Symphony No. 4 (Sessions) Explained

The Symphony No. 4 of Roger Sessions was composed in 1958.[1]

It has three movements:

  1. Burlesque
  2. Elegy[2]
  3. Pastorale[3]

It was commissioned by the Minneapolis Symphony Orchestra for the Minnesota Centennial, and premiered by the Minnesota Orchestra conducted by Antal Doráti[4] on January 2, 1960.[5]

The second movement's basically slow tempo is interrupted twice by faster episodes. This movement was intended as an elegy for the composer's brother, John, who died in 1948.[6] The finale, also slow, increases in intensity towards its close.[7] Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal".[8]

Discography

Further reading

Notes and References

  1. The last page of the score as published is signed with the date of completion.
  2. Opening of Elegy is quoted as example 6 in Imbrie. Imbrie. Andrew. Andrew Imbrie. The Symphonies of Roger Sessions. Tempo . New Series. 103. 1972. 24–32. 943951. 0040-2982. 1767255.
  3. Marks Music Corporation 1963 score.
  4. Helm. Everett. Reports from Abroad. Musical Times. 316–7. 101. 1407. May 1960. 0027-4666. 53165808. Musical Times Publications Ltd..
  5. Web site: Roger Sessions: Compositions. 23 May 2009.
  6. Prausnitz (2002), ; p. 281; Steinberg,, p. 253.
  7. Badea's recording on New World; Marks Music score.
  8. Olmstead, Andrea (2012). Roger Sessions: A Biography, p.356. Routledge. .