| The Tandragee Idol | |
| Material: | Carved granite |
| Size: | Height: Width (approx) [1] |
| Created: | Middle Iron Age |
| Discovered Place: | Tandragee, County Armagh, Northern Ireland |
| Location: | St Patrick's Cathedral (COI), Armagh |
The Tandragee Idol (or Tandragee Man) is the name given to a granite or sandstone carving dated to c. 1000–500 BC, found in a peat bog near Tandragee, County Armagh, in Northern Ireland. It is in height and consists of the torso and head of a grotesque and brutish-looking figure positioned on a stone slab. He has pierced nostrils, a vulgar and coarse mouth, a horned helmet, and holds his left arm with his right. It was probably produced as an idol for an Ancient Celtic religious shrine.
The figure may represent the mythical chieftain Nuadha of the Silver Arm, who was thought to have led the successful Tuatha Dé Danann invasion of Ireland against the then-dominant Fir Bolg settlers. It is the best known of several Iron Age carved stone-head idols found in County Armagh, some which are in the crypt of St Patrick's.[2] It is often associated with a figure on a later Janisform head from Boa Island, County Fermanagh; both figures hold their detached left hands with their right, and are thus usually thought to represent Nuadha.[3]
Its modern provenance is uncertain. By 1932, it was in the rockery at Ballymore rectory in Tandragee. Today it is kept in the north aisle of the Church of Ireland St Patrick's Cathedral, Armagh town.[4]
The modern provenance of the statute is uncertain. It may have been found in a peat bog near Tandragee, County Armagh, sometime before 1912. It was in a rockery at the rectory in Ballymore, County Armagh until 1932, "with some other unspecified sculptural fragments said to have come from Armagh".[5] It was first described in 1934 by the American archaeologist and art historian Arthur Kingsley Porter. He had viewed the idol in 1932 when it was in the possession of the widow of John McEndoo (d. 1922), rector of the Anglican church of St Mark, Ballymore, in Tandragee, who "had no clear impression of how the idol came into her husband's possession".[6]
Following the death of McEndoo's widow in 1935, the statue was donated to the Ulster Museum in 1935 by the rector, Canon Percy Marks.
The Tandragee Idol is carved in the round from a single block of local fine-grained granite. The torso is positioned on a wide rectangular granite block.[7] [8]
The statue shows a brutish-looking figure, whose portrayal is described by the archeologist Etienn Rynne as "magnificent in its crude barbarism", and as "barbaric and menacing" by the archeologist Michael J. O'Kelly.[9] The figure has a squat (short and wide) physique, and a head that is disproportionately large compared to his body.[10] Although identifiable as male, his torso is rather sexless and seems to lack a neck. He wears a horned helmet, with two knobs at either side representing protruding horns.[11]
His facial features are grotesque, in particular, he has a wide and open mouth that gapes in a vulgar manner reminiscent of the Early Medieval Sheela na gig style. His nose is wide and flat, and his nostrils are pierced. His closely set oval eyes are positioned between large drooping lids and a primitive heavily ridged brow. Each hand consists of four crudely drawn and oversized fingers that lack knuckles or thumbs.
His right arm reaches downwards diagonally, seemingly to hold his left arm.
The majority of surviving prehistoric Irish stone sculptures in the iconic (representational) format originate from Ulster. The group consists of a human figure in relief, three works showing animals, and several showing individual heads or busts that fall within the wider grouping of Celtic stone heads. The majority of Irish stone heads are thought to have been produced within a 500-year period ending in the early half of the first century AD,[12] with the Tandragee Idol as a very early example.
Ancient stone artifacts are extremely difficult to date, complicated by the fact that most were discovered on ruined church grounds, many of which were built on much older pagan ritual sites. Given these difficulties, archeologists often rely on art-historical dating methods, such as tracing their methodological or iconographical origins.
Like the later Corleck Head, the Tandragee Idol may have been produced for a small shrine or cult worship site. It has also been compared to a c. 400–800 AD double-headed stone figure in the early-Medieval cemetery on Boa Island, County Fermanagh, which also has a seemingly detached arm, leading to speculation that both represent Nuadha.
Most archeologists associate the figure with Nuadha of the Silver Arm, the mythical chieftain of the Tuatha Dé Danann, who, according to the Annals of the Four Masters lived between 1890–1870 BC. According to folklore, Nuadha lost an arm in battle; a mutilation that threatened his position as a leader as it made him "not whole of body". By legend, the healer Dian Cecht made a silver false arm for him, hence the connection to the Tandragee figure, who seems to cling to a detached left arm.sh stone-deities through a pan-Celtic lens, noting how such labels "are often plucked from later texts to explain the function and symbolism of items like the Corleck Head or Tandragee Idol, much as ethnic labels have been used to explain material phenomena regarded as Romano-British."[13]