Symphony No. 4 (Chávez) Explained

Symphony No. 4, subtitled Sinfonía romántica (Romantic Symphony) is an orchestral composition by Carlos Chávez, composed in 1953.

History

The score was commissioned by and is dedicated to the Louisville Orchestra, which premiered the work on 11 February 1953, conducted by the composer. After the first few performances, Chávez decided that the final movement, though sound in itself, was not satisfactory as a conclusion to this symphony. Consequently, he composed a new finale in October 1953, and published the original movement as a separate work, titled Baile (cuadro sinfónico) (Dance, Symphonic Picture).

Instrumentation

The symphony is scored for an orchestra of three flutes (third doubling piccolo), two oboes, cor anglais, two clarinets, three bassoons (third doubling contrabassoon), four horns, two trumpets, three trombones, tuba, timpani, percussion (three players), and strings.

Analysis

The Symphony is divided into three movements:

  1. Allegro
  2. Molto lento
  3. Vivo non troppo mosso

In contrast to the Third Symphony, there are no formal innovations here. The symphony is in the key of A—a sort of A minor tonality—though the overall character is brighter and more optimistic than the Third Symphony. Chávez treats his material cyclically, which means that thematic elements reappear throughout all three movements.

Discography

References

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Further reading