Sumner Locke Elliott Explained

Sumner Locke Elliott
Birth Date:	1917 10, df=yes
Birth Place:	Sydney, Australia
Death Place:	New York City, United States

Sumner Locke Elliott (17 October 191724 June 1991) was an Australian (later American) novelist and playwright.

Biography

Elliott was born in Sydney to the writer Sumner Locke and the journalist Henry Logan Elliott. His mother died of eclampsia one day after his birth.^[1] Elliott was raised by his aunts, who had a fierce custody battle over him, fictionalised in Elliott's autobiographical novel, Careful, He Might Hear You. Elliott was educated at Cranbrook School in Bellevue Hill, Sydney.

World War II

Elliott became an actor and writer with the Doris Fitton's The Independent Theatre Ltd. He was drafted into the Australian Army in 1942, but instead of being posted overseas, he worked as a clerk in Australia. He used these experiences as the inspiration for his controversial play, Rusty Bugles. The play toured extensively throughout Australia and achieved the notoriety of being closed down for obscenity by the Chief Secretary's Office.^[2]

However, Rusty Bugles place in the history of Australian theatre rests on more than notoriety. Mac is a memorable character in the play, and in the first production, Frank O'Donnell transformed audiences' understanding of the typical Australian 'bludger' or 'scrounger'. To the men in his unit, he appeared a winner even when he was losing, but with the discovery of his wife's infidelity, his fragility becomes apparent.^[3]

Television

Elliott moved to the United States in 1948, where he ranked in the pantheon of leading playwrights during the Golden Age of live television dramas, writing more than 30 original plays and numerous adaptations for such shows as The Philco Television Playhouse, Kraft Television Theatre, Studio One and Playhouse 90. He also wrote a play, Buy Me Blue Ribbons, which had a short run on Broadway.^[4]

In 1955, he obtained United States citizenship and did not return to Australia until 1974.^[3] His TV play The Grey Nurse Said Nothing aired on TV in the US and Australia.^[5]

Books

Elliott's best known novel, Careful, He Might Hear You, won the 1963 Miles Franklin Award and was turned into a film in 1983.

Private life

As a gay man during a time when this was socially disapproved of, Elliott was uncomfortable with his sexuality. He kept it secret until nearly the end of his life before coming out in his book Fairyland. Because of these fears, Elliott had affairs but never had any stable relationships.^[6]

Death

He died of colon cancer aged 73 in New York City in 1991.

Bibliography

Novels

• Careful, He Might Hear You (1963)
• Some Doves and Pythons (1966)
• Edens Lost (1969)
• The Man Who Got Away (1972)
• Going (1975)
• Water Under the Bridge (1977)
• Rusty Bugles (1980)
• Signs of Life (1981)
• About Tilly Beamis (1985)
• Waiting for Childhood (1987)
• Fairyland (1990)

Short stories

• Radio Days (1993)

Plays

• Storm (1931) (one-act)
• Interval (1939)
• The Cow Jumped Over the Moon (1939)
• The Little Sheep Run Fast (1940)
• Goodbye to the Music (1942)
• Your Obedient Servant (1943)
• The Invisible Circus (1946)
• Wicked Is the Vine (first Australian play to be televised in US)^[7]
• Rusty Bugles (1948)
• Buy Me Blue Ribbons (1951)
• John Murray Anderson's Almanac (1953)

TV plays

• "Wicked is the Vine"
• "The Crater"^[8]
• "The Girl with the Stop Watch" (1953)^[9] and "Beloved Stranger" (1955), for Goodyear Television Playhouse (1955)
• "The Thin Air" (1952), "We Were Children" (1952),^[10] "Fadeout" (1953),^[11] "Before I Wake" (1953)^[12] and "Friday the 13th" (1954) for The Philco Television Playhouse
• "Fade Out" (1953)^[13] for Philco Radio Playhouse
• "The King and Mrs. Candle,"^[14] and "The Women" (1956)^[15] for Producers' Showcase (1955)
• "Whereabouts Unknown," for The Kaiser-Aluminum Hour (1957)
• "Little Women" (1950)^{[16] [17]} "Babe in the Woods" (1957)^[18] and "Love at Fourth Sight" (1957) for Studio One
• "The Count of Monte Cristo" (1958),^[19] "The Winslow Boy" (1958)^[20] and "The Prisoner of Zenda" (1961) for Dupont Show of the Month
• "Keyhole" (1956),^[21] "Daisy! Daisy!" (1956)^[22] and "You and Me... and the Gatepost!" (1956)^[23] for Playwrights '56
• "I Heard You Calling Me" (1961), for Way Out
• "Mrs. Gilling and the Skyscraper" (1957) for The Alcoa Hour
• "Dusty Portrait" (1952), "Wish on the Moon," (1953) and "Run Girl Run" (1954)^[24] for The Philco Television Playhouse.
• "Peter Pan" (1960) starring Mary Martin^[25]
• "Notorious" (1962)^[26] and "Spellbound" (1962)^[27] for Theatre 62

