Tero Kalevi Saarinen (born September 7, 1964, in Pori, Finland[1]) is a Finnish dance artist and choreographer, and Artistic Director of Tero Saarinen Company. Saarinen has made an international career as both a dancer and choreographer.[2] [3]
As a choreographer Saarinen is known for his unique[4] movement language that plays with balance and off-balance, combining influences from Butoh and martial arts to classical ballet and Western contemporary dance.[5] Saarinen's movement language has been described as “organic” and “inventive”, “like Butoh with wings.”[6]
He began his career at the Finnish National Ballet in 1985. His long international career as a soloist took off in 1988, after he won first prize at the Concours International de Danse de Paris.
Saarinen left the Finnish National Ballet in 1992 to seek new influences in Western Europe and Japan, where he studied traditional Japanese dance and Butoh from 1992 to 1993.
Saarinen founded his own group, Tero Saarinen Company, in 1996. By April 2018, he has created 46 original works, many of them for other dance groups. Nederlands Dans Theater, the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbenkian, the Israeli Batsheva Dance Company, the Swedish Gothenburg Opera ballet, the Finnish National Ballet, and others, have featured Saarinen's works in their repertoires.[7]
Saarinen has received numerous acknowledgements for his work as an artist. In 2001 he was awarded the Finland Prize, and in 2005 the Pro Finlandia medal. In 2008 The Finnish Cultural Foundation gave him an award for his achievements as an artist. International recognition includes the international Movimientos Dance Prize[8] for Best Male Performer, and the title of Chevalier de l’Ordre des Arts et des Lettres, granted by the French government, both in 2004.[3]
As a child Tero Saarinen was always involved in one hobby or another, at different times he played ice hockey or football, cross-country skied or trained in gymnastics.[9] In middle school he became inspired by the visual arts, and his other hobbies had to give way, until a dance school opened in Pori and Saarinen's father encouraged him to take up jazz dance.[10] This interest in visual arts can still be seen in Saarinen's choreographies: he has said he sees the stage as his canvas.[11]
Saarinen was 16 when he started taking dance classes in Pori.[12] He soon developed a passion for dance, and his dance teacher Liisa Nojonen sent Saarinen to Helsinki to take the entrance exam for the Finnish National Opera Ballet School. Saarinen was accepted for the ballet school in 1982, at the age of 17.[13] He had practised dance for a little over a year when he started at the school, while the other students were only 12 years old.
Saarinen studied at the National Opera Ballet School from 1982 to 1986. In 1985 he was taken on as a dancer at the National Ballet. He was soon given soloist's roles and became one of the National Ballet's audience favourites, alongside Tommi Kitti.[14] [15]
In 1988 Saarinen won first prize in the contemporary category at Concours International de Danse in Paris with Jorma Uotinen's choreography B12.[16] After his victory in this prestigious competition, his career began to soar both in Finland and internationally.[17]
Saarinen started creating his own choreographies, and began receiving invitations to appear in productions outside of the National Ballet.[18] He was a visiting soloist with the Helsinki City Theatre's dance group in 1989-1991.
Saarinen's first choreography was a Japan-inspired solo choreography Ondekoza (1989). This was followed by another solo piece Kehtolaulu (1990), which addressed personal concerns; the hardships of taking responsibility, and growing pains.[19] Saarinen's first opportunity to make a group piece came when his former dance teacher Liisa Nojonen asked him to create a work for her company. They then gave the result, More Milk,[20] its premiere in 1991.
After his competition victory in Paris, Saarinen toured the world as a soloist. Alongside Jorma Uotinen's solo piece B12 Saarinen got to interpret Déjà Vu,[21] a solo piece by Murray Louis, which had previously only been permitted to be danced by the choreographer himself and Rudolf Nureyev.
With success, Saarinen found it increasingly hard to settle for the male roles and opportunities as a dancer offered by classical ballet.[22] His breakaway came with the solo piece Takana[23] (1992), a declaration of new beginnings and of leaving the past behind. This process first led to Saarinen taking a year off, and eventually resigning from his tenured post at the National Ballet in 1993.
