Suzhou dialect explained

Suzhounese
Nativename:蘇州閒話苏州闲话
Pronunciation:pronounced as /soʊ˥tsøʏ˨˩ɦɛ˩˧ɦʊ˧/
States:China
Region:Suzhou and southeast Jiangsu province
Date:no date
Familycolor:Sino-Tibetan
Fam2:Sinitic
Fam3:Chinese
Fam4:Wu
Fam5:Taihu
Fam6:Suzhou–Shanghai–Jiaxing
(Su-Hu-Jia)
Isoexception:dialect
Iso6:suji
Linglist:wuu-suh
Glotto:suzh1234
Glottorefname:Suzhou
Lingua:79-AAA-dbb
Notice:IPA
T:蘇州話
S:苏州话
P:Sūzhōuhuà
Y:Sōujāu wá
J:sou1 zau1 waa2
T2:蘇州閒話
Suz2:Sou-tseu ghé-ghô

Suzhounese (Suzhounese: 蘇州閒話; ; pronounced as /wuu/), also known as the Suzhou dialect, is the variety of Chinese traditionally spoken in the city of Suzhou in Jiangsu, China. Suzhounese is a variety of Wu Chinese, and was traditionally considered the Wu Chinese prestige dialect. Suzhounese has a large vowel inventory and it is relatively conservative in initials by preserving voiced consonants from Middle Chinese.

Distribution

Suzhou dialect is spoken within the city itself and the surrounding area, including migrants living in nearby Shanghai.

The Suzhou dialect is mutually intelligible with dialects spoken in its satellite cities such as Kunshan, Changshu, and Zhangjiagang, as well as those spoken in its former satellites Wuxi and Shanghai. It is also partially intelligible with dialects spoken in other areas of the Wu cultural sphere such as Hangzhou and Ningbo. However, it is not mutually intelligible with Cantonese or Standard Chinese; but, as all public schools and most broadcast communication in Suzhou use Mandarin exclusively, nearly all speakers of the dialect are at least bilingual. Owing to migration within China, many residents of the city cannot speak the local dialect but can usually understand it after a few months or years in the area.

Grammar

Personal pronouns[1] [2]

! Pronoun! Number! Word! Pinyin! IPA
1stSingularngou6ŋəu
Pluralgni6nʲi
2ndSingularne6ne
Plural唔笃n6 toq7n toʔ
3rdSingularli1li
俚倷li1 ne6li ne
唔倷n1 ne6n ne
Plural俚笃li1 toq7li toʔ

Second and third-person pronouns are suffixed with 笃 pronounced as /[toʔ]/ for the plural. The first-person plural is a separate root, 伲 pronounced as /[nʲi]/.[3]

Demonstrative

Proximal! colspan="2"
NeutralDistal
e1geq8ue1
ke1kue1

哀 with 该 and 弯 with 归 means the exact same thing and only differ in pronunciation. The use of neutral demonstrative pronoun became clear once proximal and neutral demonstrative pronouns are used.

When "搿" refers to time, there is no need to use the proximal and distal in opposition. The role of the neutral demonstrative is very obvious.

In this sentence, "掰歇(弯歇)" cannot be replaced by "哀歇" because the Anti-Japanese War happened more than fifty years ago, so only the neutral or distal demonstrative can be used, not proximal.

When not referring to time, the proximal "哀" and the neutral demonstrative "掰" can be interchanged. For example, the "掰" in "掰个人勿认得" can be replaced by "哀".

"哀", "该", "掰", "弯" and "归" cannot be used as subjects or objects alone, but must be combined with the following quantifiers, locative words, etc.

Suzhou! Mandarin! English
哀葛e1 keq7这个this (thing)
哀点e1 tie3这些these
哀歇e1 shieq3这时候this (moment)
哀呛e1 tie3这阵子this (period)
哀面e1 mie6这边this (side)
哀搭e1 taeq7这里this place (here)

Example phrases:

现在什么时候了?What time is it now?

现阵子你身体好吗?How are you now?

