Takashi Yamazaki Explained

Takashi Yamazaki
Birth Date:1964 6, mf=yes
Birth Place:Matsumoto, Nagano, Japan
Years Active:1984–present
Signature:File:Takashi Yamazaki Signature.svg

is a Japanese filmmaker and visual effects supervisor. Known for his blockbusters featuring advanced visual effects, he is considered a leading figure in the Japanese film industry.[1] Yamazaki is the recipient of multiple accolades, including an Academy Award, eight Japanese Academy Awards, five Nikkan Sports Film Awards, two Hochi Film Awards, and an Asian Film Award. His films have collectively grossed over worldwide.[2]

Yamazaki developed an interest in filmmaking after watching Star Wars and Close Encounters of the Third Kind (both 1977). He started working at visual effects studio Shirogumi in 1986 before creating his first features: Juvenile (2000) and Returner (2002). Yamazaki achieved both critical and commercial success in Japan by directing film adaptations of popular anime, novels, and manga, including (2005), Space Battleship Yamato (2010), The Eternal Zero (2013), and Stand by Me Doraemon (2014); the latter two films both earned a total of nine awards at the 38th Japanese Academy Awards. Yamazaki's career later advanced with The Great War of Archimedes, , (all 2019), and Stand by Me Doraemon 2 (2020).

His 2023 kaiju epic, Godzilla Minus One, became the most successful Japanese Godzilla film of all time. Yamazaki and the film's visual effects team also became the first Japanese crew ever to receive the Academy Award for Best Visual Effects. In 2024, Yamazaki was included in Gold House's annual list of 100 Most Impactful Asians.[3]

Early life

Takashi Yamazaki was born on June 12, 1964, in Matsumoto, Nagano,[4] to Yoshisuke Yamazaki, a baker,[5] and Kikuko.[6] On his childhood, Yamazaki reflected: "My parents raised me by letting me do what I wanted freely. I think that has shaped a big part of who I am today". He also has a younger sister named Satsuki.[7]

Yamazaki was first introduced to film by the "Umbrella Program" as a child; in 2023 he reflected that Ishirō Honda's Matango (1963) and King Kong vs. Godzilla (1962) may have been among the first movies he ever saw.[8] Growing up, Yamazaki was influenced to work in the film industry by the 1977 American science fiction films Star Wars and Close Encounters of the Third Kind. He filmed his directorial debut on 8 mm film with the assistance of a friend during his third year at .[9] This 1979 science fiction short, entitled Glory, was lost for 43 years until it was rediscovered in 2022 and screened in the director's hometown.[10]

Career

1984–1999: Early career

In 1984, Yamazaki began working as a miniature builder for .[11] Following his graduation from in 1986, he officially became an employee at Shimamura's animation and special effects studio Shirogumi in Chōfu, Tokyo.[12]

After working on the Eko Eko Azarak series and Parasite Eve (1997), Yamazaki and his team at Shirogumi started pre-production on their feature NUE. The team spent two years preparing the project in collaboration with Robot Communications and they even went location scouting in Australia. Yamazaki, who was still heading the visual effects for up to three commercials monthly at this point, concluded that the film would require him to create the film on a relatively enormous budget of, well above the average budget of usually given to first-time directors. Thus, Robot president Shūji Abe deemed NUE too expensive and requested that Yamazaki scrap it and attempt to make his directorial debut with a smaller scale.

2000–2007: First directorial features and breakthrough

Shortly after abandoning NUE, Yamazaki converted the idea for his debut feature film, Juvenile (2000), which he directed, wrote, and headed the visual effects for. A science fiction film, Juvenile is about a group of elementary school students who find a talking alien robot while camping in the woods and soon discover that it is their only hope in saving the planet from incoming evil alien invaders. Initially, Juvenile was to be shot on entirely on location by Kōzō Shibasaki under Yamazaki's direction on a budget of roughly, with Kiyoko Shibuya directing the visual effects on a budget of under Yamazaki's supervision.[13] However, Abe decided to increase the film's budget to in order to allow Yamazaki to make it a "proper movie for the summer vacation lineup". Toho distributed Juvenile in July 2000 and it grossed, making it the fifteenth highest-grossing Japanese film of that year.[14] It was also shown at the 2000 Giffoni Film Festival.[15]

His next film, the science fiction actioner Returner (2002), follows the story of Milly, a young woman living in a war-torn future, who is recruited by a mysterious time traveler named Miyamoto. The film was distributed by Toho in Japan on August 31, 2002[16] and was later in American theaters in October of the following year, where it was critically savaged.[17] After its release, Yamazaki proposed a sequel to Returner but Abe asked him to make a film set in the Shōwa era instead.