At first Saarinen journeyed to Nepal for two months, where he travelled and studied Nepalese dance at the Kala-Mandapa Institute in Kathmandu,[24] under the instruction of Rajendra Shestra. In the fall of 1992 his interest in the minimalistic expression of Japanese arts took him to Tokyo, Japan, to study various dance genres. Saarinen studied traditional Japanese Kabuki theatre at the famous Fujima School of Tokyo, specializing in onnagata (female) roles. Kabuki schools do not usually accept foreign students, but Saarinen got special permission from his teacher Yoko Fujima after giving him a sample display of his abilities. Saarinen studied Butoh dance – a dance form born in Japan after World War Two and originating in the sub-conscious – under the guidance of the great Japanese Butoh artist Kazuo Ohno in his house in Yokohama. While in Japan, Saarinen also trained in aikido.[25]
In addition to Kazuo Ohno and other influences from Asia, Saarinen often mentions Carolyn Carlson, Tommi Kitti, Marjo Kuusela and Jorma Uotinen as important artistic role models.
Upon his return to Finland from Asia in 1993, Saarinen started working as a freelancer. Most of his time was spent on tours with various dance groups in Germany, Italy, the US, and elsewhere, as part of Daniel Ezralow's group and, together with Ismael Ivo and Mara Borba, in the triumphant production of Francis Bacon directed by Johann Kresnik.
Saarinen performed as a freelance dancer in designer Issey Miyake's fashion shows in Paris in 1993-1995.[26] [27] He was a visiting soloist with Teatro Comunale di Firenze in its production of Aida in 1994. The conductor was Zubin Mehta, and the production toured Italy and Japan.
During his time as a freelancer Saarinen created choreographies for several dance groups. His first choreography after returning from Asia was Vajonneet, premiered at the Finnish National Opera on 6 May 1993. Hurmaa 1,[28] created for the Tampere-based dance theatre MD Mobita Dansco in the fall of 1993, launched his still ongoing close cooperation with lighting designer Mikki Kunttu.[29] Wanha,[30] which Saarinen created for himself and Kenneth Kvarnström, received its premiered as a licensed work for the 1994 Kuopio Dance Festival. Saarinen also created Lifewheel[31] (1994) for PDC, as well as Lelulaatikko[32] (1995) for Tampere Hall and Sirkus Bohemia[33] (1995) for the Kuopio Dance Festival.[34]
Wanha started Saarinen on the road to a career as an internationally acclaimed choreographer. After seeing it, Ohad Naharin, the director of Batsheva Dance Company, commissioned a work for his Israel-based group. Saarinen's choreography Flock[35] premiered in Tel Aviv in late December 1994.
Saarinen wanted to work on a more permanent basis with inspired artists who shared his values. In the fall of 1995 he assembled his own dance group, called Tero Saarinen & Company Toothpick. Alongside Saarinen, the founding members were his colleagues Henrikki Heikkilä from the Finnish National Ballet, Yuval Pick from the Batsheva Dance Company in Israel, and lighting designer Mikki Kunttu. Company Toothpick was jokingly named in memory of the matchstick factory in Pori, where Saarinen was born.[36]
The group's first piece, Westward Ho![37] premiered at Stockholm's Dansens Hus on 18 February 1996. In 1997 an invitation was received to perform piece at the first Aerowaves[38] platform held in The Place Theatre in London. The performance was to be Saarinen's international breakthrough as a choreographer, and the group began receiving invitations from all over Europe.
In 2000, Company Toothpick acquired an office in the Alexander Theatre in Helsinki. In 2001 the group took on its first full-time employee, when its current Managing Director Iiris Autio began working as Saarinen's manager and the group's producer. In 2002 the group changed its name to Tero Saarinen Company, and in 2004 it became eligible for regular state subsidy under the Finnish Theatre and Orchestra Act, and began receiving operational funding from both the State and the City of Helsinki.[39]
Nowadays Tero Saarinen Company is considered one of Finland's leading cultural exports.[40] The company's own works are created as international co-productions, and include many of Saarinen's best known choreographies. Tero Saarinen's richly original choreographic style is characterized by his distinctive movement language and multidimensional artistry - expressive dancers,[41] live music, and striking visuals.[42] The group has performed in nearly 40 countries, and an international teaching programme has been a part of its operations since its foundation.
