Symphony No. 4 (Spohr) Explained

Symphony No. 4
Composer:Louis Spohr
Key:F major
Opus:86
Movements:four
Scoring:Orchestra

The Symphony No. 4 in F major, Op. 86 by Louis Spohr has the title "Die Weihe der Töne," meaning "The Consecration of Sound," and is a programmatic work based on the poem of the same name by Carl Pfeiffer.[1] It was composed in 1832 and published in 1834.[2]

Movements

The symphony is divided into four movements with the following tempo markings:[3]

An alternative division of the work is sometimes given,[2] more clearly illustrating the work's programmatic nature:

Nos. 1 and 2 constitute the first movement, 3 and 4 the second, 5 and 6 the third, and 7 and 8 the fourth.

Recordings

The symphony has been recorded by Howard Griffiths and the NDR Radiophilharmonie, as well as Howard Shelley with the Orchestra della Svizzera Italiana. A recording by Alfred Walter and the Budapest Symphony Orchestra on the Naxos label is also available.[2]

Notes

  1. Web site: SPOHR, L.: Symphony No. 4 / Overtures (Budapest Symphony, A. Walter).
  2. Web site: Symphony No. 4 in F major ("Die Weihe der Töne"), Op. 86 at AllMusic. .
  3. Web site: Characteristishces Tongemälde in Form einer Sinfonie nach einem Gedicht von Carl Pfeiffer, componiert von Louis Spohr.