Yamazaki's breakthrough came when he departed from the science fiction genre to create his third directorial feature, (2005), an adaptation Ryōhei Saigan's manga series Sunset on Third Street. Set in Tokyo during postwar Japan, this film tells the "heartwarming" story of the residents living at Third Street: Ryunosuke, a writer from the countryside; Norifumi, an auto mechanic; and sake bar owner Hiromi. Always: Sunset on Third Street – starring Hidetaka Yoshioka, Shinichi Tsutsumi, Koyuki, Maki Horikita, and Kenta Suga – was released to overwhelmingly positive reviews and grossed, ranking fifteenth at the Japanese box office.[18] In 2005, film critic Tadao Satō regarded the film as a milestone in the usage for computer-generated imagery and acclaimed Yamazaki's direction.[19] At the 29th Japanese Academy Awards, the film won twelve awards, including Best Picture and Best Director.

Yamazaki next directed, co-wrote (with), and headed the visual effects for (2007), a sequel to Always: Sunset on Third Street also based on the manga series. The film opens with an "imaginary sequence" of Godzilla attacking Tokyo before returning to the story of the residents of Third Street.[20] Yamazaki stated that he is a lifelong fan of the Godzilla franchise and incorporated the opening scene in order to "start with something fresh from the first film" and added that "having Godzilla destroy Tokyo Tower with his oral beam was a great way to surprise audiences". He also noted that the "two minutes (in which Godzilla appears) required a tremendous amount of work", with half of the crew having to work on the sequence over the course of six months.[21] Upon its November 3 release, Always: Sunset on Third Street 2 became Yamazaki's biggest box office hit, ranking the third-highest-grosser at Japanese box office that year.[22]

2008–2018: Directing film adaptations

In 2008, Yamazaki turned to assisting his fellow graduate and future wife,[23] Shimako Satō, with the visual effects and screenplay for her action film, . Based on a novel by Sō Kitamura, K-20 is set in an alternate reality version of Japan during the 1940s and follows the mysterious masked antihero known as "K-20" who robs the rich and powerful, leaving behind a trail of dismay. K-20 was released in December 2008 and grossed, making it the eighteenth highest-grossing Japanese film of 2009.[24]

In 2009, Yamazaki created the visual effects for Yōjirō Takita's Sanpei The Fisher Boy[25] – based on the manga Fisherman Sanpei – and directed, wrote and made the effects for the live-action jidaigeki romance film – based on the 2002 anime feature –.[26] Yamazaki was inspired to create Ballad after visiting the filming location of The Last Samurai (2003) and contemplating "Maybe Japan could make a historical drama centered around battles?".

In October 2009, Yamazaki started filming his first science fiction film since 2002's Returner, Space Battleship Yamato. Featuring a screenplay by his partner Shimako Satō,[27] it is an adaptation of famed manga artist Leiji Matsumoto's 1974 anime series of the same name.[28] With a budget estimated at [29] and CGI used in 80% of the entire picture,[30] it was anticipated to become an "unprecedented science fiction blockbuster", and Toho spent an additional on New Years Day alone to promote the film and ensure it met their expectations.[31] [32] Space Battleship Yamato was released in Japan during December 2010 and grossed .[33]

The first animated to be co-directed by Yamazaki and, , was released in Japanese theaters in December 2011. Loosely based on Hirosuke Hamada's children's book Naita Aka Oni, the film is about a monster named Naki who is protecting a young boy, whom they found lost on the Monster Island, from the other, man-eating, monsters. The film was nominated for an Japan Academy Film Prize and VFX Japan Award two years after its initial release.

