. Bosley Crowther of The New York Times wrote that the film had "extraordinary special effects" but was lacking "a galvanizing feeling of connection in the stories from Genesis," and "simply repeats in moving pictures what has been done with still pictures over the centuries. That is hardly enough to adorn this medium and engross sophisticated audience."[21] Richard L. Coe of The Washington Post described the film as "cautiously literary, impressive in some instances, absurd in others."[22] The Monthly Film Bulletin opined that "the seven or eight episodes are diffusely long, tediously slow, depressingly reverent. The liveliest of the lot is The Ark, with Huston himself as a jolly, Dr. Dolittle old Noah, and a lot of irrestistibly solemn and silly animals; but even here sheer length eventually wears down one's attention."[23] Episcopal priest and author Malcolm Boyd wrote, "Its interpretation of Holy Scripture is fundamentalistic, honoring letter while ignoring (or violating) spirit. John Huston got bogged down in material of the Sunday School picture-book level and seems unable to have gotten out of the rut. It is an over-long (174 minutes plus intermission) picture, tedious and boring."[24] In Leonard Maltin's annual home video guide the film is given a BOMB rating, its review stating, "Only Huston himself as Noah escapes heavy-handedness. Definitely one time you should read the Book instead."[25]
The film grossed $34.9 million in North America, making it the highest-grossing film of 1966. It earned $15 million in domestic rentals during its initial theatrical release.[26]
The film was the second most popular Italian production in Italy in 1966 with 11,245,980 admissions, just behind The Good, the Bad and the Ugly, and is the 15th most popular of all-time.[27]
According to Fox records, the film needed to earn $26,900,000 in rentals to break even and made $25,325,000 worldwide (as of 11 December 1970), making a loss of $1.5 million.[28]
| Award | Category | Nominee | Result |
|---|---|---|---|
| Academy Award | Best Original Score | ||
| David di Donatello | Best Producer | Dino De Laurentiis | |
| Best Cinematography | Giuseppe Rotunno | ||
| Production Design | Mario Chiari | ||
| Best Foreign Director | John Huston | ||
| Golden Globe Awards | Best Original Score - Motion Picture | Toshiro Mayuzumi | |
| National Board of Review of Motion Pictures | Top Ten Films of 1966 | ||
| Silver Ribbon Awards | Best Cinematography, Color | Giuseppe Rotunno | |
| Best Costume Design | Maria De Matteis | ||
| Best Producer | Dino De Laurentiis | ||
| Best Production Design | Mario Chiari | ||
20th Century Fox released the film on videocassettes during the later 1970s, 1980s and 1990s, DVD in 2002, Blu-ray Disc on 22 March 2011 and online for both permanent downloading and streaming video online rentals.[29]