Saarinen has produced 46 original works altogether, many of them for other dance groups. The Nederlands Dans Theater (NDT1), the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbenkian, the Israeli Batsheva Dance Company, the Swedish Gothenburg Opera Ballet, Finnish National Ballet and others have featured Saarinen's works in their repertoires.
In addition to choreographing, Saarinen has continued his career as an international soloist. Among his most praised performances is HUNT,[43] a solo that Saarinen had performed 174 times and in 32 countries by the end of 2013.[44] Another of his solo career highlights has been Carolyn Carlson's decision to pass on her famous full length piece Blue Lady to Saarinen. The re-interpretation, Blue Lady (Revisited),[45] first premiered in 2008 at the Biennale de la danse de Lyon,[46] and has been an international success.[47]
Saarinen is known as a poetic interpreter of reality. As a choreographer he has been able to renew the movement language of dance and create a unique vocabulary and style of his own, shifting between beauty and the grotesque. His movement language is based on a movement technique that he developed himself, drawing influences from Butoh, ballet, Western modern dance, as well as martial arts. The use of the eyes and hands, which are an important feature of his mode of expression.
The teaching of the technique for Saarinen's movement language concentrates on awakening the senses in the feet, general alertness and focusing, as well as activating the nerve endings, and acknowledging and using the weight of the body. The aim is to maximize the dancers’ capacity to use balance and off balance. The teaching highlights the internalization of each movement and the dancer's personal interpretation, assisted by mental visualization techniques.[48]
Alongside Saarinen, the Head of Artistic Development Sini Länsivuori is in charge of developing the company's teaching operations.
Tero Saarinen has choreographed 46 original works, 17 of them for his own group. Tero Saarinen Company's key works include the company's breakthrough piece Westward Ho! (1996), Saarinen's Stravinsky works Petrushka[49] (2001) and HUNT (2002), and the Shaker inspired Borrowed Light[50] (2004), "Morphed" (2014) set to the music of Esa-Pekka Salonen and "Kullervo", a large-scale co-production with The Finnish National Opera and Ballet featuring the music of Jean Sibelius.
The solo piece HUNT (2002), a collaboration with multimedia Artist Marita Liulia, has attracted exceptional international attention. Saarinen performed the piece 174 times in 83 cities and 32 countries, in Asia, Africa, South and North America and Europe,[51] and it has been dubbed one of the most significant choreographies made for Stravinsky's The Rite of Spring.[52] Tero Saarinen ceased performing HUNT in 2013, after the centennial of The Rite of Spring.[53]
Borrowed Light, performed at dozens of leading venues in Europe, Oceania and North America since its creation in 2004, has also attracted significant critical acclaim in the international media. For instance, The Village Voice in the USA listed it as one of The Decade's Best Dance Performances.[54]
Of the choreographies that Saarinen has created for other groups, some of the best known are Gaspard[55] (1996), premiered by the Lyon Opera Ballet, Transfigured Night[56] (2000), commissioned by the Gothenburg ballet, and the large scale work Mariage[57] (2007), commissioned by the ballet of Lorraine and the opera of Nancy, France. This last work, set to Igor Stravinsky's composition Les Noces, reinforced Saarinen's reputation as an important Stravinsky interpreter of our time.
Saarinen aspires to create total artworks:[58] in addition to the choreography and interpretation, music and visual presentation are important components in his works. Among Saarinen's trusted collaborators are Lighting Designer Mikki Kunttu and costume Designer Erika Turunen.
Saarinen makes use of live music in many of his works. His musical collaborators include The Boston Camerata, Ensemble InterContemporain, the accordionist duo James Crabb and Geir Draugsvoll, the chamber orchestra Avanti!, composer-musician Jarmo Saari and Finnish accordionist Kimmo Pohjonen.