, the sequel to Always: Sunset on Third Street 2, was Yamazaki's next venture. At the film's premiere screening on January 17, 2012, Yamazaki said that "it was very difficult to make this movie" but nevertheless expressed his desire for a sequel set during Expo '70.[34]

2018–present: Godzilla and other activities

In July 2018, the production of Yamazaki's next film The Great War of Archimedes was announced;[35] based on a manga by Norifusa Mita, this picture about the building of the battleship Yamato, and starred Masaki Suda in his first collaboration with Yamazaki. It was released by in July 2019,[36] and was the sixteenth highest-grossing Japanese film of 2019.[37]

After the release of The Great War of Archimedes, Yamazaki was given the opportunity to make a Godzilla film by Toho executive and film producer Minami Ichikawa. Ichikawa stated that he and Yamazaki decided to collaborate on the project during the COVID-19 pandemic in 2020 and Yamazaki spent three years writing the screenplay.[38] The film, entitled Godzilla Minus One, was released in Japanese theaters in November 2023, and became one of the most acclaimed films in the franchise. For their work on the film, Yamazaki and his team became the first Japanese film to ever to receive an Academy Award nomination for Best Visual Effects.[39]

On December 27, 2023, Yamazaki began directing a kaiju web film in Ashikaga, Tochigi for a major food corporation, scheduled for a March 2024 release with a runtime of approximately one minute. Its visual effects were also made by the same team behind Godzilla Minus One.[40] It was later revealed to be titled and produced by Ajinomoto.[41]

Yamazaki declared in February 2024 that he has a new film in development.[42] The following month, Variety reported that Yamazaki had recently enlisted with the American talent agency Creative Artists Agency (CAA);[43] the agreement could potentially help Yamazaki to be employed for Hollywood productions.[44]

Personal life

Yamazaki is married to fellow filmmaker Shimako Satō, whom he met at .[45] The couple own several cats, one of which influenced Yamazaki while making Godzilla Minus One.[46] [47]

Filmography

Films

Film work by Takashi Yamazaki
YearTitleDirectorWriterEffectsNotes
VisualSpecial
1987The Drifting Classroom
1988A Taxing Woman's Return
1989Sweet Home
1993DaibyoninAlso digital compositor[48] [49]
1994Uneasy Encounters
1995
A Quiet Life
1996Eko Eko Azarak II: Birth of the Wizard
Supermarket Woman
1997Parasite EveAlso storyboarder
2000Juvenile
2002Returner
2005
2007 Also Godzilla designer[50]
2008[51]
2009Ballad
2010Space Battleship Yamato
2011
2012
2013The Eternal Zero
2014Stand by Me Doraemon [52]
[53]
Bump of Chicken: Willpolis 2014[54]
2015 [55]
2016 [56]
2017 [57]
2019The Great War of Archimedes [58]
[59]
[60]
2020Stand by Me Doraemon 2[61]
2021[62] [63]
2022[64] Also character designer
2023Godzilla Minus One Also Godzilla designer[65] [66]
2024FoodlossllaShort web film[67] [68]

Commercials

Airs (2006)

Music videos

"Namida no Furusato" (2006)

