| Surprise | |
| Type: | studio |
| Artist: | Paul Simon |
| Cover: | Surprise album cover.jpg |
| Released: | May 10, 2006 |
| Recorded: | Summer 2002, early 2003–2004, late 2004–early 2006 |
| Genre: | Soft rock |
| Length: | 45:16 |
| Label: | Warner Bros. |
| Producer: | Paul Simon |
| Prev Title: | You're the One |
| Prev Year: | 2000 |
| Next Title: | The Essential Paul Simon |
| Next Year: | 2007 |
Surprise is the eleventh solo studio album by American musician Paul Simon, released on May 9, 2006. It peaked at number 14 on the Billboard 200 and was his final studio album for long-time label Warner Bros. Records.
After the relative success of You're the One, which was released in late 2000 finding Simon back to the Top 20 of the American charts after ten years of absence and also receiving a Grammy nomination for Album of the Year, Simon spent most of the following two years promoting the album. In 2002, he took a year off, and during 2003 and 2004 had a widely documented reunion with Art Garfunkel. This was followed by a Simon & Garfunkel Old Friends Reunion Tour from October–December 2003, as well as June and July 2004, where the duo extensively toured America and Europe and the concerts in New York in December 2003 were registered on both a live album and video that was released by the end of the year. Also in December 2004, Paul Simon's studio albums were re-released in remastered issues, as well as re-promoted.
At this point, Simon was fully involved in the writing and recording of a new studio album. He was introduced to Brian Eno, producer of Talking Heads and U2 among others.
According to Simon, one of the first songs written for the album was "Wartime Prayers", which became one of the most celebrated tracks of the album and later a concert favorite. Simon commented that, in some kind of premonition, the song was written even before the Iraq invasion in 2003. Soon after, early recording for the album began. The album was recorded in London, New York and Nashville. Simon first met with Brian Eno in London to discuss a collaboration between Eno's electronic production and Simon's classic guitar folk-rock. As Simon said, "We spent some time in his studio and decided to combine our visions. It took about two years. The actual time I spent with Brian was 20 days, split into four periods. We found we could really work intensely for five days, and after that it was a bit of a burnout."[1]
In personal terms, Simon was inspired by the fact of being over sixty years old – an age that he turned in 2001 and that he humorously referred already on his single "Old", from the You're the One album. Simon also cited being affected by the terrorist attacks of September 11, which occurred one month earlier.
In the way of the songs were written, Simon stated – "I start with the rhythm. It's drums first, then I go to key to sound to guitar to the form of the song to the beginning of the melody. As the melody begins, so do the words. That's how it's been since Graceland. I write backward." Simon was particularly grateful with the results of the songs written considering of his age.
Simon showed special care about the musical venture he traveled since 1986's Graceland. As he put it, "Once you go away for a bit, you wonder who people think you are. If they don't know what you're up to, they just go by your history. I'm so often described as this person that went to other cultures, which is true, but I never thought of it that way. I suspect people are thinking, 'What culture did you go to?' But this record is straight-ahead American."
The digital sounds of the 2000s also reportedly inspired Simon. "I wondered, 'Is this an appropriate context to express various thoughts, given the way people listen now and the way music is exposed to the world?' Pop music, as it's constantly evolving, is completely different from the value system and aesthetic I grew up with and contributed to." Simon stated that he wasn't demonizing technological shifts. "The Internet is opening things up", he said. "At first it caused the record business to implode, but now it's making life easier. It's broken the stranglehold that radio had. Downloading has made people more eclectic in their tastes, and I'd guess eventually that will redirect radio to loosen up, because it will have to compete. When that happens, you can say whatever you want, and there will be a place for it."
Eno was finally not credited as producer but as provider of "sonic landscape". Simon expressed gratitude with the album – "Working with Brian Eno opens the door to a world of sonic possibilities; plus he's just a great guy to hang with in the studio, or for that matter in life. I had a really good time."
Surprise gained attention for spawning an unusual number of singles for a later Simon album, something that did not happen with either Songs From the Capeman or You're the One.