Saarinen has created numerous works for other dance groups. The Dutch Nederlands Dans Theater (NDT1), the French ballets of Lyon, Marseille and Lorraine, the Portuguese Ballet Gulbekian, the Israeli Batsheva Dance Company, the Swedish Gothenburg opera Ballet, the Finnish National Ballet, and others have featured Saarinen's works in their repertoires.
| Original Work | Premiere | Performing Group | Artistic Team | Production | |
|---|---|---|---|---|---|
| Ondekoza | Fall 1989, Mies tanssii-Gala, Savoy Theatre, Helsinki, Finland | Dancer: Tero Saarinen | Costume and lighting design: Tero Saarinen | ||
| Kehtolaulu (Lullaby) | November 1990, Moving in November- Festival, Stoa Theatre, Helsinki, Finland | Dancer: Tero Saarinen | Costume and lighting design: Tero SaarinenMusic: Meredith Monk | ||
| More Milk | 1991, Pori Theatre, Pori, Finland | P.D.C. Pori Dance Company | Costume and lighting design: Tero SaarinenMusic: Collage | P.D.C. Pori Dance Company | |
| Takana (In the Past) | 1992-09-09, Savoy Theatre, Helsinki, Finland | Dancer: Tero Saarinen | Costume and lighting design: Tero SaarinenSet design: Susanna LaurolaMusic: Jan Garbarek | ||
| Vajonneet (The Sunken) | 1993-05-06, Finnish National opera, Helsinki, Finland | Finnish National Ballet | Lighting design: Juha WestmanCostume and set design: Tero SaarinenMusic: Henryk Górecki | Finnish National Opera | |
| Hurmaa 1 (Exuberance 1) | 1993-09-03, The Old Customs House, Tampere, Finland | Dance theatre Dansco | Lighting design: Mikki KunttuCostume and set design: Tero SaarinenMusic:Tiensuu, Czukay, trad. | Dance Theatre Dansco | |
| Lifewheel | 1994-05-28, Pori theatre, Pori, Finland | P.D.C. Pori Dance Company | Costume and lighting design: Tero SaarinenMusic: Hamza El Din | P.D.C. Pori Dance Company | |
| Wanha | 1994-06-13, Kuopio Dance Festival, Kuopio, Finland | Dancers: Tero Saarinen and Kenneth Kvarnström | Lighting design. Mikki KunttuCostume design: Tero SaarinenMusic: Henryk Górecki | ||
| Flock | 1994-12-22, Susan Dellal Center, Tel-Aviv, Israel | Batsheva Dance Company | Costume design: Tero SaarinenMusic: Henryk Górecki | Batsheva Dance Company | |
| Lelulaatikko (Box of toys) | 1995-03-03, Tampere Hall, Tampere, Finland | Dancers: Tero Saarinen and Andrea Ladanyi | Music: Debussy, performed by Tampere Filharmonic Orchestra (dir. Tuomas Ollila)Lighting design: Jari TervakangasCostume design: Tero Saarinen | Tampere Hall and Dance Theatre Mobita/Dansco | |
| Sirkus Bohemia | 1995, Kuopio Dance Festival, Kuopio, Finland | Sirkus Bohemia | Music: Mikko-Ville Luolajan-MikkolaCostume and lighting design: Tero Saarinen and Karoliina HeiskanenSet design: Metti Nordin | ||
| Big Flock | 1996-01-13, Theatre Academy, Helsinki, Finland | Theatre Academy, Department of Dance | Lighting design: Mikki KunttuCostume design: Tero SaarinenMusic: Henryk Górecki | Theatre Academy, Department of Dance | |
| Westward Ho! | 1996-02-18, Dansens Hus, Stockholm, Sweden | Tero Saarinen CompanyAlso in repertoires: Introdans (2000, Department of Dance, Theatre Academy (2000), Nünberg Ballet(2002) | Lighting design. Mikki KunttuCostume design: Tero SaarinenMusic: Collage | Tero Saarinen Company | |
| Daydreampeople | 1996-03-18, Finnish National Ballet, Helsinki, Finland | Finnish National Ballet | Lighting design: Olli-Pekka KoivunenCostume design: Tero SaarinenMusic: Collage | Finnish National Ballet | |
| Kohta (Passage) | 1997-01-18, Helsinki City Theatre, Helsinki, Finland | Helsinki Dance Company | Music: Ali-ZahedLighting design: Juha WestmanCostume design: Tero Saarinen | Helsinki Dance Company | |
