| Tatyana Bakunina | |
| Native Name: | Татья́на Баку́нина |
| Native Name Lang: | ru |
| Birth Date: | 26 July 1815 |
| Birth Place: | Pryamukhino, Tver, Russia |
| Death Place: | Pryamukhino, Tver, Russia |
| Nationality: | Russian |
| Credits: | , which produces label "Notable credit(s)"; or by |
| Works: | , which produces label "Works"; or by |
| Label Name: | , which produces label "Label(s)" --> |
| Office: | may be used as an alternative when the label is better rendered as "Office" (e.g. public office or appointments) --> |
| Partner: | Ivan Turgenev |
| Mother: | Varvara Aleksandrovna Muravyeva |
| Father: | Aleksandr Mikhailovich Bakunin |
| Relatives: | Mikhail Aleksandrovich Bakunin (brother) |
| Family: | Bakunin |
Tatyana Aleksandrovna Bakunina (Russian: Татья́на Алекса́ндровна Баку́нина; 1815–1871) was the sister of the Russian revolutionary Mikhail Bakunin and the lover of writer Ivan Turgenev. Bakunina's relationship with Turgenev, described by literary critics as the "Pryamukhino affair", is reflected in Turgenev's poem and several other works.
Bakunina was a member of a Russian noble Bakunin family, known since the second half of the 17th century. Her father, Aleksandr Mikhailovich Bakunin, worked abroad for many years after defending his philosophical thesis. After returning to Russia, he engaged in the improvement of his estate Pryamukhino. He married Varvara Aleksandrovna Muravyeva, who whom he had eleven children; Mikhail and Tatyana were yearlings; Tatyana was the fourth child in the family.[1] Born on her parents' estate in Pryamukhino village, she was baptised on at the Pokrovsky Church in the manor of her uncle Mikhail Pavlovich and aunt Nadezhda Pavlovna Poltoratskikh. In addition to Mikhail, Tatyana's three younger brothers,, and, are the most famous personalities.
The owner of the estate sought to create a special world in his house, one that combined life and art. Aleksandr himself tutored Tatyana, considered a "typical inhabitant of the Pryamukhinsky nest", in English, French and Italian, and taught her the natural sciences. She picked up her love of poetry and philosophy from her older brother Mikhail.
The writer and publicist Nikolai Stankevich, the literary critic Vasily Botkin, the poet Ivan Klyushnikov, and the historian Timofey Granovsky stayed at Pryamukhino for a long time. In a letter to Mikhail Bakunin, Vissarion Belinsky, who was on friendly terms with Tatyana, referred to her as a "marvellous, beautiful creature":
After some years, Belinsky began to notice other qualities in Tatyana Aleksandrovna: a certain "one-sidedness of spiritual development", excessive romanticism, a tendency towards enthusiasm and sentimentality, a lack of "simplicity and naturalness". At the same time, she remained an impeccable companion: according to scholars, it was Bakunina who actively supported the composer Alexander Serov, who had fallen into depression after the audience's subdued response to his opera Judith; she also inspired the author to write another work, the opera Rogneda. In Tatyana's constant striving "to save" her loved ones, and in her thirst for self-sacrifice, literary critic Viktor Chalmayev saw the features of the future "Turgenev's girls".
Ivan Turgenev, who had come to know Mikhail Bakunin in Germany, accepted his friend's invitation upon his return to Russia and arrived at Pryamukhino in the autumn of 1841. Tatyana had been prepared for the visit of the young literary man, of whom she knew from her brother's letters: Mikhail Aleksandrovich spoke of him as an uncommon person, with whom they led a "wonderful life" in Berlin. For the 27-year-old woman, Turgenev's arrival was a major event; it was she who hit "the first note in the love duet":
The young people met at the Bakunin estate, in Moscow, in Tver, but Turgenev's image in this story is, in Chalmayev's words, "somewhat hazy". Ivan Sergeevich was three years younger than Tatyana, and her attitude towards him had the intonation of an older sister who was used to patronising and caring. According to historian Nina Moleva, Bakunina sometimes reminded the writer of his mother by her fervent participation and patronage.