Theme park attraction

Video games

Awards and nominations

YearAwardCategoryNominated workResult Ref.
200030th Giffoni Film FestivalEarly Screens SectionJuvenile
200530th Hochi Film AwardsBest Picture
18th Nikkan Sports Film AwardsYūjirō Ishihara Award
20069th Far East Film FestivalAudience Award
29th Japan Academy Film PrizePicture of the Year[69]
Director of the Year
Screenplay of the Year
79th Kinema Junpo AwardsReaders' Choice Award
60th Mainichi Film AwardsReaders' Choice Award
Technical Award
27th Yokohama Film FestivalBest Technical
27th New York Asian Film FestivalAudience Award
200831st Japan Academy Film PrizePicture of the Year[70]
Director of the Year
Screenplay of the Year
2nd Asian Film AwardsBest Visual Effects
201124th Nikkan Sports Film AwardsReaders' Choice AwardSpace Battleship Yamato
5th Asian Film AwardsBest Visual Effects
201336th Japan Academy Film PrizeAnimation of the YearFriends: Naki on the Monster Island
56th Blue Ribbon AwardsBest FilmThe Eternal Zero
201438th Japan Academy Film PrizePicture of the Year[71]
Director of the Year
Screenplay of the Year
16th Far East Film FestivalAudience Award
27th Nikkan Sports Film AwardBest Film
Best DirectorThe Eternal Zero and Stand by Me Doraemon
Animation of the YearStand by Me Doraemon[72]
20155th Asian Film AwardsBest Visual Effects
12th Nippon Connection Japanese Film FestivalBest Film
2018
201944th Hochi Film AwardsBest PictureThe Great War of Archimedes
32nd Nikkan Sports Film AwardsYūjirō Ishihara Award
202043rd Japan Academy Film PrizeAnimation of the Year
42nd Annecy International Animated Film FestivalBest Feature Film
20215th Hawaii Film Critics Society AwardsBest Animated Film
44th Japan Academy Film PrizeAnimation of the YearStand by Me Doraemon 2[73]
202336th Chicago Film Critics Association AwardsBest Use of Visual EffectsGodzilla Minus One[74]
Best Foreign Language Film
28th Florida Film Critics Circle AwardsBest Visual Effects[75]
Best Foreign Language Film[76]
48th Hochi Film AwardsBest Picture[77]
Best Director
15th Indiana Film Journalists Association AwardsBest Film[78]
Best Foreign Language Film
27th Las Vegas Film Critics Society AwardsBest Horror/Sci-Fi Movie[79]
Best International Movie
Best Visual Effectsrowspan=3
Best Action Movie
36th Nikkan Sports Film AwardYūjirō Ishihara Award[80]
7th Philadelphia Film Critics Circle AwardsPhilips Steaks Cheesesteak Award[81]
10th Phoenix Critics Circle AwardsBest Foreign Language Film[82]
20th St. Louis Gateway Film Critics Association AwardsBest Visual Effects[83]
202496th Academy AwardsBest Visual Effects[84]
17th Asian Film AwardsBest Visual Effects[85]
19th Austin Film Critics Association AwardsBest Film[86]
Best International Filmrowspan=2
67th Blue Ribbon AwardsBest Film[87] [88]
Best Director
5th Chicago Indie Critics AwardsBest Visual Effects[89]
7th Columbus Film Critics Association AwardsBest Film[90]
Best Foreign Language Film
29th Critics' Choice AwardsBest Foreign Language Film[91]
16th Denver Film Critics Society AwardsBest Sci-Fi/Horror[92]
Best Visual Effects
Best Non-English Language Feature
5th DiscussingFilm Critic AwardsBest International Film[93]
Best Visual Effects
13th Georgia Film Critics Association AwardsBest Picture[94]
Best International Film[95]
6th Greater Western New York Film Critics Association AwardsBest Foreign Film[96]
22nd Gold Derby Film AwardsBest Visual Effects [97]
8th Hawaii Film Critics Society Awards[98]
Best Horror Film
Best Sci-Fi Film
Best Foreign Language Filmrowspan=4
17th Houston Film Critics Society AwardsBest Picture[99]
Best Foreign Language Film
Best Visual Effects
47th Japan Academy Film PrizePicture of the Year[100]
Best Director
Best Screenplayrowspan=2
59th Kansas City Film Critics Circle AwardsBest Science Fiction, Fantasy or Horror[101]
Latino Entertainment Journalists Association AwardsBest International Film[102]
Best Visual Effects
78th Mainichi Film AwardsExcellence Award[103]
Best Director
6th Music City Film Critics' Association AwardsBest International Film[104]
Best Action Filmrowspan=7
12nd North Carolina Film Critics Association AwardsBest Narrative Film[105]
Best Foreign Language Film
5th North Dakota Film Society AwardsBest Visual Effects[106]
27th Online Film Critics Society AwardsBest Visual Effects[107]
Best Film Not in the English Language
3rd Portland Critics Association AwardsBest Film Not in the English Language[108]
Best Science Fiction Feature
Best Visual Effectsrowspan=2
Best Stunts or Action Choreography
28th San Diego Film Critics Society AwardsBest Foreign Language Film[109]
Best Visual Effects
Best Sound Design
8th Seattle Film Critics Society AwardsBest International Film[110]
Best Visual Effects
Best Action Choreography
22nd Utah Film Critics Association AwardsBest Non-English Feature[111]
Best Visual Effects
22nd Visual Effects Society AwardsOutstanding Animated Character in a
Photoreal Feature		[112]