| Overdosed Mood | 1997-06-30 Kuopio Dance Festival, Kuopio, Finland | Tero Saarinen Company | Lighting design: Mikki KunttuCostume Design: Keren NissimMusic: Collage | Tero Saarinen Company | |
| Un/Do | 1998-05-14, Susan Dellal Center, Tel-Aviv, Israel | Batsheva Dance CompanyAlso in repertoires: Tero Saarinen Company (1998), Ballet Gulbenkian (1999) | Lighting design. Mikki KunttuCostume design: Tero SaarinenMusic: Collage | Batsheva Dance Company | |
| Gaspard | 1999-02-12, Lyon Opéra Ballet, Lyon, France | Lyon Opéra BalletAlso in repertoires: Tero Saarinen Company (2003), Göteborgs Operans Ballett (2007) | Music: Maurice Ravel - Gaspard de la NuitLighting design: Mikki KunttuCostume design: Keren Nissim | Lyon Opéra | |
| Could you take some of my weight..? | 1999-05-28 Théâtre de Saint-Quentin-en Yvelines, Paris, France | Tero Saarinen Company. Also in repertoires: Ballet de Lorraine (2004), NorrDans (2008) | Lighting design: Mikki KunttuCostume design: Rachel QuarmbyMusic: Collage | Tero Saarinen Company | |
| Pulcinella | 1999-10-27, Helsinki City Theatre, Helsinki, Finland | Tero Saarinen Company and Helsinki Dance Company | Lighting design. Mikki KunttuCostume design: Tero SaarinenMusic: Collage | Tero Saarinen Company and Helsinki Dance Company | |
| Wavelengths | 2000-01-28, Finnish National Opera, Helsinki, Finland | Finnish National BalletAlso in repertoires: Tero Saarinen Company (2004) | Music: Riku NiemiLighting design: Mikki KunttuCostume design: Erika Turunen | Finnish National Ballet | |
| Sini | 2001-04-17, Lyon Opéra, Lyon, France | Lyon Opéra Ballet | Lighting design: MIkki KunttuCostume design: Erika TurunenMusic: Collage | Lyon Opéra Ballet | |
| Kaze | 2001-06-22 The Venice Biennale, Venice, Italy | Tero Saarinen Company and Yas-Kaz Unit | Music: Yas-KazLighting design: Mikki KunttuSound design: Jukka CavénCostume design: Rachel Quarmby | Tero Saarinen Company in co-production with the Venice Biennale | |
| Petrushka | 2001-06-03 Queen Elisabeth Hall, London, Great Britain | Tero Saarinen Company | Music: Igor Stravinsky, Petrushkalighting design: Mikki KunttuCostume Design: Erika TurunenArrangement and performance of music: James Crabb and Geir DraugsvollSound design: Jukka Kavén | Tero Saarinen Company | |
| Even more milk | 2002, Pori Theatre, Pori, Finland | P.D.C. Pori Dance Company | Costume and lighting design: Tero SaarinenMusic: Collage | P.D.C. Pori Dance Company | |
| Transfigured Night | 2002-03-02, Gothenburg Opera, Gothenburg, Sweden | Göteborgs Operans BalletAlso in repertoires: Finnish National Ballet (2005) | Lighting design: Mikki KunttuCostume design: Rachel QuarmbyMusic: Arnold Schoenberg | Göteborg Ballet | |
| Hunt | 2002-06-02 The Venice Biennale, Venice, Italy | Tero Saarinen Company | Music: igor Stravinsky, The Rite of SpringMultimedia: Marita LiuliaLighting design: Mikki KunttuCostume design: Erika TurunenMultimedia programming: Jakke Kastelli | Tero Saarinen Company and La Biennale di Venezia in co-operation with Octobre en Normandie | |
| Georgia | 2003-03-21, Finnish National Opera, Helsinki, Finland | Finnish National OperaAlso in repertoires: Göteborgs Operans Ballet (2007) | Lighting design: Mikki KunttuCostume design: Erika TurunenMusic: Collage | Finnish National Ballet | |
| The Captain | 2004-05-22, La Criée, Théâtre National de Marseille, Marseille, France | Ballet National de Marseille | Lighting design: Mikki KunttuCostume design: Rachel QuarmbyMusic: Collage | Ballet National de Marseille | |