Radio plays

• Crazy Family (1939) - serial
• Jezebel's Daughter (1941) - serial
• Tradesman's Entrance (1941) - radio serial
• Grand City (1942) - serial
• Scarlet Rhapsody - serial
• The Army Hour (1944)
• Lily Parker
• "Wicked is the Vine" – Lux Radio Theatre (1947)
• Ride a Cock Horse (play)

External links

• Obituary, The New York Times, June 26, 1991
  • Sumner Locke Elliott Australian theatre credits at AusStage

Notes and References

1. http://www.adb.online.anu.edu.au/biogs/A100117b.htm
2. Book: Alomes, Stephen. When London Calls: The Expatriation of Australian Creative Artists to Britain. registration. 11 October 1999. Cambridge University Press. 978-0-521-62978-2. 35.
3. Web site: Sumner Locke Elliott. Middlemiss.org. 28 October 2014.
4. Web site: Buy Me Blue Ribbons. Internet Broadway Database. 28 October 2014.
5. Filmink. Stephen. Vagg. Forgotten Australian TV Plays: The Grey Nurse Said Nothing. November 17, 2020.
6. http://andrejkoymasky.com/liv/fam/bioe1/elli03.html
7. Web site: Sydney Morning Herald . 27 October 1948. Trove.nla.gov.au. 28 October 2014.
8. Filmink. Forgotten Australian TV Plays: Australia on US TV – Sumner Locke Elliott’s Wicked is the Vine and The Crater. Stephen. Vagg. September 11, 2022.
9. https://archive.org/details/variety192-1953-10/page/n275/mode/1up?q=%22sumner+locke%22 Review of production
10. https://archive.org/details/variety186-1952-05/page/n35/mode/1up?q=%22sumner+locke%22 Review of play
11. https://archive.org/details/variety191-1953-08/page/n219/mode/1up?q=%22sumner+locke%22 Review of production
12. https://archive.org/details/variety190-1953-06/page/n121/mode/2up?q=%22sumner+locke%22 Review
13. https://archive.org/details/variety192-1953-10/page/n43/mode/1up?q=%22sumner+locke%22 Review of production
14. https://archive.org/details/variety199-1955-08/page/n229/mode/1up?q=%22sumner+locke%22 Review of production
15. https://archive.org/details/variety197-1955-02/page/n118/mode/1up?q=%22sumner+locke%22 Review of production
16. https://archive.org/details/variety180-1950-12/page/n175/mode/1up?q=%22sumner+locke%22 Part one review
17. https://archive.org/details/variety180-1950-12/page/n231/mode/2up?q=%22sumner+locke%22 Part Two Review
18. https://archive.org/details/variety206-1957-05/page/n193/mode/1up?q=%22sumner+locke%22 Review of production
19. https://archive.org/details/variety212-1958-11/page/n38/mode/1up?q=%22sumner+locke%22 Review of production
20. https://archive.org/details/variety212-1958-11/page/n182/mode/1up?q=%22sumner+locke%22 Review of production
21. https://archive.org/details/variety202-1956-05/page/n320/mode/1up?q=%22sumner+locke%22 Review of production
22. https://archive.org/details/variety200-1955-11/page/n327/mode/1up?q=%22sumner+locke%22 Review of production
23. https://archive.org/details/variety202-1956-04/page/n171/mode/1up?q=%22sumner+locke%22 Review of play
24. https://archive.org/details/variety196-1954-12/page/n309/mode/1up?q=%22sumner+locke%22 Review of play
25. https://archive.org/details/variety221-1960-12/page/n116/mode/1up?q=%22sumner+locke%22 Review of production
26. https://archive.org/details/variety-1961-12/page/n102/mode/1up?q=%22sumner+locke%22 Review of production
27. https://archive.org/details/variety-1962-02/page/n119/mode/1up?q=%22sumner+locke%22 Review of production