"Father and Daughter" was released in Europe on May 29, 2006 as a CD single backed with "Another Galaxy". It managed to reach number 31 in the UK, becoming Simon's only appearance as a solo artist on the British singles charts after 1990. On August 21, "That's Me" was released as the second single of the album, with the classic "You Can Call Me Al" as the B-side. It failed to appear on any national charts.
Finally, "Outrageous", one of the most promoted and particularly distinctive songs from the album, was released as the third single of Surprise on November 13. The B-side for the CD single was the American number-one hit "50 Ways to Leave Your Lover", while the B-side for the coloured vinyl 7" single was the Top 5 smash "Slip Slidin' Away". "Outrageous" was also promoted with a music video specifically made for the song. It also, however, failed to become a hit.[2]
Surprise was positively received by most critics. It gained a score of 78 out of 100 on Metacritic, based on 23 professional reviews. The Observer reviewer Neil Spencer praised both Simon's and Eno's work: "Simon offers no easy answers to the questions sprayed out in his memorable lines, alternating dreamy idylls with grumpy dissatisfaction while Eno's production ebbs and flows like a digitalised Greek chorus." He called the album "a thrilling return to form". Entertainment Weekly Chris Willman stated that "patience is rewarded with moments of stellar songwriting", in an allusion to the high anticipation of the release of the album. Willman praised particularly Brian Eno's work: "If Surprise seduces a wider audience than the placid-sounding You're the One, thank co-producer Brian Eno, whose sonic upgrade makes his subject's musings more ear-tickling and appropriately tense. [...] Eno finds smart ways to accent Simon's worry lines." Stephen Thomas Erlewine from AllMusic was also very positive with the album, calling the album a "comeback": "Simon doesn't achieve his comeback by reconnecting with the sound and spirit of his classic work; he has achieved it by being as restless and ambitious as he was at his popular and creative peak, which makes Surprise all the more remarkable."
Both Billboard and Rolling Stone were more reserved in their praise, with Billboard stating that "Surprise falls shy of a masterpiece, but it is consistently engaging and offers some of Simon's most creative songs in two decades". Rolling Stone wrote that "despite the album's shiny surface, Simon sounds like Simon".
Simon promoted the album extensively, making television appearances, signing copies of the album and later launching a transatlantic tour in support of Surprise.
On May 7, he appeared on Sunday Morning where he was interviewed by Harry Smith. On May 12, three days after the release of the album, he appeared on Good Morning America. On May 13, Simon performed "How Can You Live in the Northeast?" and "Outrageous" on Saturday Night Live. Promotion in the UK was next, with Simon performing "Outrageous", "Father and Daughter" and "Graceland" on Later... with Jools Holland. That show also featured performances by David Gilmour with David Crosby and Graham Nash, Elvis Costello and Allen Toussaint, The Streets and Nação Zumbi.
The hype surrounding the release of the album was followed by a positive commercial reception. With Surprise, Paul Simon achieved his greatest week of sales during the Soundscan era, when the album debuted at number 14 on the Billboard 200 (with sales of over 61,000 copies slightly surpassing the 60,000 units sold by You're the One back in 2000).[3] Surprise was also Simon's highest chart position in his homeland since The Rhythm of the Saints landed at number 4 in 1990. Surprise has sold 296,000 copies in the US.[4]
In the UK, reaction was even stronger, with the album debuting at number 4, and then becoming his best chart position also since The Rhythm of the Saints was number 1 in 1990. During its second week, Surprise notably stayed at number 4, and then slipped down to number 20 during its third week, disappearing quickly from the charts.
The Surprise Tour covered the United States, Canada and parts of Europe between June and November 2006. It consisted on 27 shows, including a performance on a sold-out Wembley Stadium on November 10.[5] Below is a typical set list from The Surprise Tour.
