Taarnet Explained

Editor:Johannes Jørgensen
Frequency:Monthly
Founder:Johannes Jørgensen
Founded:1893
Firstdate:October 1893
Finaldate:September 1894
Country:Denmark
Based:Copenhagen
Language:Danish

Taarnet (Danish: The Tower) was a monthly art and literary magazine founded and edited by Johannes Jørgensen in Copenhagen, Denmark. It was subtitled as Illustreret Tidsskrift for Kunst og Litteratur (Danish: Illustrated Magazine for Arts and Literature). The magazine was one of the early avant-garde publications[1] and the major representative of symbolism in Denmark. It existed for one year between 1893 and 1894.[2] [3]

History and profile

Taarnet was founded in 1893 by Johannes Jørgensen who formulated his symbolism approach in the publication.[4] [5] The title of the magazine was a reference to both the poetic meaning of tower and the tower in Jørgensen's apartment in Frederiksberg, Copenhagen.[5] In his autobiography Jørgensen stated that Taarnet was established in the name of Edgar Allan Poe, Charles Baudelaire and Paul Verlaine. The first issue appeared in October 1893.[4] The magazine which was published on a monthly basis featured articles on Danish and international symbolist literature and visual art.[4]

As stated above Jørgensen described his own version of symbolism in Taarnet and argued "all genuine art is and becomes symbolic."[5] Furthermore, in the magazine Jørgensen replied the critics of his manifesto that he had published in another Danish magazine, Tilskueren.[6] The mission of Taarnet was to provide a connection between French and Danish symbolism, and nearly twenty percent of all articles published in the magazine were translations of French symbolists.[7]

In his articles Jørgensen also supported more mystical and spiritual ways of life.[8] Another notable contributor of the monthly was Sophus Claussen.[5] Danish writer Viggo Stuckenberg published the first scene of his play Den vilde Jæger in the magazine[1] which also featured early drawings by Svend Hammershøi.[5] Other major Danish writers associated with the magazine were Sophus Michaëlis, Mogens Ballin and Jens Ferdinand Willumsen.[1]

Taarnet folded in September 1894 after producing nine issues.[4] [7]

Notes and References

  1. Marie-Louise Zervides. Nielsen, Saul and David and the Symbolist Movement. Carl Nielsen Studies. 2020. VI. 97,101.
  2. Jason Harding. 10.1353/mod.2015.0063. Modernism/modernity. European Avant-Garde Coteries and the Modernist Magazine. November 2015. 22. 4. 816. 147574666.
  3. Béatrice Joyeux-Prunel. Provincializing Paris. The Center-Periphery Narrative of Modern Art in Light of Quantitative and Transnational Approaches. Artl@s Bulletin. Spring 2015. 4. 1. 47.
  4. News: Johannes Jørgensen og Taarnet. Kunsten. 9 September 2021. da.
  5. Book: Daniel M. Grimley. Carl Nielsen and the Idea of Modernism. 2010. Boydell. Woodbridge. 978-1-84383-581-3. 28.
  6. Book: Anna Balakian. The Symbolist Movement in the Literature of European Languages. John Benjamins Publishing Company. 1984. 978-90-272-8642-0. https://books.google.com/books?id=JcFHAAAAQBAJ&pg=PA589. Anna Balakian. Symbolism in Denmark. Lief Sjőberg. Comparative History of Literatures in European Languages. 589 . 10.1075/chlel.ii. Amsterdam; Philadelphia, PA.
  7. David J. Mickelsen. Beating Frenchmen into Swords: Symbolism in Denmark. Comparative Literature Studies. December 1977. 14. 4. 328–345. 40245910.
  8. Book: Margaretta Jolly. Encyclopedia of Life Writing: Autobiographical and Biographical Forms. 2013. Routledge. 978-1-136-78744-7. 507. London; Chicago.