| Borrowed Light | 2004-10-08 Octobre en Normandie Festival, Le Havre, France | Tero Saarinen Company and The Boston Camerata | Arrangement of the original Shaker music: Joel CohenMusic direction: Anne AzémaLighting and set design: Mikki KunttuCostume design: Erika TurunenSound design: Heikki Iso-Ahola | Tero Saarinen Company in co-operation with: Octobre en Normandie (France), Dansens Hus (Sweden), Kuopio Dance Festival (Finland), Festival Civitanova Danza (Italy), le Volcan – Scène Nationale du Havre (France), Teatri di Civitanova (Italy), Atelier 231 – Pôle régionale des Arts de la rue (France) | |
| Huukit | 2006-01-18, Theatre Academy, Helsinki, Finland | Theatre Academy Helsinki, Department of Dance | Lighting design: Mikki KunttuCostume design: Terttu TorkkolaMusic: Collage | Theatre Academy Helsinki, Department of Dance | |
| Frail Line | 2006-03-09, Lucent Danstheater, Haag, Netherlands | Nederland Dans Theater (NDT1) | Lighting and set design: Mikki KunttuCotume design. Erika TurunenMusic: Collage | Nederlands Dans Theater (NDT 1) | |
| Mariage | 2007-12-14, Opéra National de Lorraine, Nancy, France | Ballet de Lorraine and Opéra National de LorraineAlso in repertoires: Finnish National Ballet (2012) | Music: Igor Stravinsky: Les NocesLighting and set design: Mikki KunttuCostume design: Erika Turunen | CCN – Ballet de Lorraine and Opéra National de Lorraine | |
| Next of Kin | 2008-05-09 Lithuanian National Drama Theatre, Vilnius, Lithuania | Tero Saarinen Company | Music. Jarmo SaariLighting design: Mikki KunttuCostume design: Erika TurunenSound design: Heikki Iso-Ahola | Tero Saarine Company. Co-producers: Biennale de Lyon (France), the Joyce Theater (US), Alexander Theatre (Finland), Southbank Centre (UK), Helsinki Festival and Lithuanian Dance Information Center in co-operation with Vilnius European Capital of Culture 2009- Organization (Lithuania) | |
| Scheme of Things | 2009-02-05, Lucent Danstheter, Haag, Netherlands | Nederlands Dans Theater (NDT1)Also in repertoires: Tero Saarinen Company (2011) | Lighting and set design: Mikki KunttuCostume design: Erika TurunenMusic: Collage | Nederlands Dans Theater 1 | |
| Double Lives | 2010-02-12, Oldenburgisches Staatstheater, Oldenburg, Germany | Nordwest/Tanzocompagnie Oldenburg and Tanztheater Bremen | Lighting design: Ville KonttinenSet design: Ville Konttinen, Tero SaarinenCostume design: Erika TurunenMusic: Jarmo SaariVideo: Jakke Kastelli, Ville Konttinen, Tero Saarinen | Oldenburgisches Staatstheater and Theater Bremen | |
| Vox Balaenae | 2011-11-05 Automne en Normandie, Le Rive Gauche, Saint-Etienne-du-Rouvray, France | Tero Saarinen Company and Ensemble InterContemporain or Avanti! | Music: George Crumb: Vox BanealeaLighting and set design: Mikki KunttuCostume design: Erika TurunenSound design: Marco Melchior | Tero Saarinen Company in co-operation with Arts 276/Automne en Normandie (France) and Red Brick Project/CNN Roubaix Nord – Pas de Calais - Carolyn Carlson (France) | |
| Absent Presence | 2011-11-23, Alexander Theatre, Helsinki, Finland | Tero Saarinen Company | Lighting design: Mikki KunttuCostume design: Erika TurunenMusic: Jarmo Saari - Jarmo Saari solu | Tero Saarinen Company in co-operation with Alexander Theatre | |
| MESH | 2014-02-02, Saitama Arts Theatre, Tokyo, Japan | Saitama Dance Association in co-operation with Saitama Arts Theatre | Lighting design: Iwashina TakeakiCostume design: Izumi MiyamuraMusic: collage | Saitama Dance Association, Tero Saarinen Company | |