Notes and References

  1. Web site: Keith . GODZILLA MINUS ONE Official Press Release, Trailers and Teaser Posters -- Direct From Toho! North American Theatrical Release December 1! . 2023-07-16 . SciFi Japan . en-gb.
  2. Web site: Takashi Yamazaki . February 12, 2024 . The Numbers.
  3. Web site: May 1, 2024 . Keanu Reeves, Jung Kook, Hayao Miyazaki Among Gold House's A100 Honorees . May 6, 2024 . . en-US.
  4. Web site: 【山崎貴】「永遠の０」こだわったリアリティー 映像効果の第一人者が大事にする"重なり" . September 18, 2023 . . 2 . ja-JP.
  5. Web site: 映画監督 山崎貴の世界〜少年は夢を追い続ける〜 . May 28, 2024 . TVでた蔵 . ja.
  6. Web site: 日本テレビ . 山崎貴監督 特別展 監督の父母語る家族秘話「銭湯の後はフルーツ牛乳がお決まり」 29日まで松本市美術館で【長野・松本】｜テレビ信州NEWS NNN . May 28, 2024 . 日テレNEWS NNN . ja-JP.
  7. Web site: 『ゴジラ-1.0』山崎貴監督、ZIP！に生出演 米・アカデミー賞「視覚効果賞」受賞の快挙に至った撮影エピソードの数々を明かす . May 28, 2024 . entax（エンタックス） . ja.
  8. Web site: November 24, 2023 . 『ゴジラ-1.0』山崎貴監督 作りながら感じたゴジラ映画と神事 . live . http://web.archive.org/web/20231129103244/https://xtrend.nikkei.com/atcl/contents/18/00581/00070/ . November 29, 2023 . February 4, 2024 . Nikkei xTREND . ja.
  9. Web site: 松本出身・山崎貴さん初監督の短編映画 ４３年ぶりに発見され上映会 地域の話題 株式会社市民タイムス . September 18, 2023 . Shimin Times . ja.
  10. Web site: 16 August 2022. スター・ウォーズに挑んだ中3の夏 山崎貴監督が撮った幻のフィルム . September 18, 2023 . . ja.
  11. Web site: 山崎 貴監督と40年来のメンバーでふり返る、デジタル映像制作黎明期からの歩み〜白組 調布スタジオ創設メンバー座談会 . September 19, 2023 . CGWORLD.jp . ja.
  12. Web site: 【卒業生】特別展『映画監督 山崎貴の世界』をリポート｜デザインと美術の3年制専門学校／阿佐ヶ谷美術専門学校 -ASABI- . 2023-09-19 . デザインと美術の3年制専門学校／阿佐ヶ谷美術専門学校 -ASABI- . ja.
  13. April 30, 2001 . 「ジュブナイル」山崎貴監督インタビュー . Interview with Director Takashi Yamazaki of Juvenile . . ja . 69.
  14. Web site: 2000年（平成12年）興収10億円以上番組 . September 19, 2023 . Eiren . Motion Picture Producers Association of Japan (MPPAJ).
  15. Web site: JUVENILE . May 6, 2024 . . en-gb.
  16. Web site: 「Returner リターナー」が渋谷をジャック！ : 映画ニュース . September 19, 2023 . Eiga.com . ja.
  17. Web site: October 17, 2003 . Returner . September 19, 2023 . . en.
  18. Web site: 2005年（平成17年）興収10億円以上番組 . September 19, 2023 . Eiren.
  19. Satō . Tadao . Tadao Sato . November 2005 . CGの使い方のひとつの里程標となる作品 . A work that serves as a milestone in how to use CG . Kinema Junpo. 58.
  20. Web site: Aiken . Keith . GODZILLA ON THIRD STREET . September 19, 2023 . SciFi Japan . en-gb.
  21. Web site: 村上幸将 . 山崎貴監督、北米プレミア観客の熱狂から見えた「ゴジラ」の先、自信持てる技術の元に - 日曜日のヒーロー＆ヒロイン - 芸能コラム : 日刊スポーツ . 2023-11-19 . nikkansports.com . ja.
  22. Web site: 2007年（平成19年）興収10億円以上番組 . September 19, 2023 . Eiren.