Main Set
First Encore
Second Encore
| Date | City | Country | Venue |
|---|---|---|---|
| North America and Promotional Performances | |||
| May 7, 2006 | New Orleans | United States | New Orleans Fairgrounds |
| May 12, 2006 | New York City | Good Morning America | |
| May 13, 2006 | Saturday Night Live | ||
| May 18, 2006 | Los Angeles | The Ellen DeGeneres Show | |
| May 26, 2006 | London | England | Later with Jools Holland |
| North America | |||
| June 28, 2006 | Columbus | United States | Value City Arena |
| June 29, 2006 | Cleveland | Plain Dealer Pavilion | |
| July 1, 2006 | Milwaukee | Summerfest | |
| July 2, 2006 | Toledo | ||
| July 4, 2006 | Cooperstown | Doubleday Field | |
| July 5, 2006 | Montreal | Canada | Salle Wilfrid-Pelletier |
| July 7, 2006 | Essex Junction | United States | Champlain Valley Exposition |
| July 8, 2006 | Manchester | Verizon Wireless Arena | |
| July 9, 2006 | Uncasville | Mohegan Sun Arena | |
| July 12, 2006 | Columbia | Merriweather Post Pavilion | |
| July 15, 2006 | Atlantic City | Borgata Events Center | |
| July 16, 2006 | Holmdel | PNC Bank Arts Center | |
| July 19, 2006 | Atlanta | Chastain Park Amphitheatre | |
| July 21, 2006 | Grand Prairie | ||
| July 22, 2006 | The Woodlands | Cynthia Woods Mitchell Pavilion | |
| July 24, 2006 | San Antonio | San Antonio Municipal Auditorium | |
| July 26, 2006 | Phoenix | Maricopa Events Center | |
| July 28, 2006 | Costa Mesa | ||
| July 29, 2006 | Paso Robles | California Mid-State Fair | |
| July 30, 2006 | Lake Tahoe | Lake Tahoe Outdoor Arena | |
| North America Fall | |||
| September 2, 2006 | Atlantic City | United States | |
| September 26, 2006 | Vancouver | Canada | Orpheum Theatre |
| September 27, 2006 | |||
| September 29, 2006 | Seattle | United States | KeyArena |
| September 30, 2006 | Portland | Rose Garden | |
| October 3, 2006 | San Diego | Embarcadero Marina Park South | |
| October 4, 2006 | Los Angeles | Greek Theatre | |
| October 6, 2006 | Greek Theatre | ||
| October 7, 2006 | Santa Barbara | Santa Barbara Bowl | |
| October 10, 2006 | Denver | Magness Arena | |
| October 12, 2006 | Northrop Auditorium | ||
| October 16, 2006 | Rosemont | Rosemont Theater | |
| October 17, 2006 | Detroit | Fox Theatre | |
| October 18, 2006 | Toronto | Canada | Hummingbird Centre |
| October 21, 2006 | United States | Radio City Music Hall | |
| October 22, 2006 | Boston | ||
An October 2006 performance during a tour stop at the Tower Theater outside Philadelphia was recorded and aired as part of National Public Radio's Live Concert Series. The concert recording featured 24 tracks from Paul Simon's 5-decade career.
| Australian ARIA Albums Chart[6] | 73 | |
|---|---|---|
| Austrian Albums Chart[7] | 72 | |
| Belgian Albums Chart (Flanders)[8] | 37 | |
| Belgian Albums Chart (Wallonia)[9] | 78 | |
| Danish Albums Chart[10] | 12 | |
| French SNEP Albums Chart[11] | 102 | |
| German Media Control Albums Chart[12] | 37 | |
| Irish Albums Chart[13] | 8 | |
| Italian Albums Chart[14] | 21 | |
| Japanese Oricon Albums Chart[15] | 126 | |
| Netherlands Mega Albums Chart[16] | 20 | |
| Norwegian VG-lista Albums Chart[17] | 20 | |
| Scottish Albums Chart[18] | 4 | |
| Swedish Albums Chart[19] | 10 | |
| Swiss Albums Chart[20] | 55 | |
| UK Albums Chart[21] | 4 | |
| US Billboard 200[22] | 14 |
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