The Abysmal Richness of the Infinite Proximity of the Same explained

The Abysmal Richness of the Infinite Proximity of the Same
Type:Studio
Artist:Anthony Coleman's Selfhaters
Cover:The Abysmal Richness of the Infinite Proximity of the Same.jpg
Released:1998
Recorded:February 13 and April 18, 1997 and February 16, 1998
The Studio and Avatar, NYC
Genre:Jazz
Length:40:01
Label:Tzadik TZ 7123
Producer:Anthony Coleman
Chronology:Anthony Coleman
Prev Title:I Could've Been a Drum
Prev Year:1997
Next Title:Morenica
Next Year:1998

The Abysmal Richness of the Infinite Proximity of the Same is an album by keyboardist Anthony Coleman's Selfhaters which was released on the Tzadik label in 1998.[1]

Reception

In her review for Allmusic, Joslyn Layne notes that "The follow-up release to Anthony Coleman's Selfhaters, The Abysmal Richness of the Infinite Proximity of the Same finds the Selfhaters Orchestra realizing a music that yields a different experience with each listen... This release is less accessible than the first album (which was mostly live recordings), but is still rewarding".

Track listing

All compositions by Anthony Coleman except as indicated

  1. "The Abysmal Richness of the Infinite Proximity of the Same: Objectives 1-8" (Anthony Coleman, The Selfhaters) - 22:04
  2. "His Masquerade" - 5:08
  3. "Fifty-Seven Something" - 12:30

Personnel

Notes and References

  1. http://www.tzadik.com/index.php?catalog=7123 Tzadik catalogue