  23. Web site: 2012-06-01 . 『三丁目の夕日』山崎貴監督と『アンフェア』佐藤嗣麻子監督が結婚！ . September 3, 2023 . Cinema Today . ja.
  24. Web site: 2009年（平成21年）興収10億円以上番組 . September 19, 2023 . Eiren.
  25. Web site: 人気漫画「釣りキチ三平」が、「ALWAYS」キャスト＆スタッフで映画化！ : 映画ニュース . September 19, 2023 . Eiga.com . ja.
  26. Web site: 草なぎ剛＆新垣結衣主演で「クレヨンしんちゃん」名作を実写化！ : 映画ニュース . 2023-09-19 . 映画.com . ja.
  27. Web site: Lee . Maggie . December 22, 2010 . Space Battleship Yamato — Film Review . February 5, 2024 . . en-US.
  28. Web site: October 3, 2009 . Live-Action Space Battleship Yamato Film's Cast Listed (Update 3) . September 20, 2023 . . en.
  29. Web site: Schilling . Mark . November 26, 2010 . 'Space Battleship Yamato' . February 5, 2024 . . en.
  30. News: キムタクが実写版「宇宙戦艦ヤマト」主演 . dead . https://web.archive.org/web/20091004121653/http://www.daily.co.jp/gossip/article/2009/10/03/0002411560.shtml . October 4, 2009 . February 5, 2024 . Daily Sports.
  31. Web site: October 3, 2009 . キムタク・古代進で初の実写版ヤマト発進！ (2/2ページ) . dead . https://web.archive.org/web/20091004235357/http://www.sanspo.com/geino/news/091003/gng0910030506002-n2.htm . October 4, 2009 . February 5, 2024 . Sanspo.
  32. News: December 27, 2009 . キムタク「ヤマト」、元日広告１億円発進！ . dead . https://web.archive.org/web/20091229135859/http://www.sanspo.com/geino/news/091227/gng0912270503000-n1.htm . December 29, 2009 . February 5, 2024 . Sanspo.
  33. Web site: 2011年興行収入10億円以上番組 . February 5, 2024 . Eiren.
  34. Web site: 2016-10-05 . 『ALWAYS 三丁目の夕日』シリーズ、次回作の舞台は1970年の万博？ . 2024-07-11 . ORICON NEWS.
  35. Web site: July 16, 2018 . 菅田将暉、天才数学者に！「アルキメデスの大戦」主演で山崎貴監督と初タッグ : 映画ニュース . December 27, 2023 . Eiga.com . ja.
  36. Web site: アルキメデスの大戦 : 作品情報 . 2023-12-27 . 映画.com . ja.
  37. Web site: data_2019 . December 27, 2023 . Eiren.
  38. Web site: 村上幸将 . 映画「ゴジラ－1.0」神木隆之介と浜辺美波へのオファーは朝ドラ「らんまん」以前 - 芸能 : 日刊スポーツ . September 19, 2023 . . ja.
  39. Web site: January 23, 2024 . Godzilla Minus One Nominated for an Academy Award for Best Visual Effects before winning it. https://web.archive.org/web/20240123231735/https://godzilla.com/blogs/news/godzilla-minus-one-nominated-for-academy-award-best-visual-effects/ . January 23, 2024 . January 23, 2024 . Godzilla.com . . en.
  40. Web site: 大手食品メーカー webムービー エキストラ募集について . live . https://web.archive.org/web/20240306024449/https://www.tochigi-film.jp/topics/index.php?tid=522/ . March 6, 2024 . March 5, 2024 . Tochigi Prefectural Film Commission.
  41. 1765150399634567640 . ajinomoto . あと8日。
    2024.03.14…

