| Magic and Loss | |
| Type: | studio |
| Artist: | Lou Reed |
| Cover: | Magic and Loss (Lou Reed) album cover.jpg |
| Released: | January 14, 1992 |
| Recorded: | April 1–27, 1991 |
| Studio: | Magic Shop, New York City |
| Genre: | Rock |
| Length: | 58:27 |
| Label: | Sire |
| Producer: | Lou Reed, Mike Rathke |
| Prev Title: | Songs for Drella |
| Prev Year: | 1990 |
| Next Year: | 1992 |
Magic and Loss is the sixteenth solo studio album by American rock musician Lou Reed, released on January 14, 1992, by Sire Records. A concept album, it was Reed's highest-charting album on the UK Albums Chart, peaking at No. 6.[1]
Magic and Loss was originally intended to be primarily about themes of magic after hearing stories about magicians in Mexico. However, when tragedy struck during the writing process, Reed expanded the album's focus to themes of loss and death as well.[2] Inspired in part by the illnesses and eventual deaths of two close friends, Magic and Loss was written for songwriter Doc Pomus, who had given Reed his start in the music business some 25 years earlier,[3] and a woman Reed has identified as "Rita", popularly assumed to be Rotten Rita, who along with Reed was a familiar figure at Andy Warhol's studio, the Factory, in the mid-to-late '60s.[4] Photographs of Pomus and a woman's face can be seen at the center of the lyric booklet included with the CD release.[5]
Jazz singer Little Jimmy Scott performs backing vocals on track 3, "Power and Glory". Reed's live performance of the album filmed on March 18, 1992, at Pinewood Studios in London, England, was released on VHS and LaserDisc.[6]
The single "What's Good"/"The Thesis", released in March, was Reed's second number-one hit (after "Dirty Blvd.") on the Billboard Modern Rock Tracks chart,[7] occupying the top spot for 3 weeks. The 12" version of the release contained Reed's reading of "Harry's Circumcision" and "A Dream". A longer version of "What's Good" was previously released on the 1991 soundtrack album to the Wim Wenders film Until the End of the World.[8]
Magic and Loss was voted the 16th best album of the year in The Village Voices annual Pazz & Jop critics poll for 1992. Robert Christgau, the poll's creator, disapproved of the voters' support of an album he felt was a "failed concept" marred by Reed's uninteresting views on death.[9] In a positive review, Greg Kot of the Chicago Tribune said that the album shows "a great rocker at the peak of his powers: Striking tunes, gripping lyrics, honest emotion stripped of melodrama."
All tracks written by Lou Reed, except where noted.
Side one
Side two
Credits are adapted from the Magic and Loss liner notes.[10]
Musicians
Artwork