Symphony No. 3 (Sessions) Explained

The Symphony No. 3 of Roger Sessions was written in 1957. It was a result of a commission by the Koussevitzky Foundation to celebrate the 75th anniversary of the Boston Symphony Orchestra, and was premiered by the Boston Symphony on December 6, 1957, conducted by Charles Munch.[1] Sessions later was commissioned by the Boston Symphony on their centenary, when he provided them with his Concerto for Orchestra (premiered 1981). Andrea Olmstead describes all of Sessions's symphonies as "serious" and "funereal", with No. 3 being one of four with, "quiet reflective endings."[2]

Instrumentation

It is scored for three flutes, three oboes, four clarinets, three bassoons, four horns, two trumpets, three trombones, one tuba, timpani, percussion, a celesta, a harp and strings.[3]

Structure

It is in four movements:

  1. Allegro grazioso e con fuoco[4]
  2. Allegro, un poco ruvido[4]
  3. Andante sostenuto e con affetto[4]
  4. Allegro con fuoco[4]

Recordings

  1. Igor Buketoff, Royal Philharmonic Orchestra (1968?, RCA) (CRI CD)

Further reading

Notes and References

  1. Web site: List of Anniversary Commissions. 26 August 2015.
  2. Olmstead, Andrea (2012). Roger Sessions: A Biography, p.356. Routledge. .
  3. Web site: Welcome to Presser Online. https://web.archive.org/web/20030526200627/http://www.presser.com/Composers/info.cfm?Name=ROGERSESSIONS. dead. 26 May 2003. Presser. 7 August 2009.
  4. Web site: Notes to recording of symphonies 1–3. Composers Recordings International. 6 August 2009.