In her letters to Turgenev, Tatyana Aleksandrovna called him "a child in whom many germs of both the beautiful and the thin are hidden"; later she reported that she was "ready to hate" her lover for the power he had over her. Suffering from his silence, the girl asked that he remember the one who was "waiting for the call, to give all her strength, all her love, all her devotion". Turgenev, as researchers point out, parted from Bakunina "quite majestically". In his farewell letter to Tatyana he called her his Muse and confessed that he "had never loved any woman more" than her; at the same time, he asked for "a blessing on the road" and offered to forget "all that is hard, all that is half-hearted".
After parting with Turgenev, Tatyana Aleksandrovna, who never married, concentrated all her attention on the fate of her brother Mikhail. In 1851, while in the Alekseevsky Ravelin of the Peter and Paul Fortress, Bakunin petitioned Tsar Nicholas I for a visit from his old parents and a "beloved sister whom he did not even know if she was alive". Permission was granted; Tatyana Aleksandrovna left for Saint Petersburg.
She met her imprisoned brother again one year later, and once more another year and a half after that; the meetings were preceded by Tatyana Aleksandrovna's troubles, who personally addressed both to the head of the secret police,, and to Nicholas I:
Researchers have not established what Mikhail and Tatyana talked about during the meetings, but it is known that Tatyana managed to smuggle out a "coded lexicon" drawn up by Bakunin - a system of codes for exchanging information with comrades-in-arms. In addition, largely due to her intercessions, Mikhail Aleksandrovich was once again allowed to correspond with his relatives. Later, while in the Shlisselburg Fortress, Mikhail was able to receive parcels of tea, tobacco and books from Pryamukhino, as well as portraits of his parents and sister. In letters to Tatyana, Mikhail worried that she was "sick and exhausted", asked that their brother Pavel find her a good doctor in Saint Petersburg, and confessed that he hoped for her "like a stone mountain."
Tatyana Alexandrovna died from a brain abscess on and was buried in the family vault in Pryamukhino. Mikhail, who outlived her by five years, recalled with nostalgia in his last letter to his family, sent from Lugano four months before his death, about the "Pryamukhino world" and the times when he and his beloved sister "went off to the island".
In November 1843, Turgenev wrote the poem (Russian: В дороге), which became famous as a romance by the composer, entitled Misty Morning, Grey Morning (Russian: Утро туманное, утро седое).[2] Literary scholars believe that this "masterpiece of Russian poetry" was created under the influence of Ivan Sergeyevich's recollections of the "Pryamukhin novel".[3] The poem, according to Viktor Chalmayev, recreates "moments of the utmost fullness of love feeling", which has experienced both "blossom and sad fading".
Researchers have found a connection between some of Bakunina's letters and some of Turgenev's poems. This connection, which has been called "the lyrical diary in verse", is apparent in the poem The Neva ("Now, perhaps, by the window / She sits... and does not suffer; / But like a candle in the wind, she melts / And flares up... "), which is a response to one of Tatyana Aleksandrovna's confessional letters, as well as in the poems "On a summer night, when, full of anxious sadness...", "When I parted with you..." and others.
The Pryamukhino affair also had its imprint on Turgenev's short story "The Correspondence", which contains fragments of letters from Bakunina and Ivan Sergeyevich as well as the short story "Andrei Kolosov" published in the Otechestvennye Zapiski (Fatherland Notes). Although this work is not strictly autobiographical, literary commentators suggest that "Turgenev has added a great deal of himself and his own personal touch to the narrator and his love story with Varya, which is connected to Bakunina's infatuation with her". His recollections of the "pryamukhin period" form the basis of another Turgenev story, "Tatyana Borisovna and Her Nephew", whose heroine is "an old maid" who enjoys reading Goethe, Schiller, and German philosophers: