| The Barber of Stamford Hill | |
| Director: | Casper Wrede |
| Producer: | Ben Arbeid |
| Starring: | John Bennett, Megs Jenkins and Maxwell Shaw |
| Music: | George Hall |
| Cinematography: | Arthur Lavis |
| Editing: | Thelma Connell |
| Studio: | British Lion Films |
| Runtime: | 62 minutes |
| Country: | United Kingdom |
| Language: | English |
The Barber of Stamford Hill is a 1962 British drama film directed by Casper Wrede and starring John Bennett.[1] The screenplay was by Ronald Harwood, adapted from his own 1960 television play of the same name.[2] It was made at Shepperton Studios.
Mr. Figg, a Jewish barber about to turn fifty, as he contemplates middle age and expresses regrets at never having started a family.
The film opens in Mr. Figg’s barbershop in Stamford Hill, in which he discusses his family life with his customers. Upon his arrival home, however, it is revealed that he is a bachelor and his stories of family life are inventions he concocts because he believes they are what his customers want to hear. In fact, he lives on his own in a flat in Stepney and on Friday nights lights the Shabbat candles before his mute friend Dober comes to visit and they spend the evening eating and playing chess.
As he sits with Dober, Mr. Figg discusses his sadness at not having had a family and subsequently decides to propose to Mrs. Werner, a widowed neighbour with two children, so, leaving Dober in the flat, visits her in the hope of doing so. However, as he sits in her kitchen he is not only surprised by her admitting she does not follow Jewish tradition by lighting the candles but is unsure how to respond to domestic conflicts that take place between Mrs. Werner and her children, as her son noisily plays the drums in the front room and her daughter argues with her about being allowed to go out. Before he can get round to proposing, Mrs. Werner mentions that she recently received an offer of marriage from the local butcher only to laugh the idea off as preposterous, leading Mr. Figg to abandon his plan and return to his flat.
The film ends with Mr. Figg back in his barbershop, chatting to a customer and relating the story of Mrs Werner’s son playing the drums as if it is a story about his own, fictional, family.
Originally a TV play made for ITV Television Playhouse in 1960, (series 5, episode 47, with Danny Green, as Mr. O. The film version was also directed by Caspar Wrede and written by Ronald Harwood, though the only actor to appear in both was Maxwell Shaw as Dober.[3]
The Monthly Film Bulletin wrote: "Made on a small budget, this film retains the tight-knit qualities of its television original. The camera moves cautiously around three compact sets, and attention is focussed on the script. Happily, the script can take it. For the most part it consists of soliloquys, as the lonely barber admits his dreams of family life to the dumb piano-tuner. These are finally extinguished by Mrs. Werner who, as she prattles on in her kitchen, builds up a contrary image of herself. The eternal feminine has a mind of her own. There is little music: tension is built up in silences, or to the sound of a knife chopping onions. Steady performances by Megs Jenkins and John Bennett in a story that quietly takes its time."[4]