La colmena (film) explained
| The Beehive |
| Native Name: | |
| Director: | Mario Camus |
| Cinematography: | Hans Burmann |
| Editing: | José María Biurrun |
| Music: | Antón García Abril |
| Producer: | José Luis Dibildos |
| Studio: | Ágata Films |
| Distributor: | C.B Films |
| Runtime: | 112 minutes |
| Country: | Spain |
| Language: | Spanish |
| Gross: | 340 million ₧ |
The Beehive (Spanish; Castilian: '''La colmena'''|links=no)[1] is a 1982 Spanish film directed by Mario Camus based on the novel The Hive by Camilo José Cela, it depicts the aftermath of the Spanish Civil War and its impact on several characters. Cela has a small role as Matías Martí.
Synopsis
The film is set in Madrid during the postwar period, beginning in 1942. The population suffers the consequences of the civil war. A group of members of a social gathering meet every day in the café La Delicia:
- Doña Rosa (María Luisa Ponte) is the owner of the central cafe La Delicia that most of the other characters frequent. She is strict and threatens her staff and her clients with physical violence and accusing them of political crimes, so that they work tirelessly and pay for her drinks.
- Several penniless poets, unofficially led by Ricardo Sorbedo (Paco Rabal), meet in the cafeteria ordering the minimum drink and often convincing the academic Don Ibrahim (Luis Escobar) to invite them in a scam game that Ibrahim understands and approves to have someone's sympathy, since he himself, thou wealthy when compared to the poets, is short of support among his peers. The other poets, including Rubio Antofagasta (Mario Pardo) and Ramón Maello (Francisco Algora), seek their fortune by competing in vain for prizes in literary competitions.
- Martín Marco López (José Sacristán) is another writer with even less luck and money than the others. He lives off the charity that his sister Filo (Fiorella Faltoyano) offers him behind the back of her husband, who considers Martín lazy. Martín sleeps for free in a brothel because the madame appreciates the friendship that Martín had had with her late son. He openly represents post-war intellectuals.
- Julián Suárez (Rafael Alonso) is a campy homosexual who lives with his elderly mother Doña Margot in the same building as Filo. He courts Pepe (Antonio Resines), a younger man who can defend him against prejudice, and in return Julián tries to secure Pepe's professional future. When Julián's mother commits suicide, Julián and Pepe are arrested for homicide, reflecting the prejudices against homosexuality, and Martín is also arrested because of his homeless appearance.
- Mario de la Vega (Agustín González) is a wealthy bourgeois who boasts of his fortune, for example by smoking good cigars, and claims to have earned his money by working, when in reality he has risen socially and economically by being on the side. winner. He represents the social class that benefited from early Francoism.
- Leonardo Meléndez (José Luis López Vázquez) is a scoundrel and petty swindler who tries to obtain financing for businesses doomed to fail, and thus keep the down payments. He lives in a boarding house, misleading the people around him to steal food. He has experience working in theater, and takes pride in his time in prison, pretending that he went for worthy reasons when he was actually stealing food.
- Tesifonte Ovejero (Saza) is one of Meléndez's boarding companions. A chronic smoker with a worrying cough, he refuses to give up tobacco because it is the only pleasure he has left (Meléndez often offers to take Ovejero's smoker's license, pretending it is to do him a favor). Meléndez tries to help Ovejero succeed with women, but Ovejero ends up looking for a partner on his own.
- Ventura Aguado (Emilio Gutiérrez Caba) is their other boarding companion. He tries to get the notary exam, claiming that he doesn't get it because they don't schedule the tests. Only when he has that position will his girlfriend Julita (Victoria Abril) consent to marry him. He looks for ways to be with her before her wedding, such as renting a room from her, but she finds those acts degrading.
- Victorita (Ana Belén) is in love with a sick man (Imanol Arias), against the wishes of her mother (Encarna Paso). She tries to make a living with dancing, but she is forced to drift into prostitution and meet de la Vega.
Production
It was lensed by Hans Burmann, scored by Antón García Abril and edited by José María Biurrun.
Release
Distributed by C.B Films, the film was released theatrically in Spain on 11 October 1982.[2] [3] It grossed 339,694,699 ₧ (1,486,765 admissions). In 1983, it was entered into the 33rd Berlin International Film Festival, where it won the Golden Bear.[4]
See also
Notes and References
- Book: Faulkner, Sally. A History of Spanish Film: Cinema and Society 1910-2010. Bloomsbury Publishing. 2013. London. 978-1-6235-6742-2. 174.
- Book: Caparrós Lera, José María. El cine español de la democracia: De la muerte de Franco al cambio socialista (1975-1989). 228. Barcelona. Anthropos. 1992. 84-7658-312-5.
- Web site: La colmena · España 1982. 3 December 2023. Biblioteca Virtual Miguel de Cervantes. Adaptaciones de la literatura española en el cine español. Referencias y bibliografía.
- Web site: Berlinale: 1983 Prize Winners . 2010-11-15 . berlinale.de.