Varieties

Some non-native speakers of Suzhou speak the Suzhou dialect in a "stylized variety" to tell tales.[4]

Phonology

Initials

 ! Labial ! Dental/Alveolar! Alveolo-palatal! Velar! Glottal
Nasalpronounced as /link/pronounced as /link/pronounced as /link/pronounced as /link/
Plosivetenuispronounced as /link/pronounced as /link/pronounced as /link/pronounced as /link/
aspiratedpronounced as /link/pronounced as /link/pronounced as /link/
voicedpronounced as /link/pronounced as /link/pronounced as /link/
Affricatetenuispronounced as /link/pronounced as /link/
aspiratedpronounced as /link/pronounced as /link/
voicedpronounced as /link/
Fricativevoicelesspronounced as /link/pronounced as /link/pronounced as /link/pronounced as /link/
voicedpronounced as /link/pronounced as /link/pronounced as /link/
Lateralpronounced as /link/

The Suzhou dialect has series of voiced, voiceless, and aspirated stops, and voiceless and voiced fricatives. Moreover, palatalized initials also occur.

Finals

! colspan=2
FrontCentralBack
UnroundedRounded
Close/i//y/
Near-closepronounced as //ɪ//pronounced as //ʏ//pronounced as //ɵ//pronounced as //ʊ//
Midpronounced as //ɛ//pronounced as //ə//pronounced as //o//
Openpronounced as //æ//pronounced as //a//pronounced as //ɑ//
Diphthongpronounced as //øʏ, oʊ//

Syllabic continuants: pronounced as /[z̩]/ pronounced as /[z̩ʷ]/ pronounced as /[β̩~v̩]/ pronounced as /[m̩]/ pronounced as /[ŋ̩]/ pronounced as /[l̩]/

Notes:

The Middle Chinese pronounced as /[-ŋ]/ rimes are retained, while pronounced as /[-n]/ and pronounced as /[-m]/ are either retained or have disappeared in the Suzhou dialect. Middle Chinese pronounced as /[-p -t -k]/ rimes have become glottal stops, pronounced as /[-ʔ]/.

In the Suzhou dialect, [gə] is a very special demonstrative that is used alongside a separate set of proximal and distal demonstratives. [gə] can indicate referents appearing in a speech situation, which may be close to or far away from the deictic center, and under these conditions, [gə] is always used in combination with gestures. Hence [gə] can serve both proximal and distal functions.

Tones

Suzhou is considered to have seven tones. However, since the tone split dating from Middle Chinese still depends on the voicing of the initial consonant. Yang tones are only found with voiced initials, namely [b d ɡ z v dʑ ʑ m n nʲ ŋ l ɦ], while the yin tones are only found with voiceless initials. These constitute just three phonemic tones: ping, shang, and qu. (Ru syllables are phonemically toneless.)

Tone chart
Tone number Description
1yin ping (Chinese: 阴平)pronounced as /˦/ (44) high
2yang ping (Chinese: 阳平)pronounced as /˨˨˦/ (224) level-rising
3shang (Chinese: 阴上)pronounced as /˥˨/ (52) high falling
4yin qu (Chinese: 阴去)pronounced as /˦˩˨/ (412) dipping
5yang qu (Chinese: 阳去)pronounced as /˨˧˩/ (231) rising-falling
6yin ru (Chinese: 阴入)pronounced as /˦ʔ/ (4) high checked
7 yang ru (Chinese: 阳入)pronounced as /˨˧ʔ/ (23) rising checked

In Suzhou, the Middle Chinese 阴上 tone has partially merged with the modern 阴去 tone. Meanwhile, the 阳上 tone has fully merged with 阳去 tone. Therefore, 买 and 卖 has the exact same pronunciation in literary and colloquial readings.

Tone Sandhi

The tone sandhi present in Suzhou dialect introduces 4 completely new tones. pronounced as /˧/ (33), pronounced as /˨˩/ (21), pronounced as /˨˩˨/ (212), and pronounced as /˨ʔ/ (2)

A. Stop final + stop final

The both two-character in this combination do not change tone.

B. Stop final + clear final

The first character do not change tones. The second character do not change tone if it has a yin (阴) tone.

If the second character is yangping (阳平), it becomes pronounced as /˦/ (44), the same as yinping (阴平).

If the second character is yangqu (阳去), it becomes pronounced as /˨˩/ (21) or pronounced as /˨˩˨/ (212).

C. Clear final + stop final

The second character's tone becomes pronounced as /˨ʔ/ (2). The first character does not change tone if it has a ping (平) or yinshang (阴上) tone.

