Tara (von Neudorf) (born 1974 in Luduș, Transylvania) is a contemporary Romanian artist.
He studied in the Faculty of Printmaking and then in the Faculty of Painting at the Art and Design University of Cluj-Napoca. Since 2005 he has been connected with Anaid Art Gallery in Bucharest, which has organised major exhibitions of his work: “Black Rumania” (2005), “Finis Mundi” (2007), “Generation Djihad” (2009), and “Raving History” (2012). He has also had shows abroad, in countries including the Netherlands, Germany, the USA and Hungary. In 2012 he was awarded the Strabag Artaward International and an exhibition of his works was held in Vienna. His first show in Poland, "Cartographer of Sinister History. Tara (von Neudorf)", was staged in 2013 by the Gallery of the International Cultural Centre in Krakow (4 September – 24 November 2013). Tara lives and works in Sibiu i Bukareszcie. and Bucharest. He is currently in the process of creating a monumental installation about the history of the Transylvanian Saxons – "the end of the nation" – in the Lutheran church in the abandoned village of Mighindoala (Engenthal) in Transylvanian Saxony; he is also hoping to set himself up a studio there.[1]
Tara (von Neudorf) is one of a group of young Romanian artists who contest the traditional brand of art represented by the country's Union of Visual Artists. In the late 1990s they turned to non-public forums for the freedom of artistic expression they sought. The themes addressed by these artists are, in the words of Diana Dochia:
Tara's favourite media are black marker pen and red paint, and his best-known works are made on old communist-era schoolroom maps and educational posters.
His creative space is the "periphery" of Europe, but he also references the geopolitics of art. His work is suffused with the context of the place where he comes from and works – Transylvania. The local context is his starting point for his artistic narratives about identity, difficult history, the co-existence of cultures, unhealed wounds, and the emptiness of now depopulated towns and villages.[2] The keywords on which his artistic work focuses are enunciated in one of the works in his famous series “Black Rumania”: corruption, poverty, communism, stupidity, racism, terror, lies, bureaucracy, disability, greed, and despair (RO, 2005). He comments on the relations between Romania and the European Union, teaches communist history, and lays bare the bloody pages of grand ideologies, using images such as maps, sacred books and religious symbols, flags, dates, places of torture and sites of martyrdom, tanks, media slogans, and blood. He talks about important, fundamental issues in strong strokes and decisive colours. Dr Monika Rydiger, one of the curators of Tara's exhibition in Krakow, Poland, says:
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