The Best American Poetry 1993, a volume in The Best American Poetry series, was edited by David Lehman and by guest editor Louise Glück.
Poet | Poem | Where poem previously appeared |
"Garbage" | American Poetry Review | |
"Baked Alaska" | The New Yorker | |
"The Same Trouble with Beauty You've Always Had" | Ontario Review | |
"Cold Cash" | The Kenyon Review | |
"Interrogation" | AGNI | |
"Chapter One" | American Poetry Review | |
"Three Oranges" | OnTheBus | |
"At His Last Gig" | The Ohio Review | |
"Statue" | American Poetry Review | |
""An Unlikely One Will Guide Me..."" | Ploughshares | |
"Sometimes in Winter" | Santa Monica Review | |
"Tuesday, June 4th, 1991" | Poetry | |
"Macular Degeneration" | Iowa Review | |
"litany" | American Poetry Review | |
"Repressed Theme" | Free Lunch | |
"The Window in Spring" | Shenandoah | |
"Healing the World from Battery Park" | Hanging Loose | |
"Favorite Iraqi Soldier" | The Paris Review | |
"Feminism" | Hanging Loose | |
"The Vanishings" | The Paris Review | |
"Shoelace" | Phoebe | |
"The Necessity" | Boston Review | |
"One Kiss" | Fine Madness | |
"Life Is Happy," | Boulevard | |
"What the Instant Contains" | Epoch (magazine) | |
"Great Work Farm Elegy" | Colorado Review | |
"The Butcher's Son" | The New Yorker | |
"Pluvia" | The Nation | |
"Vegetable Wisdom" | The Virginia Quarterly Review | |
"Argument" | Western Humanities Review | |
"Theory" | Ploughshares | |
"Absolutely" | Boulevard | |
"Hourglass" | The New Yorker | |
"Questions for Ecclesiastes" | New England Review | |
"Grand Projection" | New England Review | |
"Invitation to a Ghost" | Sewanee Theological Review | |
"The White Pilgrim: Old Christian Cemetery" | The Gettysburg Review | |
"Mapping" | Grand Street | |
"Having It Out with Melancholy" | Poetry | |
"Looking at the Sea" | The Ohio Review | |
"Talking to Patrizia" | Poetry | |
"Harriet Feigenbaum Is a Sculptor" | Poetry New York | |
"Chariot" | The Gettysburg Review | |
"In California During the Gulf War" | American Poetry Review | |
"The Urinating Man" | Poetry East | |
"Grim Town in a Steep Valley" | Field | |
"The Nearsighted" | The New Yorker | |
"Open Rebuke (Concealed Love)" | Hambone | |
from "The Person She Is" | TriQuarterly | |
"Waiting for Lesser Duckweed: On a Proposal of lssa's" | Iowa Review | |
"The Stranger" | Poetry | |
"Rapture" | Provincetown Arts | |
"April Fool's Day, Mount Pleasant Cemetery" | Spoon River Quarterly | |
"Poppies" | The Kenyon Review | |
"Advice to Young Writers" | The World | |
"Who Is to Say" | Epoch | |
"Skin" | Ontario Review | |
"Of Flesh and Spirit" | The World | |
"Magic Problems" | Shenandoah | |
"Not Somewhere Else, But Here" | Southwest Review | |
"Makeshift" | Chelsea | |
"Angels Grieving over the Dead Christ" | The Yale Review | |
"Icon" | Pequod | |
"This Morning" | The New Yorker | |
"Suddenly" | The Hudson Review | |
"Ripples on the Surface" | Grand Street | |
"Coleman Valley Road" | Black Warrior Review | |
"That Winter" | American Poetry Review | |
from "Dark Harbor" | The New Republic | |
"In My Own Backyard" | American Poetry Review | |
"To a Former Mistress, Now Dead" | Poetry | |
"Song and Story" | The Atlantic Monthly | |
"A Filial Republic" | No Roses Review | |
"A Dream of Mind: The Gap" | The Threepenny Review | |
"The Business of Love Is Cruelty" | Poetry East | |