If the first character is yinqu (阴去) it becomes pronounced as /˦/ (44) similar to yinping or pronounced as /˥˨/ (52) similar to yinshang.

前字阳去多数变 pronounced as /˨˨˦/ (224) 调, 即与阳平同调; 少数不变。

D. Clear final + clear final

The first character does not change tone if it has a ping (平) or yinshang (阴上) tone.

If the first character is yinqu (阴去) it becomes pronounced as /˦/ (44) similar to yinping or pronounced as /˥˨/ (52) similar to yinshang.

If the first character is yangqu (阳去) it becomes pronounced as /˨˨˦/ (224) similar to yangping.

The second character becomes pronounced as /˨˩/ (21) after yinping tones.

The second character becomes pronounced as /˧/ (33), pronounced as /˨˩/ (21) after yinshang, yinqu, yangping, yangqu tones.

Suzhou dialect in literature

Ballad-narratives

A "ballad–narrative" (Chinese: 說唱詞話) known as "The story of Xue Rengui crossing the sea and Pacifying Liao" (Chinese: 薛仁貴跨海征遼故事), which is about the Tang dynasty hero Xue Rengui[5] is believed to have been written in the Suzhou dialect.[6]

Novels

Han Bangqing wrote Lives of Shanghai Flowers, one of the earliest novels in Wu dialect, in Suzhou dialect. Suzhou serves as an important drive for Han to write the novel. Suzhou dialect is used in innovative methods to demonstrate urban space and time, as well as the interrupted narrative aesthetics, making it an integral part of an effort, which is presented as a fundamental and self-conscious new thing.[7] Han's novel also inspired other authors to write in Wu dialect.

See also

External links

Notes and References

  1. Book: 叶, 祥苓 . 1988 . 蘇州方言詞典 . 江苏教育出版社 . 407 .
  2. Book: 叶, 祥苓 . 1993 . 苏州方言志 . 江苏教育出版社 . 454 .
  3. Book: Yue, Anne O. . https://books.google.com/books?id=5MeWSTQ7F44C&pg=PA86 . The Sino-Tibetan Languages . 2003 . Routledge . 0-7007-1129-5 . Thurgood . Graham . illustrated . London . 86 . Chinese Dialects: Grammar . LaPolla . Randy J..
  4. Clements . Clancy . 2000 . Review of Creole and Dialect Continua . Language . 76 . 1 . 160 . 10.1353/lan.2000.0054 . 417399 . 141755433 . She also examines a stylized variety of Suzhou Wu as used to tell stories by native speakers of another dialect..
  5. Book: Idema, Wilt L.. https://books.google.com/books?id=yCDZtFu_1UIC&pg=PA341. Korea in the Middle: Korean Studies and Area Studies: Essays in Honour of Boudewijn Walraven. 2007. CNWS Publications. 978-90-5789-153-3. Breuker. Remco E.. illustrated. Leiden. 341. Fighting in Korea: Two Early Narratives of the Story of Xue Rengui. A prosimetrical rendition, entitled Xue Rengui kuahai zheng Liao gushi 薛仁貴跨海征遼故事 (The story of Xue Rengui crossing the sea and Pacifying Liao), which shares its opening prose paragraph with the Xue Rengui zheng Liao shilüe, is preserved in a printing of 1471; it is one of the shuochang cihua 說唱詞話 (ballad-narratives.
  6. Book: Idema, Wilt L.. https://books.google.com/books?id=yCDZtFu_1UIC&pg=PA342. Korea in the Middle: Korean Studies and Area Studies: Essays in Honour of Boudewijn Walraven. 2007. CNWS Publications. 978-90-5789-153-3. Breuker. Remco E.. illustrated. Leiden. 342. Fighting in Korea: Two Early Narratives of the Story of Xue Rengui. for telling and singing) which were discovered in the suburbs of Shanghai in 1967. While these shuochang cihua had been printed in modern-day Beijing, their language suggests that they had been composed in the Wu Chinese area of Suzhou and surroundings,.
  7. Book: Des Forges, Alexander. Mediasphere Shanghai: The Aesthetics of Cultural Production. 2007. University of Hawai'i Press. j.ctt13x1jm2. 978-0-8248-3081-6.