    巨大怪獣が出現...！ . Ajinomoto . Ajinomoto . March 5, 2024 . March 5, 2024.
  42. Web site: Weintraub . Steve . Jones . Tamera . February 24, 2024 . Godzilla Minus One Director Reveals How Just 35 People Did 610 VFX Shots in Eight Months . live . https://web.archive.org/web/20240224212913/https://collider.com/godzilla-minus-one-2-takashi-yamazaki/ . February 24, 2024 . February 24, 2024 . . en.
  43. Web site: Keslassy . Elsa . March 28, 2024 . Godzilla Minus One Filmmaker Takashi Yamazaki Signs With CAA (EXCLUSIVE) . April 3, 2024 . . en-US.
  44. Web site: 山崎貴監督、ゴジラ映画作りは「ある種の神事」 オスカー受賞の歴史的快挙を成し遂げた"任せる"流儀 . April 7, 2024 . . ja.
  45. 201233684907556865 . satoshimako . 4月に山崎貴（@ nostoro）と入籍しました。ご報告。 . Shimako . Satō . Shimako Satō . May 12, 2012 . September 3, 2023 . ja . https://web.archive.org/web/20140914203826/https://twitter.com/satoshimako/status/201233684907556865 . September 14, 2014 . live.
  46. Web site: McGovern . Joe . February 22, 2024 . Godzilla Minus One Director's Cats Inspired the Big Monster . February 24, 2024 . . en-US.
  47. Web site: Davids . Brian . 2024-03-26 . 'Godzilla x Kong' Director Adam Wingard Talks His Cat's Influence on Godzilla and Lance Reddick's Role in 'The Guest 2' . 2024-04-03 . The Hollywood Reporter . en-US.
  48. Web site: 山崎貴 . Takashi Yamazaki . 2024-02-19 . . ja.
  49. Web site: ABOUT . February 18, 2024 . . ja.
  50. Web site: Takugawa . Yuki . November 3, 2023 . 映画『ゴジラ-1.0』山崎貴監督インタビュー──「初代ゴジラを観た人たちが感じた圧倒的な恐怖の再現を目指しました」 . February 18, 2024 . GQ JAPAN . ja.
  51. Web site: Ｋ－２０ 怪人二十面相 . February 18, 2024 . . ja.
  52. Web site: ＳＴＡＮＤ ＢＹ ＭＥ ドラえもん . February 18, 2024 . . ja.
  53. Web site: 寄生獣 . February 18, 2024 . . ja.
  54. Web site: ＢＵＭＰ ＯＦ ＣＨＩＣＫＥＮ "ＷＩＬＬＰＯＬＩＳ ２０１４" 劇場版 . February 18, 2024 . . ja.
  55. Web site: 寄生獣 完結編 . February 18, 2024 . . ja.
  56. Web site: 海賊とよばれた男 . February 18, 2024 . . ja.
  57. Web site: ＤＥＳＴＩＮＹ 鎌倉ものがたり . February 18, 2024 . . ja.
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  89. Web site: January 8, 2024 . The 2023 Chicago Indie Critics (CIC) Windie Award Winners. live . https://web.archive.org/web/20240120072457/https://nextbestpicture.com/the-2023-chicago-indie-critics-cic-windie-award-winners/. January 20, 2024 . January 19, 2024 . Next Best Picture . en-US.
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  99. Web site: January 22, 2024 . The 2023 Houston Film Critics Society (HFCS) Winners . live . https://web.archive.org/web/20240122204538/https://nextbestpicture.com/the-2023-houston-film-critics-society-hfcs-winners/ . January 22, 2024 . January 22, 2024 . Next Best Picture . en-US.
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  104. Web site: January 15, 2024 . Music City Film Critics' Association (MCFCA) Awards: Oppenheimer Wins 7 . January 15, 2024 . AwardsWatch . live . https://web.archive.org/web/20240115231540/https://awardswatch.com/music-city-film-critics-association-mcfca-awards-oppenheimer-wins-7/ . January 15, 2024.
  105. Web site: January 3, 2024 . North Carolina Film Critics Association (NCFCA) Awards: Oppenheimer Wins 10 . live . https://web.archive.org/web/20240103210833/https://awardswatch.com/north-carolina-film-critics-association-ncfca-awards-oppenheimer-wins-10/ . January 3, 2024 . January 3, 2024 . AwardsWatch . en-US.
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  108. Web site: Neglia . Matt . January 15, 2024 . The 2023 Portland Critics Association (PCA) Winners . live . https://web.archive.org/web/20240115230901/https://nextbestpicture.com/the-2023-portland-critics-association-pca-winners/ . January 15, 2024 . January 15, 2024 . Next Best Picture . en-US.
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  110. Web site: The 2023 Seattle Film Critics Society (SFCS) Winners. January 8, 2024 . live . https://web.archive.org/web/20240108195314/https://nextbestpicture.com/the-2023-seattle-film-critics-society-sfcs-winners/. January 8, 2024. January 8, 2024. en-US.
  111. Web site: January 6, 2024 . Utah Film Critics Association (UFCA) Awards: Past Lives Named Best Picture, Andrew Scott Wins Best Actor. live . https://web.archive.org/web/20240108202121/https://awardswatch.com/utah-film-critics-association-ufca-awards-past-lives-named-best-picture-andrew-scott-wins-best-actor/. January 8, 2024. January 8, 2024. AwardsWatch . en-US.
  112. Web site: January 16, 2024 . Giardina. Carolyn. The Creator Leads Visual Effects Society Feature Competition With 7 Nominations. live . https://web.archive.org/web/20240116201753/https://www.hollywoodreporter.com/movies/movie-news/visual-effects-society-2024-nominations-list-1235788527/ . January 16, 2024. January 16, 2024. The Hollywood Reporter. en-US.

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