Syrius Eberle (9 December 1844 - 12 April 1903) was a German sculptor and art professor.
Eberle was born in Pfronten, Allgäu, the son of a carpenter.[1] He married the daughter of the lithographer Thomas Driendl (1805-1859), also from Pfronten.
He first trained as a cabinet maker, and then studied from 1866 to 1872 at the Königliche Kunstakademie ("Royal Academy of Arts") in Munich. From 1884 he was himself a professor in the department of religious sculpture.[2] Among his students were,, Heinrich Waderé, Johann Vierthaler,, Georg Wrba, Georg Busch, Clemens Buscher,,, Josef Flossmann, August Drumm, and Ignatius Taschner.
Ludwig II, King of Bavaria, gave him several commissions for decorations for his newly built castles, and also for single figures, groups, panels, and almost all his carriages and sledges. He also created the former war memorial in Kempten, which in his time stood on the site of the present bus station. The bronze figures were melted down during World War II.
In 1889 his design in the competition for a national monument to the Brothers Grimm won only third prize. The organisers disagreed however about the design that won first prize, by the sculptor, whereupon they sought the opinion of Wilhelm Grimm's son, the art and literary historian Herman Grimm of Berlin. He decided on Eberle's design, and the commission for the monument was therefore given to him. On 18 October 1896 the formal unveiling of the monument took place.[3]
During the years 1890-1892 he made the four pylons for the ("Ludwig Bridge") in Munich, as well as the 1890 monument in the Ottostrasse to Franz Xaver Gabelsberger, the inventor of stenography. As a professor at the Munich Kunstakademie he was a member in 1893 of the commission formed to evaluate the suggestions for the new building of the Bayerisches Nationalmuseum (built 1894/95).[4] In addition, he was a member of the Munich Albrecht-Dürer-Verein, an association of students of the Academy of Arts founded in 1885 by his former student, Georg Busch. Here too he gave evening sessions on the composition of Christian themes.[5]
In August 1897, he won the competition for the equestrian statue of Kaiser Wilhelm I in Nuremberg, but retired to Bozen in the South Tyrol, where he died in 1903, before its completion. The commission was taken over by Wilhelm von Rümann.