| VORTEX(Haeori) | 2014-04-16, National Theater of Korea, Soul, South Korea | National Dance Company of Korea | Lighting design: Mikki KunttuCostume design: Erika TurunenMusic: Be-being | National Dance Company of Korea | |
| Morphed | 2014-08-16, Finnish National Opera, Helsinki Festival, Helsinki, Finland | Tero Saarinen Company | Lighting design: Mikki KunttuCostume design: Teemu MuurimäkiMusic: Esa-Pekka Salonen | Tero Saarinen Company in co-operation with Helsinki Festival and Opéra Théàtre de Saint-Ètienne | |
| Kullervo | 2015-02-13, Finnish National Opera, Helsinki, Finland | Finnish National Opera and Ballet and Tero Saarinen Company | Lighting design: Mikki KunttuCostume design : Erika TurunenMusic: Jean Sibelius: Kullervo (Symphony Op. 7) | Tero Saarinen Company in co-operation with Finnish National Opera | |
| TRAIL | 2015-12-12, Kenya National Theatre, Nairobi, Kenya | Ghetto Exposed | Lighting design: Ville KonttinenMusic: collage | Tero Saarinen Company in co-operation with Ghetto Exposed | |
| Loopit | 2017-2-4, Hällä Stage, Tampere, Finland | Dance Theatre MD | Lighting design: Ville KonttinenCostume design: Erika TurunenMusic: collage (The Tiger Lillies) | Dance Theatre MD in co-operation with Tero Saarinen Company | |
| Zimmermann Trio | 2018-1-19, Walt Disney Concert Hall, Los Angeles, USA | Tero Saarinen Company andLos Angeles Philharmonic | Lighting and set design: Mikki KunttuCostume design, Element construction: Erika TurunenMusic: Bernd Alois Zimmermann: Cello Concerto en forme de pas de trois (1966) | LA Phil in co-operation with Tero Saarinen Company | |
| Breath | 2018-4-12, Grand Théâtre de Québec, Quebec City, Canada | Tero Saarinen Company and Kimmo Pohjonen | Lighting and set design: Mikki KunttuCostume design: Teemu MuurimäkiMusic: Kimmo Pohjonen | Tero Saarinen Company in co-operation with Tampere hall and Alexander Theatre | |
| Third Practice | 2019-5-29, Teatro Amilcare Ponchielli, Rassegna di Danza & Festival Monteverdi, Cremona, Italy | Tero Saarinen Company and Helsinki Baroque Orchestra | Music: Claudio MonteverdiMusic direction, Arrangement: Aapo Häkkinen Lighting and set design: Eero Auvinen (TTT-Theatre) Projection design Thomas Freundlich Costume design: Erika Turunen Sound design: Marco Melchior | Tero Saarinen Company Supported by Jane & Aatos Erkko Foundation (Finland) In collaboration with Fondazione Teatro Amilcare Ponchielli (Italy) With thanks to Rassegna di Danza & Festival Monteverdi (Fondazione Teatro A. Ponchielli, Cremona, Italy), ATER – Associazione Teatrale Emilia Romagna (Italy), Kuopio Dance Festival (Finland), Stoa (Finland), the Finnish National Theatre and TTT-Theatre (Finland) |
Saarinen has received numerous acknowledgements of his work as an artist. In 2001 he was awarded the Finland Prize and, in 2005 the Pro Finlandia medal – the most prestigious award given to artists in Finland. Saarinen was awarded the international Movimientos Dance Prize for Best Male Performer in Germany in 2004. In June 2004, he was honoured with the title of Chevalier de l’Ordre des Arts et des Lettres by the Ministry of Culture in France.[3]
Saarinen received a 6-month grant from the Arts Council of Finland in 1987, a 3-year grant in 1996, and a 5-year grant in 1996 and 2004. At the beginning of his career as a choreographer he was awarded numerous other scholarships and grants, including from the Väinö Tanner Foundation, Antti and Jenni Wihuri Foundation, and the Finnish Cultural Foundation.